WO2006022248A1 - 音処理装置、音処理方法、音処理プログラムおよび音処理プログラムを記録した記録媒体 - Google Patents
音処理装置、音処理方法、音処理プログラムおよび音処理プログラムを記録した記録媒体 Download PDFInfo
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- WO2006022248A1 WO2006022248A1 PCT/JP2005/015254 JP2005015254W WO2006022248A1 WO 2006022248 A1 WO2006022248 A1 WO 2006022248A1 JP 2005015254 W JP2005015254 W JP 2005015254W WO 2006022248 A1 WO2006022248 A1 WO 2006022248A1
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10K—SOUND-PRODUCING DEVICES; METHODS OR DEVICES FOR PROTECTING AGAINST, OR FOR DAMPING, NOISE OR OTHER ACOUSTIC WAVES IN GENERAL; ACOUSTICS NOT OTHERWISE PROVIDED FOR
- G10K15/00—Acoustics not otherwise provided for
- G10K15/08—Arrangements for producing a reverberation or echo sound
- G10K15/12—Arrangements for producing a reverberation or echo sound using electronic time-delay networks
Definitions
- Sound processing apparatus sound processing method, sound processing program, and recording medium on which sound processing program is recorded
- the present application relates to a technical field of a sound processing apparatus.
- a so-called machine that is a machine that changes the sound by applying some processing to the input original sound.
- the effector can add a phase difference to the input original sound or add a sound with a time difference to the original original sound and output it after shaking the output sound to determine the spatial extent and depth.
- effectors such as so-called modulation effectors that create effects that can be felt.
- the repetition of sound effects by the above-described effector uses an independent circuit configuration inside the effector regardless of the sound input to the effector. Therefore, if the sound input to the effector changes, the start timing of the effect sound by the effector will not match the time signature of the input sound, such as the tempo and rhythm. It was an unwanted sound effect that felt uncomfortable.
- the present application provides a sound processing apparatus that can automatically generate sound effects in accordance with a sound source so that a user such as a disk jockey does not bother and work. I will.
- the sound processing device of the present invention shows synchronization sound generating means for generating at least one new synchronization sound signal synchronized with the sound signal to be modulated, and attributes of the generated synchronization sound signal.
- Parameter detecting means for detecting a parameter, converted signal generating means for generating a converted signal based on the detected parameter, and modulating means for modulating the sound signal based on the generated converted signal; Is provided.
- the information reproducing apparatus such as a CD reproducing apparatus can Even if there is a change in the time signature and rhythm of the played music, a sound effect is generated within a certain time after the time signature occurs, so the listener can feel the sound of the music without feeling uncomfortable. Can enjoy the sound effect.
- the sound processing apparatus of the present invention further includes time difference setting means used for setting a start time difference between the modulated sound signal and the generated synchronization sound, and the synchronization sound generation means.
- time difference setting means used for setting a start time difference between the modulated sound signal and the generated synchronization sound
- the synchronization sound generation means Includes a configuration for generating the synchronized sound having at least one time difference based on at least one time difference set by the time difference setting means.
- the time difference can be set by inputting the time difference value, and the time difference from the time signature of the sound that is automatically modulated when the disc jockey strikes and inputs the time signature. Can also be set. In this case, sound effects can be generated improvised by the feeling of a disc jockey. Furthermore, this sound processing device can generate a variety of sound effects according to the time signature of the sound to be modulated, in accordance with the sound output from the information playback device such as a CD player. As a result, the listener can enjoy exciting sound effects according to the time signature of the modulated sound.
- the disc jockey does not have to worry about the effect sound deviating from the time signature, so it prepares to generate the next sound effect and selects the sound to be played next with sufficient time. I ’m going to do something.
- the modulation means includes time delay means for generating a time delay signal by delaying the modulated sound signal based on the detected volume level!
- Gain changing means for changing the gain of the time-delayed time-delayed signal, adding the gain-changed time-delayed signal and the modulated sound signal, and adding the added signal to the time-delayed signal.
- First addition means that feeds back to the means
- second addition means that adds the time-delayed time-delayed signal and the modulated sound signal and outputs the added signal. Is provided.
- a sound effect can be generated improvised by the delay time setting unit as an example of the time difference setting means, according to the feeling of a disc jockey.
- this sound processing device generates various sound effects according to the sound of the modulated sound that is output from the information playback device such as the atmosphere and the CD player. Can Thus, the listener can enjoy exciting sound effects according to the time signature of the modulated sound.
- the disc jockey does not have to worry about the effect sound deviating from the time signature, so it prepares to generate the next sound effect and selects the sound to be played next with sufficient time. I ’m going to do something.
- the modulation mode is determined based on the volume level of a sine waveform, which is a simple triangular waveform or trigonometric function, and therefore based on a predetermined pattern.
- the sound effect due to the degree of modulation was so powerful that listeners could not enjoy it.
- the waveform of the modulated sound can be freely changed, so that the modulation mode becomes an unexpected pattern, and the user can enjoy sound effects of various patterns.
- a disc jockey can use a sound processing device to generate a variety of sound effects at a dancing place such as a dance hall, so that the user can enjoy various ways of dancing. It becomes.
- the modulation means includes phase delay means for generating a phase delay signal by delaying the phase of the modulated sound signal based on the detected volume level.
- a gain changing means for changing the gain of the phase delayed phase delayed signal, the gain changed phase delayed signal and the modulated sound signal, and adding the added signal to the phase delayed signal.
- a first addition means for feedback input to the means; a phase delay signal delayed by the phase delay means; and the modulated sound signal; and a second addition for outputting the added signal Means.
- the delay time setting unit 4 can improvise sound effects in a disc jockey sense. Furthermore, this sound processing device can generate various sound effects according to the time of the modulated sound, in accordance with the sound output by the information reproducing device such as the atmosphere of the place and the CD player. Yes, according to the time signature of the modulated sound Thus, the listener can enjoy exciting sound effects.
