JP2002135879A - Sound collection method - Google Patents
Sound collection methodInfo
- Publication number
- JP2002135879A JP2002135879A JP2000369305A JP2000369305A JP2002135879A JP 2002135879 A JP2002135879 A JP 2002135879A JP 2000369305 A JP2000369305 A JP 2000369305A JP 2000369305 A JP2000369305 A JP 2000369305A JP 2002135879 A JP2002135879 A JP 2002135879A
- Authority
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- Japan
- Prior art keywords
- sound
- sound collecting
- sounds
- microphones
- plate
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
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- Obtaining Desirable Characteristics In Audible-Bandwidth Transducers (AREA)
Abstract
Description
【０００１】[0001]
【発明の属する技術分野】本発明は音を集音する方法に
関するものである。BACKGROUND OF THE INVENTION 1. Field of the Invention The present invention relates to a method for collecting sound.
【０００２】[0002]
【従来の技術】小型ビデオカメラや携帯電話等の著しい
普及により、より小型で、高性能のマイクの開発が進ん
でいる。2. Description of the Related Art With the remarkable spread of small video cameras and mobile phones, development of smaller and higher-performance microphones is progressing.
【０００３】しかしながら、音響機器を例にとれば、エ
ジソンが蓄音機を発明してからＳＰ、ＬＰ、ＣＤ、ＭＤ
等機械的技術は大きく進歩してきたが、音に関しては、
自然の音、生の音に限りなく近い音を得る事はできてい
ない。However, taking audio equipment as an example, since Edison invented the phonograph, SP, LP, CD, MD
Although mechanical technology has greatly advanced, regarding sound,
It has not been possible to obtain sounds that are as close as possible to natural sounds and raw sounds.
【０００４】例えば、生演奏を録音再生した音。テレビ
やラジオの生放送の音。これらの音は実際の音のような
繊細な音やダイナミックな音が得られず、生々しい臨場
感が無く、生の音かどうか、はっきり聞き分けられるほ
どの隔たりがある。[0004] For example, a sound recorded and reproduced from a live performance. Live TV and radio sounds. These sounds do not have delicate or dynamic sounds like real sounds, do not have a vivid realism, and are clearly separated from live sounds.
【０００５】[0005]
【発明が解決しようとする課題】生の自然な音には伸
び、艶、広がり感、奥行き感、音場感、など生々しさが
あるが、それらを忠実に再現するのにはマイクの役割が
大きい。The raw natural sound has stretch, luster, spaciousness, depth, sound field, etc., but the role of the microphone is to faithfully reproduce them. large.
【０００６】しかし、従来のマイクは広帯域の音エネル
ギーを振動板に全て受け入れる事ができない。However, the conventional microphone cannot accept all sound energy in a wide band to the diaphragm.
【０００７】また、比較的広帯域の音を捉えることので
きる集音マイクにおいてもその構造上から干渉を導きや
すく、遠くの小さな音を捉えるのには優れているが、近
くの大きい音（ピアノやジェット機の音等）を捉えよう
とすると聞き取りにくかったり、こもったり、鮮明でな
い音や第３の音を生じたりする。A sound collecting microphone capable of catching a relatively wide band sound is easy to induce interference due to its structure, and is excellent for catching a distant small sound. Attempts to capture the sound of jets, etc., can be difficult to hear, muffled, produce indistinct or third sounds.
【０００８】生の音を捉えるためにはより多くの音の情
報をマイクの振動板に伝える事が重要であるが、現在普
及しているマイクで忠実に音を捉える事はできない。It is important to transmit more sound information to the diaphragm of the microphone in order to capture the raw sound, but it is not possible to capture the sound with a microphone that is currently widely used.
【０００９】例えば、無指向性のマイクはマイクの前面
すべての音に均一に反応できるものなので、あたかもそ
こにある音全てを捉えたような錯覚を起こすが、実際に
は一部の音しか捉えていない。音源の幅が大きくなれば
なるほどマイクが捉える音は限られてしまう。For example, an omnidirectional microphone can react uniformly to all sounds in front of the microphone, so that it causes the illusion of capturing all the sounds there. Not. As the width of the sound source increases, the sound captured by the microphone is limited.
