KR100387919B1 - The method of preparing and application for chianware glaze - Google Patents
The method of preparing and application for chianware glaze Download PDFInfo
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- KR100387919B1 KR100387919B1 KR10-2000-0048668A KR20000048668A KR100387919B1 KR 100387919 B1 KR100387919 B1 KR 100387919B1 KR 20000048668 A KR20000048668 A KR 20000048668A KR 100387919 B1 KR100387919 B1 KR 100387919B1
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- C—CHEMISTRY; METALLURGY
- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
- C04B—LIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
- C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
- C04B41/80—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone of only ceramics
- C04B41/81—Coating or impregnation
- C04B41/85—Coating or impregnation with inorganic materials
- C04B41/86—Glazes; Cold glazes
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- C03—GLASS; MINERAL OR SLAG WOOL
- C03C—CHEMICAL COMPOSITION OF GLASSES, GLAZES OR VITREOUS ENAMELS; SURFACE TREATMENT OF GLASS; SURFACE TREATMENT OF FIBRES OR FILAMENTS MADE FROM GLASS, MINERALS OR SLAGS; JOINING GLASS TO GLASS OR OTHER MATERIALS
- C03C8/00—Enamels; Glazes; Fusion seal compositions being frit compositions having non-frit additions
- C03C8/02—Frit compositions, i.e. in a powdered or comminuted form
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- C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
- C04B41/45—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements
- C04B41/50—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials
- C04B41/5001—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials with carbon or carbonisable materials
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- C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
- C04B41/45—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements
- C04B41/50—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials
- C04B41/5072—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials with oxides or hydroxides not covered by C04B41/5025
- C04B41/5074—Copper oxide or solid solutions thereof
- C04B41/5075—Copper oxide
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- C04—CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
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- C04B41/00—After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
- C04B41/45—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements
- C04B41/50—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials
- C04B41/5076—Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements with inorganic materials with masses bonded by inorganic cements
- C04B41/5084—Lime, hydraulic lime or magnesium oxide cements
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Abstract
본발명은 도자기용 유약의 제조방법에 관한 것으로서,The present invention relates to a method of manufacturing a glaze for ceramics,
광명단 등 유해 화학물질과 별도의 안료를 함유하는 종래의 유약이 가지는 문제점을 근본적으로 해결하여, 환경오염을 유발하지 않고 인체에 전혀 무해하며, 중국 고대에 검푸른 채색을 띠도록 만든 자기인 일명 "천목"의 색감과 미감을 그대로 재현함으로써 최대한 자연미를 살릴 수 있는 도자기용 유약을 제공하는 것을 목적으로 하여 안출된 것으로서,It solves the problems of conventional glaze containing harmful chemicals such as photo list and other pigments, and it is harmless to human body without causing environmental pollution. It is designed to provide porcelain glaze that can make the most of natural beauty by reproducing the color and aesthetic of ",
상기 본 발명은,The present invention,
황토흙을 채취하여 물에 풀어 흙물을 만들고 80~100목의 채를 이용하여 한 번 걸러준 후, 채를 통과한 흙물 중 아래에 가라앉은 고운 황토만을 채취하고,After collecting the clay soil, make the soil water and filter it once by using 80 ~ 100 trees, and then collect only the fine yellow soil that has sunk below.
