US3525796A - Electronic musical instrument provided with generators and individual formant filters - Google Patents

Electronic musical instrument provided with generators and individual formant filters Download PDF

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US3525796A
US3525796A US680387A US3525796DA US3525796A US 3525796 A US3525796 A US 3525796A US 680387 A US680387 A US 680387A US 3525796D A US3525796D A US 3525796DA US 3525796 A US3525796 A US 3525796A
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musical instrument
key
electronic musical
generators
filter
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Nico Valentinus Franssen
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US Philips Corp
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/02Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
    • G10H1/06Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour
    • G10H1/14Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour during execution
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/02Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
    • G10H1/06Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/02Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
    • G10H1/06Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour
    • G10H1/12Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour by filtering complex waveforms

Definitions

  • An electronic musical instrument is constructed of multi-frequency filters, each of which is provided with a resonant circuit and a selectively operable key for varying the resonance quality factor of the resonance circuit.
  • the timbre of a resulting signal will be directly affected by the variation occurring in the quality factor as determined by the operation of the key, the frequency to which the resonant circuit is tuned being relative to the frequency of the applied signal.
  • the key may be directly tied to a variable resistor connected to a resonant circuit which in turn is tuned to a fundamental frequency or a harmonic of the fundamental frequency.
  • operation of the key may cause a variation of resonance quality factor by varying the operating point of a transistor circuit having a predetermined resistive ratio over a range of operating points.
  • the invention relates to an electronic musical instrument provided with generators and individual formant filters.
  • the term individual formant filter is used to signify a formant filter associated both with a given key and with a given voice, like a pipe organ has at least one given pipe for each key and each voice.
  • the voltage of a generator provided with harmonics is supplied to a number of series-connected resonant circuits one of which is tuned to the fundamental tone, whilst the remaining circuits are each tuned to a different harmonic thereof, these signals being separately derived and being recombined in an adjustable ratio.
  • the tone thus obtained has a constant amplitude and timbre.
  • the filters may have more than one resonant frequency, whilst the frequency characteristic and the Q factor or factors being varied by operation of the keys and being adjusted to new stable values, whilst they reassume their original shape and value or values after the key has been released.
  • the timbre of the tone changes during the switching-on and switching-off process which phenomenon also occurs in organ pipes so that a reliable imitation of these pipes can be obtained.
  • a complex signal determining the pitch is continuously applied to the formant filter, the Q factor being varied by depression of the key so that the output signal only then assumes a perceptible value.
  • the formant filter forms part of the part of the generator determining the pitch.
  • one of the resonant frequencies of the filter determines the ultimate pitch of the generator, whilst the higher resonant frequencies determine the ultimate formant.
  • the pre-tone produced in given organ pipes can be imitated.
  • the term pretone is used to signify the start of the organ pipe at a pitch the frequency of which is at least approximately a harmonic or subharmonic of the tone produced immediately after the start.
  • the resonant frequencies are at least approximately in a ratio of small integers.
  • the filter has two resonant frequencies which are at least approximately in a ratio of 1:2.
  • the characteristic pretone of an open organ pipe is obtained which starts at the second harmonic of the fundamental tone and then passes into this fundamental tone.
  • the formant filter may be of comparatively simple construction.
  • FIG. 1 shows a circuit arrangement, in which a complex signal determining the pitch is continuously applied to the formant filter
  • FIG. 2 shows a circuit arrangement, in which a complex signal determining the pitch is applied to the formant filter by depression of a key.
  • FIGS. 3 and 4 show generators which are suitable for the imitation of flue pipes
  • FIG. 5 shows a generator for the imitation of reed pipes.
  • FIG. 1 shows a simplified construction of a circuit arrangement, in which a complex signal determining the pitch is continuously applied to the formant filter in this case comprising a resonant circuit constituted by an inductance L and a capacitor C whilst by the depression of a key, as a result of which the cursor of the variable resistor R eliminates the short-circuit of this resistor, the Q factor is varied so that the output signal only then assumes a perceptible value.
  • the resistor R may be replaced by other components, for example, a CdS-cell which is continuously illuminated, which illumination is reduced or eliminated upon depression of a key, or a conducting transistor which is cut off entirely or in part upon the depression of the key. If desired, swing-over may be applied.
  • the formant filter which is shown in this case as a single resonant circuit, but which, if desired, may have the form of a multiple resonant circuit, at the same time fulfills the function of a switch.