- the disc jockey does not have to worry about the effect sound deviating from the time signature, so it prepares to generate the next sound effect and selects the sound to be played next with sufficient time. I ’m going to do something.
- the modulation means is a specific frequency band passing means having at least one cut-off frequency, and V, V, and V based on the detected volume level.
- a specific frequency band passing means for changing a value of the cut-off frequency, a passing signal passing through the specific frequency band passing means, and the modulated sound signal are added, and the added signal is specified as the specified signal
- sound effects can be generated improvised by the time difference setting means in the manner of a disc jockey.
- this sound processing device can generate a variety of sound effects according to the time signature of the modulated sound, in accordance with the sound output by the information playback device such as the atmosphere and the CD player. So according to the time signature of the modulated sound
- the listener can enjoy exciting sound effects.
- the disc jockey does not have to worry about the effect sound deviating from the time signature, so it prepares for the next sound effect generation and selects the sound to be played next with sufficient time. I ’m going to do something.
- the sound processing method of the present invention shows a synchronized sound generation step of generating at least one new synchronized sound signal synchronized with a modulated sound signal, and attributes of the generated synchronized sound signal.
- a parameter detecting step for detecting a parameter; a converted signal generating step for generating a converted signal based on the detected parameter; a modulating step for modulating the sound signal based on the generated converted signal; Is provided.
- the information reproducing apparatus such as a CD reproducing apparatus can Even if there is a change in the time signature and rhythm of the played music, a sound effect is generated within a certain time after the time signature occurs, so the listener can feel the sound of the music without feeling uncomfortable. Can enjoy the sound effect.
- the sound processing program of the present invention generates at least one new synchronized sound signal in which a computer included in a sound processing device that modulates a modulated sound is synchronized with the modulated sound signal.
- the timing of adding the sound effect to the sound of the music reproduced by the information reproducing apparatus such as a CD reproducing apparatus by the above configuration is constant, so that the information reproducing apparatus such as the CD reproducing apparatus Even if there is a change in the time signature and rhythm of the music played on the instrument, sound effects are generated within a certain time after the time signature occurs, so the listener does not feel a sense of discomfort. You can enjoy the sound effects.
- the sound effect is continuously generated without any sense of incongruity for the listener, so that troublesome work such as fine adjustment of the sound effect generation timing is eliminated. Also, select the information recording medium such as CD to be played next, This makes it possible to concentrate on the selection of sound effects to be provided, and to provide a sound processing device for the disc jockey with very operability.
- FIG. 1 is a block diagram showing a schematic configuration of a sound processing apparatus of each embodiment.
- FIG. 2 is a diagram schematically showing a waveform of an addition signal Sda.
- FIG. 3 is a diagram schematically showing the waveform of a control signal Sdm.
- FIG. 4 is a block diagram showing a configuration of the first embodiment.
- FIG. 5 is a diagram showing a state of signal conversion in the first embodiment.
- FIG. 6 is a flowchart showing the operation of the first embodiment.
- FIG. 7 is a block diagram showing a configuration of a second embodiment.
- FIG. 8 is a diagram showing a state of signal conversion in the second embodiment.
- FIG. 9 is a flowchart showing the operation of the second embodiment.
- FIG. 10 is a block diagram showing a configuration of a third embodiment.
- FIG. 11 is a diagram showing a state of signal conversion in the third embodiment.
- FIG. 12 is a flowchart showing the operation of the third embodiment.
- a so-called tap delay circuit that can set a plurality of delay times and a slightly delayed sound added to the input sound and the delay time are changed.
- the case where the present application is applied to a device combined with a so-called flanger that obtains a sound effect of swell will be described.
- the present application is applied to a device combining a so-called tap delay circuit and a so-called phaser that changes the phase of the sound and generates a sound effect that gives the sound a sense of rotation.
- a so-called tap delay circuit and a filter circuit that allows passage of sound in a part of the frequency band of the input sound are changed.
- FIG. 1 is a block diagram showing a schematic configuration example of the sound processing apparatus according to each embodiment.
- Fig. 2 is a diagram that schematically shows the waveform of the addition signal Sda, which will be described later
- Fig. 3 is a diagram that schematically shows the waveform of the control signal Sdm, which will be described later.
- the sound processing device S As shown in Fig. 1, the sound processing device S according to each embodiment is configured so that a sound signal such as a CD playback signal, a DVD playback signal, or an analog record playback signal is input as the input signal Si. It is summer. After obtaining the input signal Si, the sound processing device S performs signal processing representing a predetermined acoustic effect on the input signal Si. Then, the output signal So that has been subjected to signal processing representing a predetermined acoustic effect is amplified by a speaker system (not shown) including a plurality of speakers, and the signal-processed sound is amplified to each speaker. It provides sounds with distinctive sound effects and provides a fun, exciting and unique rhythm to the sound field space.
- a sound signal such as a CD playback signal, a DVD playback signal, or an analog record playback signal
- the sound processing device S After obtaining the input signal Si, the sound processing device S performs signal processing representing a predetermined acoustic effect on the input signal Si
- a so-called disc squeeze that produces creative sound effects on sounds played from CDs, DVDs or analog records.
- the device can be used.
- the sound effect created by this sound processing device functions as a so-called effector, and it is a better and unique sound effect for those dancing to music in amusement facilities such as disco and dance hall.
- the sound processing device S acquires the input signal Si by reproducing a sound source such as a recording medium or by acquiring an external force sound source such as a cable broadcast, and the input signal Si is determined in advance.
- Delay units 1, 2, and 3 for delaying by a predetermined time, delay time setting unit 4 for setting a plurality of predetermined delay times, and delay signals Sdlo and Sd2o having different delay times.