석회석 원석인 횟돌을 초벌구이할 때 지름 5~15㎝ 정도로 잘게 부수어 700~1000℃의 열을 가하여 구운 후, 쇠절구를 이용하여 가루로 만든 다음, 이를 80~100목의 채를 통과시킴으로써 석회석 가루를 준비하고,When roasting limestone, which is limestone ore, is finely crushed to a diameter of 5 ~ 15㎝ and baked by applying heat of 700 ~ 1000 ℃, it is made of powder using iron mortar, and then it is passed through 80 ~ 100 necks. Ready,
철광석 원석을 채취하여 지름이 약 5~10㎝ 정도의 크기로 만들고, 작게 만든 철광석 원석을 1200~1550℃의 열을 가하여 쇠절구로 가루를 만든 후, 가루로 만든 철광석을 80~100목 채를 이용하여 한 번 걸러줌으로써 산화철을 준비하고,Take the iron ore ore and make it about 5 ~ 10㎝ in diameter, heat the small ore ore with 1200 ~ 1550 ℃ heat, make powder with iron mortar, and then use 80 ~ 100 wooden iron ore. To prepare the iron oxide by filtration once,
구리를 600~900℃의 열을 가하여 구운 후 쇠 절구에 넣고 빻아서 가루로 만든 다음, 80~100목의 채로 쳐서 산화동 가루를 준비하고,The copper is baked by heating at 600 ~ 900 ℃, and then put in an iron mortar, ground into powder, and then beaten with 80 to 100 neck to prepare copper oxide powder.
감나무를 불에 태워 재를 만들고, 흙 수비하는 방법으로 감나무 재를 물에풀어서 잿물을 만든 다음, 80~100목의 채로 걸러낸 후 밑에 가라앉은 잿물을 채취하고,The persimmon ash is burned by burning the persimmon tree to make ashes, and the persimmon ash is watered to make a lye.
사토질의 흙을 채취하여 물에 풀어서 80~100목의 채를 이용하여 고운 사토질의 평유를 만든 다음,After collecting the soil of soil, make the fine soil oil using 80 ~ 100 necks.
물과 함께 감나무재 20%, 산화철 3%, 산화동 7%, 황토흙 20%, 평유 40%, 석회석 10%의 비율로 혼합하고,20% persimmon wood, 3% iron oxide, 7% copper oxide, 20% ocher soil, 40% plain milk, 10% limestone,
혼합된 재료를 교반기에 30분 이상 교반시킨 후,After the mixed material is stirred in the stirrer for 30 minutes or more,
100목 짜리 채로 걸러줌으로써 제조되는 것을 특징으로 하는 도자기용 유약의 제조방법을 제공한다.It provides a method for producing a glaze for ceramics, characterized in that it is produced by filtering with 100 necks.
아울러, 상기와 같은 방법으로 제조된 도자기용 유약을 도자기에 도포하는 방법을 제공하는 바, 이는In addition, it provides a method of applying the glaze for porcelain prepared in the above method to the porcelain, which is
성형작업이 된 도자기에서 굽깍기 작업이 끝나면 바로 분청(백상감) 칠하기를 하고,In the pottery where the molding work is done, paint it with paint powder.
분청 칠하기 작업을 마치고 바로 상기와 같이 제조된 유약을 시유한 다음 전통 망둥이 가마에 소나무 장작만 화목으로 사용하여 가마의 맨 앞쪽에 도자기를 놓고 소성온도는 약 1250~1550℃로 하는 것을 특징으로 한다.After painting the powder, apply the glaze prepared as described above and use only pine firewood as a firewood in a traditional pottery kiln, place ceramics at the front of the kiln, and the firing temperature is about 1250 ~ 1550 ℃. .
Description
본 발명은 음식물을 조리하거나 보관하는데 사용하는 실용 도자기나 감상을 주목적으로 제조되는 예술용 도자기 제품의 표면에 칠해지는 유약의 제조방법에 관한 것이다.The present invention relates to a method of producing glazes painted on the surface of practical pottery used for cooking or storing food or art pottery products mainly manufactured for appreciation.
본 발명은 더욱 상세하게는, 인체에 유해하고 값이 비싼 광명단 등 화학물질을 함유하지 않기 때문에 대기, 수질, 토양 등의 환경오염을 일으키지 않고, 인체에 전혀 무해하며, 또한 유약제조시 비용의 절감을 꾀할 수 있으며, 더욱이 별도의 안료를 넣지 않고 제조함으로써 중국 고대에 검푸른 채색을 띠도록 만든 자기인 일명 "천목"의 색감과 미감을 그대로 재현하여 동양적인 자연미를 발산하고 표면이 미려하도록 하는 유약의 제조방법에 관한 것이다.More specifically, since the present invention does not contain chemical substances such as photo lists, which are harmful to the human body and are expensive, they do not cause environmental pollution such as air, water, and soil, and are harmless to the human body. In addition, the glaze of the glaze, which produces oriental natural beauty and makes the surface beautiful by reproducing the colors and aesthetics of the so-called "Cheonmok", which was made to have a dark blue color in ancient China by manufacturing without adding a separate pigment. It relates to a manufacturing method.