  • the signal is applied to the formant filter comprising the series resonant circuit L only after depression of the key in that the cursor of resistor R switches off this resistor so that the Q factor of the series resonant circuit is varied.
  • the resist-or R may be replaced by other components, for example, by a CdS-cell which is illuminated by depression of a key or by a transistor which is released entirely or in part upon depression of the key.
  • the formant filter determining the frequency is a 7r-filt6l comprising the inductance L constituting the bridge of the 1r, two capacitors C and C constituting the limbs of the 1r, a resistor R being connected in parallel to the capacitor C and a series resonant circuit consisting of the capacitor C and an inductance L the inductance L being connected to the junction of capacitors C C and the resistor R
  • the junction of inductance L capacitors C and C and resistor R is connected to the emitter of a transistor Tr, the base of which is connected on the one hand through a blocking capacitor C to the capacitor C and the inductance L and on the other hand through resistors R and R determining the bias voltage of the base to the collector of the transistor Tr and to the junction of capacitors C C resistor R and inductance L respectively, which junction is connected to the positive terminal of the supply voltage.
  • the other terminal of the supply voltage is connected through a switch S, which is closed upon depression of a key, to the collector of transistor Tr.
  • the series-combination of L and C is not connected in parallel with capacitor C but in parallel with the inductance L
  • This whole system has two resonant frequencies which are determined so that the ratio x of these frequencies is at least approximately an integer, preferably two for an open pipe and three for a stopped pipe.
  • the increments of the circuit arrangement can be chosen to be substantially equal for the said two resonant frequencies. This determines the response of the pipe and the location of the formant.
  • the resistor R is made variable, the ratio between the increments may be adjusted so that the desired pretone is produced.
  • substantially equal increments can be obtained for the resonant frequency by choosing from a collection of associated values of the capacitances, inductances and resistors, so that for each value of the fundamental tone, usable values of the inductances and capacitors are avail able.
  • the circuit arrangement of FIG. 5 is particularly suit able for the imitation of reed pipes.
  • the supply voltage is supplied through a switch S operated by the key to a capacitor C the junction being connected on the one hand to the collector of transistor Tr and on the other hand to the inductance L the other end of which is connected through blocking capacitor C to the base of transistor Tr, which base is connected on the one hand through resistor R to the collect-or and on the other hand through resistor R to the other terminal of the supply voltage.
  • the junction of the inductance L and the blocking capacitor C is connected through capacitor C to the parallel resonant circuit comprising the inductance L and capacitor C and the emitter of transistor Tr
  • the other end of the parallel resonant circuit is connected to resistor R and capacitor C
  • the single resonant circuit comprising the inductance L and the capacitor C may of course also be constructed in the form of a multiple resonant circuit.
  • the capacitor C Upon depression of a key, the capacitor C is charged through a resistor R as a result of which the direct voltage of the generator gradually increases and hence the mutual conductance of the transistor is slowly varied, so that especially at the start, strong nonlinear effects are produced which are characteristic of a reed pipe.
  • the ratios of the resonant frequencies should be small integers, since especially with regal voices, it is not necessary for a harmonic relation to exist between the 5 resonant frequencies of the tube bodies and of the reeds.
  • An electronic musical instrument including a formant filter for providing a desired output signal and having at least one resonant frequency and an original Q factor value, said filter comprising an input for receiving an input signal, said filter having a key associated therewith, means coupling said key to said filter and responsive to depression of said key, to vary said Q factor of said filter and pass said desired output signal, and to release of said key to restore said Q factor to said original value.
  • said signal is a complex signal determining the pitch and is continuously applied to the input of said formant filter, the Q factor being varied by depression of said key so that said output signal assumes a perceptible value only upon said depression.
  • An electronic musical instrument as claimed in claim 1 further including a generator for determining the pitch of said input signal, and said formant filter forms part of said generator determining said pitch.
  • a generator for determining the pitch of said input signal and said formant filter forms part of said generator determining said pitch.
  • 3O 5.
  • An electronic musical instrument including a generator and a formant ifilter providing a desired output signal in response to the depressing of a key associated therewith, said generator and filter comprising a first resonant circuit, a second resonant circuit, a transistor connected to both first and second resonant circuits for providing an initial frequency and Q characteristic to said resonant circuits, switch means responsive to depressing of said key for connecting a source of potential to said transistor, and capacitor means connected to said transistor and responsive to activation of said switch means for controlling the variation of the conductance of said transistor in response to said activation, said activation thereby varying said frequency and Q characteristics and providing said desired output signal.