【００１０】[0010]
【課題を解決するための手段】上記の課題を解決するた
めに、楽器を例にとって考えれば、ギターの音をとる場
合、一般に、ギターの饗孔の前にマイクを設置したり、
直接マイクをギターに取り付けたりするが、ギターの弦
を爪弾いた時、弦をはじいた部分とネックの部分とでは
弦の振れ幅が違う事からも解るように、実際はギターの
ネックの頭部から胴部の端まで、ギター全体が音源であ
り、しかも、ギターの端から端まで同じ音の情報が出て
いるのではなく、あらゆる部位から微妙に違う音が発せ
られている。Means for Solving the Problems In order to solve the above problems, taking a musical instrument as an example, when taking the sound of a guitar, a microphone is generally installed in front of the guitar.
The microphone is directly attached to the guitar, but when you pluck the strings of the guitar, the swing of the strings differs between the part where the strings are flipped and the neck, so in fact the head of the neck of the guitar The entire guitar is the sound source from to the end of the torso, and the same sound information is not output from the end to the end of the guitar, but slightly different sounds are emitted from all parts.
【００１１】ピアノにしてもサックスにしても、楽器は
楽器全体が音を増幅する共鳴板であり、音源である。ピ
アノはピアノの各部から発せられる多数の音の情報が集
まってはじめて、ピアノの音となり、バイオリンはバイ
オリンの各部から発せられる多数の音の情報が集まって
はじめて、バイオリンの音となる。The instrument, whether a piano or a saxophone, is a resonance plate that amplifies the sound of the entire instrument, and is a sound source. The piano becomes a piano sound only after collecting information of a large number of sounds emitted from each part of the piano, and the violin becomes a violin sound only after collecting information of a large number of sounds emitted from each part of the violin.
【００１２】したがって、楽器の大きさや形に沿って、
楽器の各部分から発せられる音をより細かく分けて集音
すれば忠実に楽器の本来の音を捉えることができる。Therefore, according to the size and shape of the musical instrument,
If the sound emitted from each part of the musical instrument is divided and collected, the original sound of the musical instrument can be faithfully captured.
【００１３】つまり、私たちが普段聞く自然の音は、広
帯域の中に多数の音源があり、しかもその音源一つ一つ
からは、一つの音ではなく、音源の幅や大きさによっ
て、音源のあらゆるところから、様々な音が発せられ
て、それらが一塊の音として耳に届いている。In other words, the natural sounds we usually hear include many sound sources in a wide band, and each of the sound sources is not a single sound, but a sound source based on the width and size of the sound source. Various sounds are emitted from everywhere, and they reach your ears as a lump of sound.
【００１４】よって音源の音を一つの音として捉えれ
ば、本来の自然の生の音を捉える事はできず、音源を多
数の音の集まりと考え、音源の幅や形に沿って、あらゆ
る部位から音の情報を細かく分けて集音することによっ
て忠実に生の自然な音を捉えることができる。Therefore, if the sound of the sound source is regarded as one sound, the original natural sound cannot be captured, and the sound source is considered as a group of many sounds. It is possible to faithfully capture raw natural sound by collecting the sound information in detail and collecting the sound.
【００１５】[0015]
【発明の実施の形態】上記の発明を実施する方法として
は、次のような事が考えられ、これらの方法を使用した
コンサート、演劇、講演、会場設備、放送したテレビ、
ラジオ、録音したテープ、レコード、ＣＤ、ＭＤ、ＤＶ
Ｄ、ビデオ、映画、コンピュータソフト、インターネー
ット等による配信ソフト、ビデオカメラなど音を再現す
るもの全てに採用することができる。DESCRIPTION OF THE PREFERRED EMBODIMENTS The following are conceivable methods for implementing the above-mentioned invention. Concerts, plays, lectures, venue facilities, broadcasted televisions,
Radio, recorded tape, record, CD, MD, DV
D, video, movies, computer software, distribution software based on the Internet, etc., video cameras, etc., all of which can reproduce sound.