일반적으로 유약이란, 도자기의 표면에 점착되는 얇은 유리층으로서 자기의흡수성을 저하시키고 심미감을 표출시킴은 물론 도자기에 대해 튼튼한 강도를 부여하는 것이다. 즉, 유약은 도자기나 옹기류 등의 표면에 칠해지고 열처리 융착되어 그 표면에 광택 또는 무광택의 표면층을 형성시키기 위하여 사용되는 제제로서, 투수성을 없애고 미적 효과를 크게 하고 아울러 도자기를 튼튼하게 하는 효과를 부가하는 것이다.In general, glaze is a thin glass layer adhered to the surface of porcelain, which lowers the absorbency of the porcelain, expresses aesthetics, and imparts a firm strength to the porcelain. In other words, glaze is used to make the surface layer of porcelain or pottery, etc. and heat-treat and fusion to form a gloss or matte surface layer on the surface. To add.
도자기류의 표면에 칠해져서 소성에 의해 광택을 띄게 하는 유약은 통상 장석, 규석, 석회석, 광명단, 활석, 형석, 골분, 카르복시메틸셀룰로오스를 주성분으로 하고 여기에 소량의 안료가 첨가되어 이루어져 있다.Glazes that are painted on the surface of ceramics to give luster by firing are usually composed of feldspar, quartzite, limestone, photolist, talc, fluorite, bone meal, carboxymethylcellulose, and a small amount of pigment is added thereto.
그런데 이들 성분 중에서 납 또는 산화납을 40℃ 이상으로 가열하여 얻어지는 광명단은, 인체에 해로운 오염물질일 뿐 아니라 칠작업 과정에서 작업환경을 오염시키고, 또한 소성과정에서 배연과 함께 공기중으로 발산되어 오염을 일으키는 유독물질로 알려져 있다. 다만, 상기한 광명단은 유약의 조성시 용융제로서 필요한 물질이기 때문에 그 유독성을 알면서도 사용하지 않을 수 없었다.However, among these components, the light list obtained by heating lead or lead oxide above 40 ℃ is not only harmful to human body, but also contaminates the working environment during the painting process, and also emits pollution in the air together with flue gas during the firing process. It is known to cause poisoning. However, the above-mentioned light list is a material required as a melting agent in the composition of the glaze, so it has to be used even though the toxicity is known.
또한 종래의 도자기용 유약은 별도의 안료를 섞음으로써 도자기의 색을 냈으나, 이는 과거 중국이나 고려, 조선시대의 청자나 백자와 같은 고급스러우면서도 은근한 자연미를 살리지는 못하는 한계가 있었다.In addition, the conventional glaze for ceramics produced a color of ceramics by mixing a separate pigment, but this was not able to save the luxury and subtle natural beauty, such as celadon or white porcelain of China, Goryeo, Joseon Dynasty in the past.
본 발명은 이와 같이 광명단 등 유해 화학물질과 별도의 안료를 함유하는 종래의 유약이 가지는 문제점을 근본적으로 해결하고, 환경오염을 유발하지 않고 인체에 전혀 무해하며 최대한 자연미를 살릴 수 있는 도자기용 유약을 제공하는데 그 목적이 있다.The present invention fundamentally solves the problems of conventional glazes containing nominal chemicals such as photolists and pigments, and it is harmless to the human body without causing environmental pollution and is capable of maximizing natural beauty. The purpose is to provide.
본 발명은 또한, 중국 고대에 검푸른 채색을 띠도록 만든 자기인 일명 "천목"의 색감과 미감을 재현하여 동양적인 자연미를 발산하고 표면이 미려하도록 하는 유약을 제공하는데 그 목적이 있다.The present invention also aims to provide a glaze that radiates oriental natural beauty and makes the surface beautiful by reproducing the color and aesthetics of the so-called "cheonmok" which is made to have a dark blue color in ancient China.