- Sd3o addition unit 5 parameter detection unit 6 that detects the parameter component indicating the attribute from the addition signal Sda, and control signal Sdm that controls the modulation unit MB based on the detected detection signal Sde
- a signal conversion unit 8 that performs signal conversion, an intensity adjustment unit 7 that sets the signal conversion intensity in the signal conversion unit 8, and a modulation unit MB that modulates an input signal based on the control signal Sdm generated by the signal conversion unit 8.
- the output signal So output from the modulation unit MB is a listener, that is, a sound in which a sound effect is added to the input signal Si by a loudspeaker such as a speaker or headphones via a power amplifier (not shown). Provided to those who enjoy disc jockey or dance.
- the input signal Si is a signal related to sound information output from, for example, a media playback device such as a CD or DVD or a receiving device that receives television broadcasts.
- Input to the delay unit 1 is an input signal Si and a delay time signal Sdl representing the delay time set for the delay unit 1 in the delay time setting unit 4.
- the input signal Si is delayed in the delay unit 1 by the delay time dl represented by the delay time signal Sdl.
- the delay signal Sidl delayed by the delay time dl with respect to the input signal Si is output as one delay unit.
- the output delay signal Sidl is input to the adder 5.
- the input signal Si and the delay time setting unit 4 are set for the delay unit 2 A delay time signal Sd2 representing the delay time is input.
- the input signal Si is delayed in the delay unit 2 by the delay time d2 represented by the delay time signal Sd2.
- the delay signal Sid2 delayed by the delay time d2 with respect to the input signal Si is also output as the delay unit 2 output.
- the output delay signal Sid2 is input to the adder 5.
- Input to the delay unit 3 is an input signal Si and a delay time signal Sd3 representing the delay time set for the delay unit 3 in the delay time setting unit 4.
- the input signal Si is delayed in the delay unit 3 by the delay time d3 represented by the delay time signal Sd3.
- the delay signal Sid3 delayed by the delay time d3 with respect to the input signal Si is also output as the delay unit 3 force.
- the output delay signal Sid3 is input to the adder 5.
- the delay time setting unit 4 is a part for setting a delay time to be delayed in each of the delay units 1, 2, 3 based on a user operation such as a so-called disc jockey.
- the user can input the delay times dl, d2, and d3 into the delay time setting unit 4 as numerical values.
- the delay time can be set by a method other than inputting the delay time numerically. For example, while the user listens to a sound generated from the input signal Si, the delay time can be set by operating the delay time setting unit 4 according to the sound.
- the delay time setting unit 4 when the user operates the delay time setting unit 4 at the beginning of the rhythm while listening to the sound, measurement of the delay time setting time is started inside the delay time setting unit 4.
- the disc jockey operates the delay time setting unit 4 again according to the rhythm, the elapsed time corresponding to the time when the user first operates the delay time setting unit 4 becomes the delay time dl.
- the elapsed time from when the user first operated the delay time setting unit 4 becomes the delay time d2.
- the elapsed time from when the user first operated the delay time setting unit 4 becomes the delay time d3.
- the adder 5 receives the delay signal Sidl, the delay signal Sid2, and the delay signal Sid3 output from the delay unit 1, the delay unit 2, and the delay unit 3. Each input delay signal is added by the adder 5, and the adder 5 outputs an added signal Sda.
- FIG. 2 shows a signal waveform schematically showing the addition signal Sda.
- the horizontal axis represents time
- the vertical axis represents the loudness of the signal, which is the amplitude of the signal. It is assumed that the input signal Si is input to the delay units 1, 2, and 3 at the timing of the origin O and T1 on the time axis.
- the delay signal Sdl is generated after the delay time dl set in the delay time setting unit 4 also passes through the timing force at the origin O and T1 of the time axis, which is the timing when the input signal Si is input to the delay unit 1. It shows how the signal size increases as it occurs.
- the waveform shape of the delay signal Sdl is the same as that of the input signal Si.
- the delay signal Sd2 is generated after the delay time d2 set in the delay time setting unit 4 has elapsed for the origin O of the time axis, which is the timing when the input signal Si is input to the delay unit 2, and the timing of T1. As the signal amplitude increases, the signal amplitude increases.
- the waveform of the delayed signal Sd2 is the same as that of the input signal Si. Furthermore, the delay signal Sd3 is generated after the delay time d3 set in the delay time setting unit 4 has elapsed after the origin O of the time axis, which is the timing when the input signal Si is input to the delay unit 3, and the timing force of T1. In the meantime, it shows how the size of the signal increases.
- the waveform shape of the delayed signal Sd3 is the same as that of the input signal Si.
- the addition signal Sda output from the adder unit 5 is limited to the delay times dl, d2, and d3 in which the delay signals Sdl, Sd2, and Sd3 are set in the delay time setting unit 4. The signal appears repeatedly with a delay.
- the parameter detection unit 6 receives the addition signal Sda.
- the parameter component of the addition signal Sda is detected in the parameter detector 6 and the parameter component is output as the parameter signal Sde.
- the parameter detector 6 is provided with a set of filters such as an LPF (Low Pass Filter), such as a bass drum whose main component is the low frequency component of the input signal Si that is the original sound.
- a signal representing the time signature is output as the change signal Sde. Therefore, low frequency generation
- the change signal Sde whose component is the main component contains more components that mainly represent time signatures in the input signal Si.
- listeners dance at entertainment facilities such as discos and dance halls, they often take steps with the sound of bass drums and other sounds that contain more low-frequency components. Therefore, by generating a sound effect described later based on the time signature detected by the parameter detection unit 6, the listener can enjoy the sound effect while taking steps without feeling uncomfortable. .
- the signal converter 8 receives the parameter signal Sde output from the parameter detector 6.
- the signal conversion unit 8 generates a control signal Sdm for controlling the modulation unit MB based on the parameter signal Sde and the intensity adjustment signal Ss output from the intensity adjustment unit 7 and representing the modulation intensity.