【００１６】図１に示すように、長、短、２枚の板から
なるＬ字型の集音板の内角にマイクを有した集音装置。As shown in FIG. 1, a sound collecting device having a microphone at an inner corner of an L-shaped sound collecting plate composed of two plates, long and short.
【００１７】上記の装置を音源に対し斜めに設置し、長
い集音板側で音源からの音を幅広く捉え、斜めに設置す
る事により短い集音板側に誘導しマイクへ伝達する。The above device is installed obliquely with respect to the sound source, and the sound from the sound source is widely captured on the long sound collecting plate side. By installing the device obliquely, the sound is guided to the short sound collecting plate side and transmitted to the microphone.
【００１８】長、短、２枚の板からなるＬ字型集音板の
内角にマイクを有し、集音板に複数の仕切り板を有する
集音装置による方法。この場合、仕切り板を付けること
により集められた音を整流することができる。（図２参
照）A method using a sound collecting device having a microphone at an inner corner of an L-shaped sound collecting plate composed of a long plate, a short plate and two plates, and a plurality of partition plates on the sound collecting plate. In this case, the collected sound can be rectified by attaching the partition plate. (See Fig. 2)
【００１９】Ｌ字型の集音板の内側に複数のマイクを一
列或いは、複数列に配した集音装置による方法。（図３
参照）A method using a sound collecting device in which a plurality of microphones are arranged in a line or in a plurality of lines inside an L-shaped sound collecting plate. (FIG. 3
reference)
【００２０】また、請求項２、３、４の場合、人の口の
ように、比較的小さい音源に使用する場合は請求項２の
装置１台で可能であるが、音源の幅により、台数を増や
し、縦列、或いは横列に連結して調整する方法もある。
（図４参照）Further, in the case of the second, third and fourth aspects, when the apparatus is used for a relatively small sound source such as a human mouth, it is possible to use one apparatus according to the second aspect. There is also a method of adjusting the number of rows by connecting the rows or columns.
(See Fig. 4)
【００２１】これらの場合、集音板は大きければ大きい
ほどより多くの音の情報を捉えることができ、Ｌ字型の
集音板は音源の大きさや形によって自在に角度を調整で
きるようにしても良い。この角度を変える事によって集
音の度合いを調整したり、干渉を回避する事ができる。In these cases, the larger the sound collecting plate, the more sound information can be captured. The L-shaped sound collecting plate allows the angle to be freely adjusted according to the size and shape of the sound source. Is also good. By changing this angle, the degree of sound collection can be adjusted and interference can be avoided.
【００２２】樋のように湾曲した集音板に複数のマイク
を一列、または複数列配した集音装置による方法。音源
の幅や形によって、集音板の長さや幅、湾曲の度合いや
マイクの数を調整すれば良い。（図５参照）A method using a sound collecting device in which a plurality of microphones are arranged in a line or in a plurality of lines on a sound collecting plate curved like a gutter. The length and width of the sound collector, the degree of curvature, and the number of microphones may be adjusted according to the width and shape of the sound source. (See Fig. 5)
【００２３】そして、図６のように、音源に沿って、音
源の幅や大きさに応じて、箱を設けその中に複数のマイ
クを配した集音装置による方法。この場合も箱の大きさ
やマイクの数や配列を調整すれば良い。As shown in FIG. 6, a method using a sound collecting device in which a box is provided along the sound source according to the width and size of the sound source and a plurality of microphones are arranged therein. Also in this case, the size of the box, the number and arrangement of the microphones may be adjusted.