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  • Physics & Mathematics (AREA)
  • Engineering & Computer Science (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Electrophonic Musical Instruments (AREA)

Description

Aug. 25., 1970 N. v. FRANSSEN 3,525,796
' ELECTRONIC MUSICAL INSTRUMENT PROVIDED WITH GENERATORS AND INDIVIDUAL FORMANT FILTERS Filed Nov. 5, 1967 v INVENTOR. mco vmmsssu United States Patent Office 3,525,796 Patented Aug. 25, 1970 ELECTRONIC MUSICAL INSTRUMENT PROVIDED WITH GENERATORS AND INDIVIDUAL FORM- ANT FILTERS Nico Valentinus Franssen, Emmasingel, Eindhoven, Netherlands, assignor, by mesne assignments, to US. Philips Corporation, New York, N.Y., a corporation of Delaware Filed Nov. 3, 1967, Ser. No. 680,387 Claims priority, applicat6ir6nlis7Nzegherlands, Nov. 8, 1966,
Int. Cl. Gh 3/00, 1/02 US. Cl. 84-1.11 9 Claims ABSTRACT OF THE DISCLOSURE An electronic musical instrument is constructed of multi-frequency filters, each of which is provided with a resonant circuit and a selectively operable key for varying the resonance quality factor of the resonance circuit. The timbre of a resulting signal will be directly affected by the variation occurring in the quality factor as determined by the operation of the key, the frequency to which the resonant circuit is tuned being relative to the frequency of the applied signal. The key may be directly tied to a variable resistor connected to a resonant circuit which in turn is tuned to a fundamental frequency or a harmonic of the fundamental frequency. Alternatively, operation of the key may cause a variation of resonance quality factor by varying the operating point of a transistor circuit having a predetermined resistive ratio over a range of operating points.
The invention relates to an electronic musical instrument provided with generators and individual formant filters. The term individual formant filter is used to signify a formant filter associated both with a given key and with a given voice, like a pipe organ has at least one given pipe for each key and each voice.
In such a known musical instrument, the voltage of a generator provided with harmonics is supplied to a number of series-connected resonant circuits one of which is tuned to the fundamental tone, whilst the remaining circuits are each tuned to a different harmonic thereof, these signals being separately derived and being recombined in an adjustable ratio. The tone thus obtained has a constant amplitude and timbre.
According to the invention, the filters may have more than one resonant frequency, whilst the frequency characteristic and the Q factor or factors being varied by operation of the keys and being adjusted to new stable values, whilst they reassume their original shape and value or values after the key has been released.
As a result, the timbre of the tone changes during the switching-on and switching-off process which phenomenon also occurs in organ pipes so that a reliable imitation of these pipes can be obtained.
In musical instruments which use at least twelve tone generators and in which the octave tones are obtained by frequency division or -multiplication, gate circuits are frequently used for switching the signals.
In one embodiment of a musical instrument according to the invention, a complex signal determining the pitch is continuously applied to the formant filter, the Q factor being varied by depression of the key so that the output signal only then assumes a perceptible value. This has the advantage that the formant filter at the same time fulfills the function of a gate.
With large output signals and low noiseand hum levels, there is a possibility of the gate not attenuating the signal below the threshold of perceptibility when a key is depressed. In a further embodiment of a musical instrument according to the invention, this may be avoided in that by depression of a key a complex signal determining the pitch is applied to the formant filter.
In a particularly suitable embodiment of a musical instrument according to the invention, in which the musical instrument is provided with individual generators for each key and each voice, the formant filter forms part of the part of the generator determining the pitch. This has the additional advantage that the crosstalk which is in direct proportion to the number of operating generators, is considerably less disturbing than with continuously operating generators, whilst moreover the frequencies of the generators of each key are nevertheless all in harmonic relation to each other.
In another embodiment of an electronic musical instrument according to the invention, one of the resonant frequencies of the filter determines the ultimate pitch of the generator, whilst the higher resonant frequencies determine the ultimate formant. Thus, the pre-tone produced in given organ pipes can be imitated. The term pretone is used to signify the start of the organ pipe at a pitch the frequency of which is at least approximately a harmonic or subharmonic of the tone produced immediately after the start.