상기한 목적의 본 발명에 따른 유약의 제조방법은, 유약의 재료로서 황토흙, 석회석, 산화철, 산화동 및 감나무 재를 준비하는 단계와, 이들 준비한 재료와 평유를 적절한 비율로 섞어 교반하고 거르는 단계로 이루어져 있다.The method of manufacturing a glaze according to the present invention for the above object, the step of preparing ocher soil, limestone, iron oxide, copper oxide and persimmon ash as a material of the glaze, and mixing and stirring and filtering these prepared materials and plain oil in an appropriate ratio consist of.
이하 본 발명에 따른 유약의 제조방법 및 본 발명에 따라 제조된 유약을 도자기에 도포하는 과정에 대해서 상세히 설명한다.Hereinafter, a method of manufacturing the glaze according to the present invention and a process of applying the glaze prepared according to the present invention to ceramics will be described in detail.
제1공정: 재료의 준비 단계Step 1: prepare the material
다음과 같이 황토흙, 석회석, 산화철(철광석), 산화동(구리) 및 감나무 재 및 평유를 준비한다.Prepare ocher soil, limestone, iron oxide (iron ore), copper oxide (copper) and persimmon ash and plain oil as follows.
(1) 황토흙(1) ocher soil
붉은 황토흙을 채취하여 물에 풀어 흙물을 먼저 만들고 80~100목의 채를 이용하여 한 번 걸러준다.Collect red ocher soil, dissolve it in water, make soil water first, and filter it once using 80-100 necks.
채를 통과한 흙물은 시간이 지나면 고운 황토는 가라앉게 되어 맑은 물이 된다. 여기서 맑은 물은 버리고 밑에 남은 고운 황토를 유약재료로 이용하도록 한다.As the soil passes through the soil, the fine ocher subsides over time and becomes clear water. Here, discard the clear water and use the remaining fine ocher as the glaze material.
(2) 석회석(2) limestone
석회석 원석인 횟돌을 초벌구이할 때 지름 5~15㎝ 정도로 잘게 부수어 700~1000℃의 열을 가하여 구운 후 쇠절구를 이용하여 가루로 만든다.When the limestone ore stone is first roasted, it is crushed into 5 ~ 15㎝ in diameter, baked by heating 700 ~ 1000 ℃, and then made into powder using iron mortar.
그것을 80~100목의 채를 통과시켜 고운 석회석 가루를 유약재료로 이용한다.Pass it through 80-100 trees and use fine limestone powder as glaze material.
(3) 산화철(3) iron oxide
철광석 원석을 채취하여 지름이 약 5~10㎝ 정도의 크기로 만든다.Collect iron ore ore and make it about 5-10cm in diameter.
작게 만든 철광석 원석을 약 1200~1550℃ 정도의 열을 가한 후 쇠 절구로 곱게 부수어 가루를 만든다.The iron ore ore made is heated to about 1200 ~ 1550 ℃ and then crushed finely with iron mortar to make powder.
가루로 만든 철광석을 80~100목 채를 이용하여 한 번 걸러주어 고운 철광석 가루를 얻도록 한다.Filter the powdered iron ore once using 80-100 necks to obtain fine iron ore powder.
이와 같이 걸러진 철광석 가루를 유약 제조에 이용한다.The filtered iron ore powder is used for glazing.
(4) 산화동(4) copper oxide
구리를 600~900℃의 열을 가하여 구운 후 쇠 절구에 넣고 빻아서 가루로 만든다. 가루로 만든 구리를 80~100목의 채로 쳐서 그 고운 가루를 유약제조에 사용한다.The copper is baked by heating it at 600 ~ 900 ℃, and then put in a copper mortar and ground to make powder. Beat the powdered copper with 80 ~ 100 necks and use the fine powder for glazing.