【００２４】以上の方法を応用すれば、音源の幅や形に
より、Ｓ字型に連結したもの、ドーナツ型に連結したも
の、台形方のもの、タワー型のもの等、様々な形態の集
音装置を造り、音源に沿わせる事ができる。When the above method is applied, various types of sound collection, such as those connected in an S-shape, those connected in a donut shape, those in a trapezoidal shape, and those in a tower shape, are used depending on the width and shape of the sound source. A device can be made to follow the sound source.
【００２５】また、エレキギターは、弦を爪弾くところ
に複数のマイクがついているが、本発明方法によれば、
エレキギターの弦の端から端までに対応する部分に複数
のマイクを均等に埋め込んだり、一般のギターのネック
や共鳴板に均等にマイクを埋め込んだり、コンサートの
ピアノの弦に複数のマイクを取り付ける等、多種の楽器
に本発明を実施する事ができる。（図７参照）Further, the electric guitar has a plurality of microphones where the strings are plucked. According to the method of the present invention,
Equally embed multiple microphones in the area corresponding to the ends of the electric guitar strings, embed the microphones evenly on the neck or resonance plate of ordinary guitars, or attach multiple microphones to the concert piano strings The present invention can be applied to various kinds of musical instruments. (See Fig. 7)
【００２６】[0026]
【発明の効果】従来の音は生の自然な音に比べて、生々
しさ、伸び、艶、広がり感、奥行き感、音場感、立ち上
がり感、スピード感が無く、こもった感じや、温かみの
無い冷たい感じがあったが、本発明方法によると、図
８、図９のオシロスコープの波形写真からもわかるよう
に高い周波数成分を含む、立ち上がりの良い波形とな
り、従来方法の欠点が著しく改善され、生の自然な音と
ほぼ等しくなった。図８と図９は、ハーモニカの音を同
じ条件で録音したもので、本考案の装置で録音したもの
が図８で、従来の録音方法で録音したものが図９である
が、この二つの波形は明らかに違う波形を示している。The conventional sound has no freshness, elongation, gloss, spreading feeling, depth feeling, sound field feeling, rising feeling, speed feeling, and a feeling of muffledness and warmth compared to the raw natural sound. Although there was no cold feeling, according to the method of the present invention, as can be seen from the oscilloscope waveform photographs of FIGS. 8 and 9, the waveform had a good rise including high frequency components, and the disadvantages of the conventional method were remarkably improved. It is almost equal to raw natural sound. FIGS. 8 and 9 show the harmonica sound recorded under the same conditions. FIG. 8 shows the sound recorded by the apparatus of the present invention, and FIG. 9 shows the sound recorded by the conventional recording method. The waveform clearly shows a different waveform.
【００２７】また、より遠くまで音を伝えられる特性を
もつので、ライブコンサートの会場では、会場の隅々ま
で音割れの無いクリアな生の音を伝えることができる。[0027] Also, since it has the characteristic of transmitting sound farther away, in a live concert venue, clear live sound without sound cracking can be transmitted to every corner of the venue.
【００２８】また、歌や演奏のような芸術的な音を本発
明方式で集音して再生した場合、生の自然な音をそのま
ま均等に大きく再現できる。よって、従来のスピーカー
やアンプをそのまま接続しても音がぼやけることなく鮮
明に伝えることができ、テレビやラジオの放送や、ＣＤ
やＭＤ、ＤＶＤ等で、より美しく、感動的に伝える事が
できる。しかも、ニュースの実況やスポーツ番組の選手
の動向や、観客の様子を、より、詳細に伝える事がで
き、家庭で居ながらにして、リアルな感動を得ることが
できる。Also, when artistic sounds such as songs and performances are collected and reproduced by the method of the present invention, raw natural sounds can be reproduced uniformly and loud as they are. Therefore, even if the conventional speaker or amplifier is connected as it is, the sound can be transmitted clearly without blurring,
And more beautifully and impressively on DVDs and MDs. In addition, the live broadcast of news, the trends of players in sports programs, and the state of the audience can be communicated in more detail, and a real impression can be obtained while staying at home.