In another embodiment of a musical instrument according to the invention, the resonant frequencies are at least approximately in a ratio of small integers.
In another embodiment, the filter has two resonant frequencies which are at least approximately in a ratio of 1:2. Thus, the characteristic pretone of an open organ pipe is obtained which starts at the second harmonic of the fundamental tone and then passes into this fundamental tone. Moreover, the formant filter may be of comparatively simple construction.
This also applies to another embodiment of a musical instrument according to the invention for the imitation of a stopped organ pipe, in which a filter is used which has two resonant frequencies which are at least approximately in a ratio of 1:3.
The invention will now be described more fully with reference to the following figures, of which:
FIG. 1 shows a circuit arrangement, in which a complex signal determining the pitch is continuously applied to the formant filter,
FIG. 2 shows a circuit arrangement, in which a complex signal determining the pitch is applied to the formant filter by depression of a key.
FIGS. 3 and 4 show generators which are suitable for the imitation of flue pipes, and
FIG. 5 shows a generator for the imitation of reed pipes.
FIG. 1 shows a simplified construction of a circuit arrangement, in which a complex signal determining the pitch is continuously applied to the formant filter in this case comprising a resonant circuit constituted by an inductance L and a capacitor C whilst by the depression of a key, as a result of which the cursor of the variable resistor R eliminates the short-circuit of this resistor, the Q factor is varied so that the output signal only then assumes a perceptible value. It will be appreciated that the resistor R may be replaced by other components, for example, a CdS-cell which is continuously illuminated, which illumination is reduced or eliminated upon depression of a key, or a conducting transistor which is cut off entirely or in part upon the depression of the key. If desired, swing-over may be applied. The formant filter, which is shown in this case as a single resonant circuit, but which, if desired, may have the form of a multiple resonant circuit, at the same time fulfills the function of a switch.
In FIG. 2, the signal is applied to the formant filter comprising the series resonant circuit L only after depression of the key in that the cursor of resistor R switches off this resistor so that the Q factor of the series resonant circuit is varied. Also in this embodiment, the resist-or R may be replaced by other components, for example, by a CdS-cell which is illuminated by depression of a key or by a transistor which is released entirely or in part upon depression of the key.
In FIG. 3, the formant filter determining the frequency is a 7r-filt6l comprising the inductance L constituting the bridge of the 1r, two capacitors C and C constituting the limbs of the 1r, a resistor R being connected in parallel to the capacitor C and a series resonant circuit consisting of the capacitor C and an inductance L the inductance L being connected to the junction of capacitors C C and the resistor R The junction of inductance L capacitors C and C and resistor R is connected to the emitter of a transistor Tr, the base of which is connected on the one hand through a blocking capacitor C to the capacitor C and the inductance L and on the other hand through resistors R and R determining the bias voltage of the base to the collector of the transistor Tr and to the junction of capacitors C C resistor R and inductance L respectively, which junction is connected to the positive terminal of the supply voltage. The other terminal of the supply voltage is connected through a switch S, which is closed upon depression of a key, to the collector of transistor Tr.
In the circuit arrangement of FIG. 4, the series-combination of L and C is not connected in parallel with capacitor C but in parallel with the inductance L This whole system has two resonant frequencies which are determined so that the ratio x of these frequencies is at least approximately an integer, preferably two for an open pipe and three for a stopped pipe. By a suitable choice of the values of the capacitances, inductances and resistors inclusive of the dissipation resistances, the increments of the circuit arrangement can be chosen to be substantially equal for the said two resonant frequencies. This determines the response of the pipe and the location of the formant. When the resistor R is made variable, the ratio between the increments may be adjusted so that the desired pretone is produced. It can be shown that substantially equal increments can be obtained for the resonant frequency by choosing from a collection of associated values of the capacitances, inductances and resistors, so that for each value of the fundamental tone, usable values of the inductances and capacitors are avail able.