(5) 감나무재(5) persimmon wood
먼저 감나무를 불에 태워 재를 준비하고, 흙 수비하는 방법으로 감나무 재를 물에 풀어서 잿물을 만들고 80~100목의 채로 걸러낸다.First, the persimmon tree is burned to prepare ashes, and the persimmon ash is dissolved in water to make a lye.
채를 통과한 잿물은 시간이 지나면 무거운 재는 아래로 침전되고 윗물은 맑은 물이 된다.The lye passing through the poles, over time, the heavy ash settles down and the upper water becomes clear water.
이때 맑은 물은 버리고 밑에 남아있는 잿물을 유약으로 이용한다.At this time, discard the clear water and use the remaining lye as glaze.
(6) 평유(사토)(6) Plain oil (Sato)
평유는 문경 인근에 있는 사토질의 흙을 말한다.Plain oil is the soil of the soil near Mungyeong.
사토질의 흙을 채취하여 물에 풀은 다음, 80~100목의 채를 이용하여 걸러줌으로써 고운 사토질의 평유를 만든다.Soil soil is collected, pooled in water, and then filtered using 80-100 trees.
제2공정: 유약의 제조Second Process: Preparation of Glaze
준비한 재료들을 감나무재 20%, 산화철 3%, 산화동 7%, 황토흙 20%, 평유 40%, 석회석 10%의 비율로 혼합한다. 이때 물은 작업하기에 좋은 양을 넣어주어 묽은 상태가 되도록 한다. 그 다음 묽게 혼합된 재료를 교반기에 30분 이상 교반시켜 골고루 섞이도록 한 후 마지막으로 100목 짜리 채로 걸러준다. 이로써 목적한 유약의 제조가 완성된다.The prepared materials are mixed in a ratio of 20% persimmon wood, 3% iron oxide, 7% copper oxide, 20% ocher soil, 40% plain milk and 10% limestone. At this time, the water should be put in a good amount to be diluted. The thinly mixed material is then stirred in the stirrer for at least 30 minutes to mix evenly, and finally filtered with 100 necks. This completes the manufacture of the desired glaze.
제3공정: 불지피기Third Process: Avoiding Fire
성형작업이 된 도자기에서 굽깍기 작업이 끝나면 바로 분청(백상감) 칠하기를 한다.In the pottery where the molding work is done, paint it with powder.
분청칠하기 작업을 마치고 바로 상기와 같이 제조된 유약을 시유한다. 보통 일반 도자기는 초벌구이가 끝나고 나서 유약을 시유하지만 상기 유약은 분청칠을 하고 바로 유약처리를 한 다음 초벌구이를 한다는 것이 차이점이다.Immediately after painting, apply the glaze prepared as above. Ordinary ceramics usually use glaze after the initial roasting, but the difference is that the glaze is painted with blue paint and immediately glazed.
이때 가마는 전통 망둥이 가마이고 사용되는 화목은 소나무 장작만 사용하도록 한다.The kiln is a traditional pony kiln and the firewood used is only pine wood.
전통 가마에서는 100% 완전히 환원 소성도 아니며, 중성소성이나 산화불 소성도 아니다. 즉, 전통가마에서는 각 굴마다 이 세 가지 불이 모두 혼합하여 나타난다.In traditional kilns, it is not 100% fully reduced calcining, nor is it neutral or fired. In other words, in traditional kilns, all three oysters appear to be mixed.
이것을 구조적으로 간단하게 설명하면 불을 지피는 맨 앞쪽은 환원소성이 이루어지고, 가운데 지점은 중성소성이 이루어진다. 그리고 맨 뒤쪽은 산화불이 많이 나타난다.Structurally briefly described, the front of the fire is reduced plasticity, the middle point is the neutral plasticity. And at the back, there is a lot of fire oxides.
따라서 천목은 환원소성에서 검푸른 색을 띠므로 전통가마에서는 천목 작품을 맨 앞쪽에 놓아야 한다.Therefore, as the celestial tree has a dark blue color in the reducing firing, it is necessary to put the celestial work in front of the traditional kiln.
이때 소성온도는 약 1250~1550℃이다.At this time, the firing temperature is about 1250 ~ 1550 ℃.