- the signal conversion unit 8 After detecting the absolute value I Sde
- Figure 3 shows the I Sde
- the signal conversion unit 8 changes the magnitude of the amplitude of the I Sde I signal based on the intensity adjustment signal 7 output from the intensity adjustment unit 7.
- the signal conversion unit 8 increases the amplitude of the I Sde I signal and inputs it to the intensity adjustment unit 7. If the value is small, decrease the amplitude of the I Sde I signal. When the amplitude of the I Sde I signal is large, the change in the control signal Sdm increases, and the degree of modulation in the modulation unit 8 increases. When the amplitude of the I Sde I signal is small, the change in the control signal Sdm is small, and the degree of modulation in the modulation unit 8 is small.
- the value input to the intensity adjusting unit 7 can be input by a variable resistor such as a volume that changes continuously in addition to a numerical value.
- the strength adjustment unit 7 is formed by a cylindrical audio knob
- the strength adjustment unit 7 is input.
- the intensity adjustment signal Ss output from the intensity adjustment unit 7 is changed so as to increase.
- signal is controlled so as to gradually change greatly according to the rotational position of the cylindrical audio knob.
- the intensity adjustment signal Ss output from the intensity adjustment unit 7 is assumed to be smaller as the value force S input to the intensity adjustment unit 7 decreases. Change to be smaller.
- signal is controlled so as to gradually change in accordance with the rotational position of the cylindrical audio knob.
- the control signal Sdm and the input signal Si output from the signal conversion unit 8 are input to the modulation unit MB.
- the input signal Si is modulated by a modulation method determined in advance based on the control signal Sdm.
- the modulated signal is output from the modulation unit MB as an output signal So.
- the output signal So is modulated by the modulation unit MB with reference to the timing at which the delayed signals Sidl, Sid2, and Sid3, which are added by the adder unit 5 and synchronized with the input signal Si, are input to the signal conversion unit 8. ing. That is, the input signal Si is modulated in accordance with the rhythm of the input signal Si, and the output signal So, which is a sound effect that functions as the effector of the sound processing device S, is output from the sound processing device S. It is.
- the output signal So output from the output device S is connected to a speaker (not shown) via an input to a power amplifying device (not shown) and provided as a sound effect to the listener.
- the time interval of the modulated input signal Si is not constant, or the time interval of the modulated input signal Si is gradually increased or shortened. Even if it is a case, the modulated sound is modulated in synchronization with the time signature of the modulated sound, and an effect sound is generated.
- the timing of adding the sound effect to the sound of the music reproduced by the information reproducing apparatus becomes constant, so that the CD reproducing apparatus Even when the time signature and rhythm of the music played by the information playback device are fluctuating, sound effects are generated within a certain time after the occurrence of the time signature, so the listener does not feel uncomfortable. You can enjoy sound effects such as music.
- the sound effect is continuously generated without any sense of incongruity for the listener, so that troublesome work such as fine adjustment of the sound effect generation time is not required.
- the first embodiment is a unique tap delay circuit as a delay unit DB that can set multiple delay times, and by adding a slightly delayed sound to the input sound and changing the delay time. This is an embodiment when the present application is applied to an apparatus combined with a so-called flanger that obtains a sound effect of swell.
- FIG. 4 is a block diagram of the first embodiment
- FIG. 5 is a diagram showing the modulation method in the first embodiment
- FIG. 6 is a flowchart showing the operation of the first embodiment.
- the modulation unit MB1 includes a delay unit 9, a resonance amount setting unit 10, an addition unit 11, a buffer unit 12, and an addition unit 13.
- the delay unit 9 receives the control signal Sdm from the signal conversion unit 8 as a control signal, delays the input signal Sil l according to the signal level of the control signal Sdm, and outputs the signal Si Output as 9.
- Fig. 5 shows the relationship between the control signal Sdm and the delay time of the signal Sill.
- the horizontal axis represents the time axis, and the vertical axis represents the time at which the signal Sil input to the delay unit 9 is delayed in the delay unit 9.
- the waveform Sdml shown in Fig. 5 is similar to the waveform of the control signal Sdm.
- the signal Sil l is delayed in the delay unit 9 . Since the delay time at time tl is Oms, the signal Sill is output as the output signal Si9 of the delay unit 9 without being delayed by the delay unit 9.
- the delay time dm2 at time t2 is It can be seen that the interval is set to 20 ms. This means that the signal Sil l is output as the signal Si9 after being delayed by 20 ms in the delay unit 9 at time t2.
- the delay time dm3 at time t3 is set to 5 ms. This means that the signal Sil is output as the signal Si9 after being delayed by 5 ms in the delay unit 9 at time t3.
- the signal Sil l input to the delay unit 9 is continuously delayed in proportion to the amplitude level of the control signal Sdm, and as the signal Si9 after the delay time elapses. Is output.
- the resonance amount setting unit 10 receives the signal Si9 that is the output of the delay unit 9, adjusts the gain of the signal Si9 based on the gain control value set by the user, and outputs the gain-adjusted signal. Output as signal SilO.
- the resonance amount setting unit 10 when configured by a cylindrical audio knob, when this knob is rotated to the right by the user (clockwise), before the knob is rotated.
- the signal SilO which is a signal having a larger amplitude than that of, is output.
- the signal SilO which is a signal having a smaller amplitude than before the knob is rotated, is output.
- the addition unit 11 performs gain adjustment in the resonance amount setting unit 10 after the signal Sil 2 that is an output signal of the buffer unit 12 equivalent to the input signal Si and the input signal Si are delayed in time by the delay unit 9.
- the signal SilO is added and the signal Sil2 is output as an output signal.
- the notch unit 12 is configured so that the input resistance is large and the output resistance is small.
- the buffer unit 12 receives the input signal Si and outputs the signal Sil2.
- the impedance is changed, and the input impedance of the input signal Si is large, but the output impedance of the signal Sil2 is small.
- the input signal Si can be efficiently added to the adder 11 that is the next stage of the notfer 12. Note that the waveform does not change before and after the noffer 12.