The circuit arrangement of FIG. 5 is particularly suit able for the imitation of reed pipes. In this circuit arrangement, the supply voltage is supplied through a switch S operated by the key to a capacitor C the junction being connected on the one hand to the collector of transistor Tr and on the other hand to the inductance L the other end of which is connected through blocking capacitor C to the base of transistor Tr, which base is connected on the one hand through resistor R to the collect-or and on the other hand through resistor R to the other terminal of the supply voltage. The junction of the inductance L and the blocking capacitor C is connected through capacitor C to the parallel resonant circuit comprising the inductance L and capacitor C and the emitter of transistor Tr The other end of the parallel resonant circuit is connected to resistor R and capacitor C The single resonant circuit comprising the inductance L and the capacitor C may of course also be constructed in the form of a multiple resonant circuit.
Upon depression of a key, the capacitor C is charged through a resistor R as a result of which the direct voltage of the generator gradually increases and hence the mutual conductance of the transistor is slowly varied, so that especially at the start, strong nonlinear effects are produced which are characteristic of a reed pipe.
In this circuit arrangement, it is not always desirable that the ratios of the resonant frequencies should be small integers, since especially with regal voices, it is not necessary for a harmonic relation to exist between the 5 resonant frequencies of the tube bodies and of the reeds.
What is claimed is:
1. An electronic musical instrument including a formant filter for providing a desired output signal and having at least one resonant frequency and an original Q factor value, said filter comprising an input for receiving an input signal, said filter having a key associated therewith, means coupling said key to said filter and responsive to depression of said key, to vary said Q factor of said filter and pass said desired output signal, and to release of said key to restore said Q factor to said original value.
2. An electronic musical instrument as claimed in claim 1, wherein said signal is a complex signal determining the pitch and is continuously applied to the input of said formant filter, the Q factor being varied by depression of said key so that said output signal assumes a perceptible value only upon said depression.
3. An electronic musical instrument as claimed in claim 1, wherein said signal is a complex signal determining the pitch applied to said formant filter by depression of the key.
4. An electronic musical instrument as claimed in claim 1, further including a generator for determining the pitch of said input signal, and said formant filter forms part of said generator determining said pitch. 3O 5. An electronic musical instrument as claimed in claim 4, wherein a first resonant frequency of said filter determines the ultimate pitch of said generator and a higher resonant frequency determines the ultimate formant.
6. An electronic musical instrument as claimed in claim 5, wherein said resonant frequencies are at least approximately in a ratio of small integers.
7. An electronic musical instrument as claimed in claim 5 wherein said filter has two resonant frequencies which are at least approximately in a ratio of 1:2.
8. An electronic musical instrument as claimed in claim 5 wherein said filter has two resonant frequencies which are at least approximately in a ratio of 1:3.
9. An electronic musical instrument including a generator and a formant ifilter providing a desired output signal in response to the depressing of a key associated therewith, said generator and filter comprising a first resonant circuit, a second resonant circuit, a transistor connected to both first and second resonant circuits for providing an initial frequency and Q characteristic to said resonant circuits, switch means responsive to depressing of said key for connecting a source of potential to said transistor, and capacitor means connected to said transistor and responsive to activation of said switch means for controlling the variation of the conductance of said transistor in response to said activation, said activation thereby varying said frequency and Q characteristics and providing said desired output signal.
References Cited T. J. VEZEAU, Assistant Examiner US. Cl. X.R.
US680387A 1966-11-08 1967-11-03 Electronic musical instrument provided with generators and individual formant filters Expired - Lifetime US3525796A (en)