온도나 환원 불이 안 이루어지면 색상이 진한 갈색이나 혹은 연녹색을 띠게 된다.If the temperature is not reduced or reduced, the color will be dark brown or light green.
본 발명에 따라 제조된 유약을 상기와 같이 도자기에 도포할 경우, 완성된 도자기는 어떠한 유해물질을 포함하지 않아 별다른 환경오염을 유발하지 않을뿐더러, 중국 고대에 검푸른 채색을 띠도록 만든 자기인 일명 "천목"의 색감과 미감을 그대로 재현하여 자연스런 미를 가지게 된다.When the glaze prepared according to the present invention is applied to porcelain as described above, the finished porcelain does not contain any harmful substances and thus does not cause any environmental pollution, and it is a porcelain made to have a dark blue color in ancient China. The colors and aesthetics of the "Cheonmok" are reproduced as they are to have a natural beauty.
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| KR100931830B1 (en) | 2008-04-30 | 2009-12-15 | 김용득 | Assimilation glaze composition and preparation method thereof |
| KR101055907B1 (en) * | 2009-03-05 | 2011-08-09 | 김영식 | Method for manufacturing brown glaze and method for manufacturing brown glaze using same |
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| KR20020030071A (en) * | 2002-04-09 | 2002-04-22 | 김동규 | A manufacturing process and application process to celadon's glaze |
| KR100506119B1 (en) * | 2002-05-28 | 2005-08-05 | 임항택 | A making method of Jinsa Coloring agent for Shoson-white porcelain and coloring agent therefore |
| KR100782367B1 (en) * | 2006-08-14 | 2007-12-07 | 김경식 | The making method of yellow colored porcelain |
| KR101238266B1 (en) * | 2010-12-03 | 2013-03-04 | 경기도 | Glaze composition for ceramic ware comprising ashes from the excrements of silkworm and preparation method thereof |
| KR101497835B1 (en) * | 2013-10-21 | 2015-03-04 | 유기정 | ceramics glaze using rice paddy soil and coloring method thereby |
| CN107098677B (en) * | 2017-05-31 | 2020-07-21 | 福建德化陶知然陶瓷文化创意有限公司 | Black-bottom red-spot oil-drop temmoku glaze ceramic and preparation process thereof |
| KR102085847B1 (en) * | 2019-03-04 | 2020-04-23 | 이계안 | Manufacturing method of ceramic ware using black glaze and composition of black glaze |
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| KR920009715A (en) * | 1990-11-22 | 1992-06-25 | 김종옥 | Development of pollution-free glaze manufacturing method for inner and outer gloss using litter and soil |
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| KR980001892A (en) * | 1996-06-15 | 1998-03-30 | 최재호 | Glaze composition for Onggi |
| JPH11130461A (en) * | 1997-10-22 | 1999-05-18 | Ngk Spark Plug Co Ltd | Glaze composition |
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|---|---|---|---|---|
| KR920009715A (en) * | 1990-11-22 | 1992-06-25 | 김종옥 | Development of pollution-free glaze manufacturing method for inner and outer gloss using litter and soil |
| KR950002231A (en) * | 1993-06-16 | 1995-01-04 | 에프. 제이. 스미트 | Integrated Logic Circuit with Single-Ended Input Logic Gates |
| KR970001211A (en) * | 1995-06-19 | 1997-01-21 | 다쓰노 히로미찌 | Fuel supply device |
| KR980001892A (en) * | 1996-06-15 | 1998-03-30 | 최재호 | Glaze composition for Onggi |
| JPH11130461A (en) * | 1997-10-22 | 1999-05-18 | Ngk Spark Plug Co Ltd | Glaze composition |
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| Publication number | Priority date | Publication date | Assignee | Title |
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| KR100931830B1 (en) | 2008-04-30 | 2009-12-15 | 김용득 | Assimilation glaze composition and preparation method thereof |
| KR101055907B1 (en) * | 2009-03-05 | 2011-08-09 | 김영식 | Method for manufacturing brown glaze and method for manufacturing brown glaze using same |
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