- the adder 13 adds the signal Si9 output from the delay unit 9 and the input signal Si and outputs the result as an output signal So.
- This output includes an input signal Si and a signal Si9 obtained by delaying the input signal Si by the delay unit 9. Addition causes interference, resulting in low frequency, peaks and valleys, and slow signal changes. As a result, when the output signal So is listened to through a loudspeaker such as a speaker, a sound effect in which the passing sound of the jet plane has a wave is obtained.
- the signal Si9 is added to the input signal Si, the sound effect is amplified after the time set in the delay time setting unit 4 is synchronized with the time signature of the input signal Si. .
- FIG. 6 is a flowchart showing the operation of the first embodiment.
- step S1 an input signal Si which is a signal input to the sound processing device S1 of the first embodiment is input.
- step S 2 the delay time setting unit 4 delays the input signal Si based on the delay time set in the delay time setting unit 4.
- Delay signal SdlO delayed by delay time dl is output from delay unit 1
- delay signal Sd20 delayed by delay time d2 is output from delay unit 2
- delay signal Sd30 delayed by delay time d3 is the delay unit. Output from 3.
- step S 3 the delay signal SdlO, the delay signal Sd 20, and the delay signal Sd 30 generated in step S 3 are added to the adding unit 5 by! /.
- the added signal is output as the added signal Sda.
- step S4 the time signature detection unit 14 detects a parameter signal Sde mainly including a relatively low frequency component among the signal components included in the addition signal Sda.
- step S5 the absolute value of the parameter signal Sde is obtained from the parameter signal Sde.
- the detected signal is output from the signal detector 8 as a control signal Sdm.
- step S6 the delay unit 9 delays the signal Sil 1 input to the delay unit 9 according to the amplitude level of the control signal Sdm, and outputs the delayed signal from the delay unit 9 as the signal Si9.
- step S7 the adding unit 13 adds the signal Si9 that is the delayed signal output from the delay unit 9 and the input signal Si input to the sound processing device S1, and outputs the result from the sound processing device S1. Outputs signal So.
- a loudspeaker such as a speaker
- the output signal So is heard as a sound effect in which the passing sound of the jet has a swell.
- step S8 the resonance amount setting unit 10 outputs the signal Si9 output from the delay unit 9. Adjust the gain.
- the gain-adjusted signal is output from the resonance amount setting unit 10 as a signal SilO.
- step S9 the signal Sil2 output from the buffer unit 12 and the signal SilO output from the resonance amount setting unit 10 are added by the adding unit 11, and output to the delay unit 9 as a signal Sil1.
- step S10 the presence / absence of the input signal Si input to the notch unit 10 is determined. If there is no input signal Si, the process ends. If there is an input signal Si, return to step S6.
- a time delay occurs in the sound to be modulated based on the volume level detected by the signal converter 8 which is an example of the volume level detecting means.
- the time-delayed modulated sound is added to the modulated sound with no time delay by the adder 13 which is an example of the first addition means. Since the time delay is generated based on the volume level, the modulated sound and the time-delayed modulated sound are added at regular time intervals synchronized with the time signature of the modulated sound. Since the amount of time delay at this time changes based on the volume level, the added output sound will produce a sound effect with a unique undulation.
- the sound processing device S1 it is possible to generate a sound effect having one or more unique undulations synchronized with the time signature of the modulated sound. As a result, it is possible to enjoy sound effects with various time differences for a single time signature.
- a sound effect can be generated improvised by the delay time setting unit 4 as an example of the time difference setting means according to the feeling of a disc jockey.
- this sound processing device can generate a variety of sound effects according to the time signature of the sound to be modulated, in accordance with the sound output from the information playback device such as a CD player. As a result, the listener can enjoy exciting sound effects according to the time signature of the modulated sound.
- the disc jockey does not have to worry about the effect sound deviating from the time signature, so it prepares to generate the next sound effect and selects the sound to be played next with sufficient time. I ’m going to do something.
- the modulation mode is determined based on a predetermined pattern. The sound effect due to the degree of modulation was so powerful that listeners could not enjoy it. However, according to the configuration of this embodiment, the waveform of the sound to be modulated changes freely, so that the modulation mode also has an unexpected pattern, and the user can enjoy sound effects of various patterns. .
- a disc jockey can use a sound processing device to generate various sound effects at a dance place such as a dance hall, so that the user can enjoy various ways of dancing. It becomes possible.
- the delay time setting unit 4 has a delay time and the power described in the case where the number of delay units is three. This embodiment is not limited to three delay time settings. The number of delay times and the number of delay parts delayed in part 4 is not limited to three, and any number may be used.
- a so-called tap delay circuit as a delay unit DB capable of setting a plurality of delay times and a sound whose phase has changed with respect to the input sound are added and the phase is changed.
- This is an embodiment in which the present application is applied to an apparatus combined with a so-called phaser that obtains a unique sound effect of swell.
- FIG. 7 is a block diagram of the second embodiment
- FIG. 8 is a diagram showing the modulation method in the second embodiment
- FIG. 9 is a flowchart showing the operation of the second embodiment.
- the modulation unit MB2 unique to the second embodiment includes a resonance amount setting unit 10, an adding unit 11, a buffer unit 12, an adding unit 13, an APF (A11 Pass Filter) unit 16, and Are provided.
- the APF unit 16 is a filter circuit used for the purpose of passing signals in all frequency ranges and changing only the phase.
- the APF unit 16 receives the control signal Sdm from the signal conversion unit 8 as a control signal, changes the phase delay amount of the signal Sil5, which is the input signal, according to the signal level of the control signal Sdm, and generates the signal Sil3 Output as.
- FIG. 8 shows the relationship between the control signal Sdm and the phase delay amount of the signal Sil 3.
- the horizontal axis represents the time axis.