【００２９】また、この方法の音と映像を組み合わせれ
ば繊細な雨の音の一粒一粒が何処に落ちてくるのかがわ
かるように音が捉えられるので、より自然な臨場感あふ
れる映画を作り出す事もできる。Also, by combining the sound and the image of this method, the sound can be captured so that it can be understood where each delicate rain sound falls, so that a movie with a more natural presence can be created. It can also be created.
【００３０】また、屋外では、今までの技術ではステレ
オ方式でも平面的な大きな音にしか捉えられなかった滝
の音や、海の音、ＳＬの音、ジェット機の音等は、様々
な音が次々に前後、上下、左右と、様々の方向に移動
し、複雑な音の構成をしている。本発明方法を採用して
捉えれば、ダイナミックな迫力のある音を余すことなく
鮮明に捉えることができ、従来のステレオやサラウンド
とは違った新たな立体的な生々しい音を再現できるよう
になる。In the outdoors, various sounds such as waterfall sounds, sea sounds, SL sounds, jet sounds, etc., which have been captured only in a loud and flat sound by the conventional technology even in a stereo system, have been used so far. It moves in various directions, back and forth, up and down, left and right, one after another, forming a complex sound. If you adopt the method of the present invention, you can capture dynamic and powerful sound clearly without leaving it, and you will be able to reproduce a new three-dimensional vivid sound different from conventional stereo and surround .
【図１】本発明のＬ字型集音板の内角にマイクを有した
装置の例を示す全体斜視図。FIG. 1 is an overall perspective view showing an example of an apparatus having a microphone at an inner corner of an L-shaped sound collecting plate of the present invention.
【図２】本発明のＬ字型集音板の内角に複数のマイクと
複数の仕切り板を有した装置の例を示す全体斜視図。FIG. 2 is an overall perspective view showing an example of an apparatus having a plurality of microphones and a plurality of partition plates at an inner corner of an L-shaped sound collecting plate of the present invention.
【図３】本発明のＬ字型集音板の内側に複数のマイクを
複数列に配した集音装置の例を示す全体斜視図。FIG. 3 is an overall perspective view showing an example of a sound collecting device in which a plurality of microphones are arranged in a plurality of rows inside an L-shaped sound collecting plate of the present invention.
【図４】本発明のＬ字型集音板の内角にマイクを有した
装置を縦列に連結した集音装置の例を示す全体斜視図。FIG. 4 is an overall perspective view showing an example of a sound collecting device in which devices having microphones at inner corners of the L-shaped sound collecting plate of the present invention are connected in tandem.
【図５】本発明の樋のように湾曲した集音板に複数のマ
イクを複数列配した集音装置の例を示す全体斜視図。FIG. 5 is an overall perspective view showing an example of a sound collecting device in which a plurality of microphones are arranged in a plurality of rows on a sound collecting plate curved like a gutter of the present invention.
【図６】本発明の箱の中に複数のマイクを配した集音装
置の例を示す全体斜視図。FIG. 6 is an overall perspective view showing an example of a sound collecting device in which a plurality of microphones are arranged in a box of the present invention.
【図７】本発明のギターの全体に均等に複数のマイクを
埋め込んだ例を示す正面図。FIG. 7 is a front view showing an example in which a plurality of microphones are evenly embedded in the entire guitar of the present invention.
【図８】本発明による集音装置でハーモニカの音を録音
した時のオシロスコープの波形写真。FIG. 8 is a waveform photograph of an oscilloscope when a harmonica sound is recorded by the sound collection device according to the present invention.
【図９】従来の録音方法でハーモニカの音を録音した時
のオシロスコープの波形写真。FIG. 9 is an oscilloscope waveform photograph when a harmonica sound is recorded by a conventional recording method.