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BE (1) BE706185A (en)
CH (1) CH477735A (en)
DE (1) DE1294170C2 (en)
ES (1) ES346823A1 (en)
GB (1) GB1142778A (en)
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Cited By (5)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3614288A (en) * 1968-07-19 1971-10-19 Nippon Musical Instruments Mfg Monophonic electronic musical instrument with variable filter
US3663736A (en) * 1969-12-25 1972-05-16 Nippon Musical Instruments Mfg Control device for performance effects of an electronic musical instrument
US3688010A (en) * 1970-06-11 1972-08-29 Alfred B Freeman Tone modulation system
US3861263A (en) * 1972-06-21 1975-01-21 Nippon Musical Instruments Mfg Variable time constant circuit for use in an electronic musical instrument
US4085648A (en) * 1974-06-21 1978-04-25 Cmb Colonia Management-Und Beratungsgesellschaft Mbh & Co. K.G. Electronic sound synthesis

Families Citing this family (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
GB9101105D0 (en) * 1991-01-18 1991-02-27 Hohner M Ltd Tone control
GB2468542A (en) * 2009-03-14 2010-09-15 Anthony Richard Hardie-Bick Filtering musical tones in response to their amplitude

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US1666066A (en) * 1923-01-05 1928-04-17 Rca Corp Resistance coil
US1960893A (en) * 1929-10-03 1934-05-29 Rca Corp Arrangement for regulating the selectivity of receiving apparatus
US2166202A (en) * 1936-12-30 1939-07-18 Mallory & Co Inc P R Electric organ
US2489497A (en) * 1946-03-20 1949-11-29 Central Commercial Co Electrical musical instrument
US3098407A (en) * 1960-06-20 1963-07-23 Wurlitzer Co Tone filters
US3205294A (en) * 1963-01-07 1965-09-07 Motorola Inc Electronic musical instrument
US3403361A (en) * 1966-05-16 1968-09-24 Navy Usa Potentiometer frequency adjustment of a tuned circuit

Patent Citations (7)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US1666066A (en) * 1923-01-05 1928-04-17 Rca Corp Resistance coil
US1960893A (en) * 1929-10-03 1934-05-29 Rca Corp Arrangement for regulating the selectivity of receiving apparatus
US2166202A (en) * 1936-12-30 1939-07-18 Mallory & Co Inc P R Electric organ
US2489497A (en) * 1946-03-20 1949-11-29 Central Commercial Co Electrical musical instrument
US3098407A (en) * 1960-06-20 1963-07-23 Wurlitzer Co Tone filters
US3205294A (en) * 1963-01-07 1965-09-07 Motorola Inc Electronic musical instrument
US3403361A (en) * 1966-05-16 1968-09-24 Navy Usa Potentiometer frequency adjustment of a tuned circuit

Cited By (5)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US3614288A (en) * 1968-07-19 1971-10-19 Nippon Musical Instruments Mfg Monophonic electronic musical instrument with variable filter
US3663736A (en) * 1969-12-25 1972-05-16 Nippon Musical Instruments Mfg Control device for performance effects of an electronic musical instrument
US3688010A (en) * 1970-06-11 1972-08-29 Alfred B Freeman Tone modulation system
US3861263A (en) * 1972-06-21 1975-01-21 Nippon Musical Instruments Mfg Variable time constant circuit for use in an electronic musical instrument
US4085648A (en) * 1974-06-21 1978-04-25 Cmb Colonia Management-Und Beratungsgesellschaft Mbh & Co. K.G. Electronic sound synthesis

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NL6615720A (en) 1968-05-09
BE706185A (en) 1968-05-07
CH477735A (en) 1969-08-31
ES346823A1 (en) 1969-01-01
DE1294170B (en) 1969-04-30
GB1142778A (en) 1969-02-12
DE1294170C2 (en) 1973-05-24

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