- the vertical axis represents the phase angle (2 ⁇ represents 360 degrees), and the signal Sil 5 input to the APF unit 16 indicates the angle at which the APF unit 16 delays the phase.
- the waveform Sdm2 shown in Fig. 5 is similar to the control signal Sdm.
- the phase at time t4 is 0, the input signal Sil5 without being delayed in phase by the APF unit 16 is output as the signal Sil3 of the APF unit 16 as it is.
- the phase delay amount pm2 at time t5 is set to 3 ⁇ ⁇ ZlO from the phase angle on the vertical axis. This indicates that the signal Sil5 is output as the signal Sil3 after the phase delay of 3 ⁇ ⁇ in the APF unit 16 at time t5.
- the phase delay amount pm3 at time t6 is set to 1 ⁇ ⁇ . This indicates that the signal Sil5 is output as the signal Sil3 after a phase delay of 1 ⁇ ⁇ in the APF unit 16 at time t6.
- the signal Sil5 input to the APF unit 16 continuously delays in proportion to the amplitude level of the control signal Sdm, and after that phase delay, the signal Sil3 Is output.
- the resonance amount setting unit 10 inputs the signal Sil3 that is the output of the APF unit 16, adjusts the gain of the signal Sil3 based on the gain control value set by the user, and signals the gain-adjusted signal. Output as Sil4.
- the resonance amount setting unit 10 when configured by a cylindrical audio knob, when this knob is rotated to the right by the user (clockwise), before the knob is rotated.
- the signal Sil4 which is a signal having a larger amplitude than that of, is output.
- the signal Sil4 which is a signal having a smaller amplitude than that before the knob is rotated, is output.
- the adder 11 adjusts the gain of the signal Sil 2 which is the output signal of the buffer unit 12 equivalent to the input signal Si and the resonance amount setting unit 10 after the phase of the input signal Si is delayed by the APF unit 16.
- the signal Sil4 added is added, and the signal Sil5 is output as an output signal.
- the adder 13 adds the signal Si9 output from the delay unit 9 and the input signal Si, and outputs an output signal. Output as No. So.
- This output is a slow signal due to interference caused by the addition of the input signal Si and the signal Sil3 whose phase is delayed by the input signal Si by the APF unit 16. Change occurs.
- the output signal So is heard through a loudspeaker such as a speaker, a sound effect having a unique undulation is obtained.
- FIG. 8 is a flowchart showing the operation of the second embodiment.
- step S21 an input signal Si, which is a signal input to the sound processing device S2 of the second embodiment, is input.
- step S22 the input signal Si is delayed based on the delay time set in the delay time setting unit 4.
- the delay signal SdlO delayed by the delay time dl is also output from the delay unit 1, and the delay signal Sd20 delayed by the delay time d2 is output from the delay unit 2.
- the delay signal Sd30 delayed by the delay time d3 is output from the delay unit 3.
- step S23 the delayed signal SdlO and delayed signal generated in step S22.
- Sd20 and delayed signal Sd30 are added in the adder 5.
- the added signal is output as a calorie calculation signal Sda.
- step S24 the beat signal detector 14 detects the parameter signal Sde that mainly includes a relatively low frequency component among the signal components included in the added signal Sda.
- step S25 from the parameter signal Sde, I Sde I, which is the absolute value of the parameter signal Sde, is detected by the signal conversion unit 8, and then the envelope of I Sde
- the detection signal is output from the signal detector 8 as a control signal Sdm.
- step S26 the APF unit 16 delays the phase of the signal Sil5 input to the APF unit 16 according to the amplitude level of the control signal Sdm, and outputs the signal Sil3 from the APF unit 16.
- step S27 the adding unit 13 is a phase delay signal output from the APF unit 16.
- the signal Sil3 and the input signal Si input to the sound processor S2 are added, and the sound processor S2 output also outputs an output signal So.
- the output signal So is heard through a loudspeaker such as a speaker (not shown), it is heard as a sound effect having a unique swell.
- step S28 the resonance amount setting unit 10 adjusts the gain of the signal Sil3 output from the APF unit 16.
- the gain-adjusted signal is output from the resonance amount setting unit 10 as a signal Si 14.
- step S29 the addition unit 11 adds the signal Sil2 output from the buffer unit 12 and the signal Sil4 output from the resonance amount setting unit 10, and outputs the result to the APF unit 16 as the signal Sil5. .
- step S30 the presence / absence of the input signal Si input to the notch unit 10 is determined. If there is no input signal Si, the process ends. If there is an input signal Si, go back to step S26 ⁇ .
- the sound processing device S2 of the present embodiment it is possible to generate a sound in which a high-frequency component having one or more unique undulations synchronized with the time signature of the modulated sound is emphasized. As a result, it is possible to enjoy sound effects with various time differences for a single time signature.
- the delay time setting unit 4 can improvise sound effects in a disc jockey sense. Furthermore, this sound processing device can generate a variety of sound effects according to the time signature of the modulated sound, in accordance with the sound output by the information playback device such as the atmosphere and the CD player. So according to the time signature of the modulated sound
- the listener can enjoy exciting sound effects.
- the disc jockey does not have to worry about the effect sound deviating from the time signature, so it prepares to generate the next sound effect and selects the sound to be played next with sufficient time. I ’m going to do something.
- a so-called tap delay circuit as a delay unit DB capable of setting a plurality of delay times and a sound whose low-pass frequency is changed with respect to the input sound are added to the low-pass Passing
- An embodiment in which the present application is applied to a device combined with a so-called filter circuit that obtains a unique sound effect by changing the cutoff frequency of the frequency is shown.
- FIG. 10 is a block diagram of the third embodiment
- FIG. 9 is a flowchart showing the operation of the third embodiment.
- the modulation unit MB2 includes a resonance amount setting unit 10, an addition unit 11, a buffer unit 12, an addition unit 13, and a filter unit 15.