【符号の説明】 １ 集音板 ２ マイク ３ 仕切り板 ４ 箱[Explanation of Signs] 1 sound collecting plate 2 microphone 3 partition plate 4 box
Claims (8)
や形に沿って、あらゆる部位から音の情報を細かく分け
て集音することによって忠実に生の自然な音を捉えるこ
とができる。という考えに基づいた本発明の集音方法で
採用した、コンサート、演劇、講演、会場設備、テレ
ビ、ラジオ放送。または録音したテープ、レコード、Ｃ
Ｄ、ＭＤ、ＤＶＤ、ビデオ、映画、コンピュータソフ
ト、インターネーット等による配信ソフト、ビデオカメ
ラなど音を再現するもの全て。1. A sound source is considered to be a collection of many sounds, and sound information can be finely divided and collected from various parts along the width and shape of the sound source to faithfully capture raw natural sounds. it can. Concerts, plays, lectures, venue facilities, television, and radio broadcasts adopted in the sound collection method of the present invention based on the idea of the present invention. Or recorded tape, record, C
D, MD, DVD, video, movie, computer software, Internet distribution software, video camera, etc.
の内角にマイクを有したことを特徴とする集音装置によ
る方法。2. A method using a sound collecting device, comprising a microphone at an inner corner of an L-shaped sound collecting plate comprising two plates, a long plate, a short plate, and two plates.
内角にマイクを有し、集音板に複数の仕切り板を有する
ことを特徴とする集音装置による方法。3. A method according to a sound collecting device, comprising a microphone at an inner corner of an L-shaped sound collecting plate composed of two plates, a long plate, a short plate, and a plurality of partition plates.
列或いは複数列に配したことを特徴とする集音装置によ
る方法。4. A method according to a sound collecting device, wherein a plurality of microphones are arranged in a line or a plurality of lines inside an L-shaped sound collecting plate.
或いは横列に連結したものによる方法。5. A device according to claim 2, 3 or 4, wherein
Or by a method connected in rows.
列、または複数列配したことを特徴とする集音装置によ
る方法。6. A method according to a sound collecting apparatus, wherein microphones are arranged in one line or plural lines on a sound collecting plate curved like a gutter.
ことを特徴とする集音装置による方法。7. A method according to a sound collecting device, wherein a box is provided, and a plurality of microphones are arranged in the box.
Priority Applications (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| JP2000369305A JP2002135879A (en) | 2000-10-27 | 2000-10-27 | Sound collection method |
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| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| JP2000369305A JP2002135879A (en) | 2000-10-27 | 2000-10-27 | Sound collection method |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| JP2002135879A true JP2002135879A (en) | 2002-05-10 |
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ID=18839367
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|---|---|---|---|
| JP2000369305A Pending JP2002135879A (en) | 2000-10-27 | 2000-10-27 | Sound collection method |
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Cited By (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| JP2010245737A (en) * | 2009-04-03 | 2010-10-28 | Nippon Hoso Kyokai <Nhk> | Sound collection apparatus |
| JP2012165189A (en) * | 2011-02-07 | 2012-08-30 | Nippon Telegr & Teleph Corp <Ntt> | Zoom microphone device |
| US8437490B2 (en) | 2009-01-21 | 2013-05-07 | Cisco Technology, Inc. | Ceiling microphone assembly |
| JP2014143571A (en) * | 2013-01-24 | 2014-08-07 | Nippon Telegr & Teleph Corp <Ntt> | Sound pick-up device and reproducer |
-
2000
- 2000-10-27 JP JP2000369305A patent/JP2002135879A/en active Pending
Cited By (4)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| US8437490B2 (en) | 2009-01-21 | 2013-05-07 | Cisco Technology, Inc. | Ceiling microphone assembly |
| JP2010245737A (en) * | 2009-04-03 | 2010-10-28 | Nippon Hoso Kyokai <Nhk> | Sound collection apparatus |
| JP2012165189A (en) * | 2011-02-07 | 2012-08-30 | Nippon Telegr & Teleph Corp <Ntt> | Zoom microphone device |
| JP2014143571A (en) * | 2013-01-24 | 2014-08-07 | Nippon Telegr & Teleph Corp <Ntt> | Sound pick-up device and reproducer |
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