- the filter part 15 is a so-called LPF circuit that passes a signal in a low frequency range.
- the filter part 15 receives the control signal Sdm from the signal converter 8 as a control signal, changes the low-frequency cutoff frequency of the signal Sil8, which is the input signal, according to the signal level of the control signal Sdm, The low frequency component below the low cutoff frequency is output as signal Sil6.
- Figure 11 shows the relationship between the control signal Sdm and the low cutoff frequency of the signal Sil8.
- the horizontal axis represents the time axis.
- the vertical axis represents the cut-off frequency (Hz), which means the frequency near the upper limit of the low-frequency component at which the signal Sil 8 input to the filter part 15 passes through the filter part 15.
- the waveform Sdm3 shown in Fig. 11 is similar to the control signal Sdm.
- the filter part 15 changes the low cut-off frequency of the signal Sil8
- the cutoff frequency at time t7 is fmlHz
- the frequency component of the signal Sil8 below the fml frequency passes through the filter part 15 as it is.
- the frequency near fml frequency is greatly attenuated by filter part15.
- the low cut-off frequency at time t8 is set to fm2. This means that the frequency component of the signal Sil8 at time t8 that falls below the fm2 frequency passes through the filter part 15 as it is. However, the frequency component near the fm2 frequency among the frequency components of the signal Si 18 is greatly attenuated by the filter part 15.
- the low-frequency cutoff at time t9 is set to fm3. This means that the frequency component corresponding to the vicinity of the fm3 frequency or less out of the frequency component of the signal Sil8 at time t9 passes through the filter part 15 as it is. However, of the frequency components of signal Sil8, the frequencies near the fm3 frequency are greatly attenuated by filter part 15.
- the low-frequency cutoff frequency of the signal Sil5 input to the filter part 15 changes continuously in proportion to the amplitude level of the control signal Sdm, and the low-frequency cutoff is detected.
- a frequency component lower than the frequency is output as the signal Sil3.
- FIG. 12 is a flowchart showing the operation of the third embodiment.
- step S41 an input signal Si, which is a signal input to the sound processing device S3 of the third embodiment, is input.
- step S42 the delay time setting unit 4 delays the input signal Si based on the delay time set by the delay time setting unit 4!
- the delay signal SdlO delayed by the delay time dl is also output from the delay unit 1
- the delay signal Sd20 delayed by the delay time d2 is output from the delay unit 2
- the delay signal Sd30 delayed by the delay time d3 is output from the delay unit 3 Is output from.
- step S43 the delay signal SdlO, the delay signal Sd20, and the delay signal Sd30 generated in step S42 are added in the adder 5.
- the added signal is output as a calorie calculation signal Sda.
- step S44 the time signature detection unit 14 detects the parameter signal Sde that mainly includes a relatively low frequency component among the signal components included in the addition signal Sda.
- step S45 from the parameter signal Sde, I Sde I, which is the absolute value of the parameter signal Sde, is detected by the signal conversion unit 8, and then the envelope of I Sde
- the detection signal is output from the signal detector 8 as a control signal Sdm.
- step S46 the filter part 15 changes the upper limit frequency through which the low-frequency component of the signal Sil8 input to the filter part 15 passes according to the amplitude level of the control signal Sdm, and the frequency component Is output from the filter part 15 as the signal Sil6.
- step S47 the signal Sil6 output from the filter part 15 is converted into the sound processing device S3. Is output as an output signal So that is also output.
- the output signal So is heard through a loudspeaker such as a speaker (not shown), it is heard as a sound effect having a unique low frequency swell.
- step S48 the resonance amount setting unit 10 adjusts the gain of the signal Sil6 output from the filter part 15.
- the gain-adjusted signal is output from the resonance amount setting unit 10 as the signal Sil7.
- step S49 the signal Sil2 output from the buffer unit 12 and the signal Sil 7 output from the resonance amount setting unit 10 are added by the adding unit 11, and output to the filter unit 15 as the signal Sil 8. .
- step S50 the presence / absence of the input signal Si input to the notch unit 10 is determined. If there is no input signal Si, the process ends. If there is an input signal Si, go back to step S46.
- this sound processing device S3 since the cutoff frequency of the low frequency component changes in synchronization with the time signature of the modulated sound, a unique sound can be generated. As a result, it is possible to enjoy sound effects with various time differences for one time signature.
- the sound effect can be generated improvised by the time difference setting means in the manner of a disc jockey. Furthermore, this sound processing device can generate a variety of sound effects according to the time signature of the modulated sound, in accordance with the atmosphere of the place and the power of the information playback device such as a CD player. Therefore, the listener can enjoy exciting sound effects according to the time signature of the modulated sound.
- the disc jockey since the disc jockey does not have to worry about the effect sound shifting from the time signature, it prepares the next sound effect and selects the sound to be played next with sufficient time. I ’m going to do something.
- a sound such as a music piece reproduced by a CD reproducing device or the like is input to the delay unit 4 as a modulated sound.
- the time signature of the sound to be modulated is detected by the time signature detector 14, and a converted signal is generated by the signal converter 8 based on the timing of the time signature.
- This converted signal is a control signal for controlling the modulation unit MB, and is reproduced by a CD playback device or the like input to the modulation unit MB based on the change of the conversion signal.
- Sounds such as music are modulated. That is, the timing to be modulated is modulated in synchronization with the sound to be modulated.
- the modulated sound is output as a sound effect.
- the sound effect is continuously generated without any sense of incongruity for the listener, so that troublesome work such as fine adjustment of the sound effect generation time is not required.
- the sound detected by the time detector 14 and synchronized with the sound to be modulated is input to the volume level detecting means. Thereafter, the waveform of the sound modulated by the signal converter 8 is detected. Then, the modulation unit MB reduces the modulation mode of the modulated sound corresponding to the portion of the waveform level force S detected by the signal conversion unit 8 being small. In addition, the modulation unit MB increases the modulation mode of the sound to be modulated in response to the portion where the level of the waveform detected by the signal conversion unit 8 is large.
- the modulation mode is determined based on the volume level of a simple triangular waveform or sine waveform that is a trigonometric function. The listener could not enjoy it.
- the waveform of the modulated sound can be freely changed, so that the modulation mode becomes an unexpected pattern, and the user can enjoy sound effects of various patterns. Become.
- a disc jockey uses a sound processing device to enter a dance hall or other dance place. Since V and various sound effects can be generated, the user can enjoy various ways of dancing.
- the time difference between the modulated sound signal and the synchronized sound generated by the delay unit DB can be freely set by the delay time setting unit 4.
- this synchronized sound is not limited to one, and it is possible to generate a synchronized sound having multiple time differences.
- a plurality of synchronized sounds can be generated in synchronization with the time signature of the sound to be modulated, and a plurality of sound effects can be generated by the modulating means based on the plurality of synchronized sounds.
- a plurality of sound effects can be generated by the modulating means based on the plurality of synchronized sounds.
- the time difference can be set by inputting the time difference value, and the time difference from the time signature of the sound that is automatically modulated when the disc jockey strikes and inputs the time signature. Can also be set. In this case, sound effects can be generated improvised by the feeling of a disc jockey.
- this sound processing device can generate a variety of sound effects according to the time signature of the sound to be modulated, in accordance with the sound output from the information playback device such as a CD player. As a result, the listener can enjoy exciting sound effects according to the time signature of the modulated sound.
- the disc jockey since the disc jockey does not have to worry about the effect sound shifting from the time signature, it prepares the next sound effect and selects the sound to be played next with sufficient time. I ’m going to do something.
- a time delay occurs in the sound to be modulated based on the volume level detected by the signal converter 8.
- the time-delayed modulated sound is added by the adder 11 to the modulated sound with no time delay. Since the time delay occurs based on the volume level, the modulated sound and the modulated sound delayed in time are added at regular time intervals synchronized with the time signature of the modulated sound. Since the amount of time delay at this time changes based on the volume level, the added output sound is output as a sound in which high frequency components with unique undulations are emphasized.
- This configuration had one or more unique undulations synchronized with the time signature of the modulated sound. A sound in which high frequency components are emphasized can be generated. As a result, it is possible to enjoy sound effects with various time differences for a single time signature.
- sound effects can be generated improvised by the time difference setting means, as if a disc jockey.
- this sound processing device can generate a variety of sound effects according to the time signature of the modulated sound, in accordance with the atmosphere of the place and the power of the information playback device such as a CD player. Therefore, the listener can enjoy exciting sound effects according to the time signature of the modulated sound.
- the disc jockey does not have to worry about the effect sound shifting from the time signature, so it prepares the next sound effect and selects the sound to be played next with sufficient time. I ’m going to do something.
- a phase delay occurs in the modulated sound based on the volume level detected by the signal converting unit 8.
- the phase-modulated sound to be modulated is added by the adder 11 to the modulated sound in which no phase delay has occurred. Since the phase delay is generated based on the sound volume level, the modulated sound and the modulated sound delayed in phase are added at regular time intervals synchronized with the time signature of the modulated sound. The amount of phase delay at this time changes based on the volume level, so that the added output sound is a sound in which high frequency components with unique undulations are emphasized.
- this sound processing apparatus it is possible to generate a sound in which a high frequency component having one or more unique undulations synchronized with the time signature of the modulated sound is emphasized. As a result, it is possible to enjoy sound effects with various time differences for one time signature.
- the pass frequency of the sound to be modulated is changed by the specific frequency band passing means based on the volume level detected by the signal converter 8. Also, the modulated sound that has passed through only the specific frequency band is added by the adder 11 to the original sound that is the modulated sound. Since the specific frequency band changes based on the volume level, the added sound will output a unique undulating sound effect from low to high.
- this sound processing apparatus it is possible to generate one or more unique sounds that reciprocate between a high frequency component synchronized with the time signature of the modulated sound and a low frequency component. As a result, it is possible to enjoy sound effects with various time differences for one time signature.
- a program corresponding to the flowcharts of FIGS. 6, 9, and 12 is recorded in advance on a flexible disk or in advance via a network such as the Internet, and this is recorded by a general-purpose microcomputer or the like.
- a general-purpose microcomputer or the like By reading and executing, it is possible to cause the general-purpose microcomputer or the like to function as the CPU according to the embodiment.
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Abstract
Description
Claims
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US11/661,129 US7495166B2 (en) | 2004-08-25 | 2005-08-23 | Sound processing apparatus, sound processing method, sound processing program and recording medium which records sound processing program |
JP2006531908A JP4241830B2 (ja) | 2004-08-25 | 2005-08-23 | 音処理装置、音処理方法、音処理プログラムおよび音処理プログラムを記録した記録媒体 |
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JP2014510474A (ja) * | 2011-03-02 | 2014-04-24 | フラウンホーファー−ゲゼルシャフト・ツール・フェルデルング・デル・アンゲヴァンテン・フォルシュング・アインゲトラーゲネル・フェライン | 残響知覚レベルの大きさを決定する装置及び方法、オーディオプロセッサ並びに信号処理方法 |
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US9318086B1 (en) | 2012-09-07 | 2016-04-19 | Jerry A. Miller | Musical instrument and vocal effects |
EP3276969A1 (en) * | 2016-07-27 | 2018-01-31 | Advanced Digital Broadcast S.A. | Content presentation device and method |
JP7028896B2 (ja) * | 2017-12-29 | 2022-03-02 | AlphaTheta株式会社 | 楽音効果付与装置および楽音効果付与プログラム |
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JPWO2006022248A1 (ja) | 2008-07-31 |
US20070256544A1 (en) | 2007-11-08 |
US7495166B2 (en) | 2009-02-24 |
JP4241830B2 (ja) | 2009-03-18 |
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