EP1155397B1 - Accordeon diatonique avec touches supplementaires - Google Patents
Accordeon diatonique avec touches supplementaires Download PDFInfo
- Publication number
- EP1155397B1 EP1155397B1 EP99963830A EP99963830A EP1155397B1 EP 1155397 B1 EP1155397 B1 EP 1155397B1 EP 99963830 A EP99963830 A EP 99963830A EP 99963830 A EP99963830 A EP 99963830A EP 1155397 B1 EP1155397 B1 EP 1155397B1
- Authority
- EP
- European Patent Office
- Prior art keywords
- flat
- accordion
- keys
- tones
- diatonic
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Expired - Lifetime
Links
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D11/00—Accordions, concertinas or the like; Keyboards therefor
Definitions
- This invention belongs to the field of musical instruments.
- the classic diatonic accordions point to the right side on a keyboard, which according to the type of Accordion three or four rows of keys to generate can have different tones.
- the harmonica player can blow the same accordion get the desired tone.
- the one by pressing the Sound received depends on the direction of the air (Air intake or ventilation).
- the diatonic accordion is used for the Playing folk songs in the simplest compositions - especially melodies in major - made.
- a representation of a diatonic accordion is in the DE 207 903 available.
- bass buttons arranged in two rows on the left, the harmonica player on these bass keys with the left hand presses. He also pulls the bellows apart or squeezes it so that the tones according to the direction of movement of the bellows can be changed.
- the Bass key is used in dominant and subdominant major. For the transition between the individual parts of the The remaining bass keys are selected for compositions.
- the diatonic accordion according to the invention with additional buttons differs from the classic three- or four-row diatonic accordion, that a row of buttons, namely the outer row of buttons, the right keyboard is added, and four keys in the Inner row of basses can be added and a button up the outside of the bass, i.e. on the left side of the Accordion, where you play with your left hand, is added, however, a mechanical connection between two buttons with the same tones as well is added to a lighter on the bass side To ensure use.
- buttons are on the outside of the Keyboard provided, d. H. on the right side of the Accordion where all tones are present.
- This additional row of buttons used in the conventional three-row diatonic accordion is not available, allows you to play compositions of any kind.
- the location this extra row of buttons on the outside is extremely important because the harmonica player mostly Index, middle and ring fingers used during the Thumb and little finger mostly remain unused.
- the harmonica player can thumb and the little finger along its entire length very easily use to on the keys of the outer row of the invention to press.
- the four-row diatonic accordion is on the Outside of the keyboard, on the right side of the Accordion, an additional row of keys as well added, although the four-row diatonic accordion an additional row of buttons, but on the inside of the Keyboard on the right side of the accordion, yes has. But this is extreme for playing the chords impractical, among other things not all missing notes available.
- tuning D-G-C in the three-row diatonic Accordion will be 11 keys in the keyboard on the right side of the accordion with the tones b, dis, f, gis, b, cis, dis, f, gis, b, cis added, taking this Tones from low “b” up to high “c sharp” are divided and the keys produce the same sound, regardless of whether the bellows is compressed or is pulled apart.
- buttons towards the Compressing or pulling the bellows apart (es, h, ges, es, es, as, ges, es); in the outer row there is an additional key (as, des), where a additional mechanical connection between two buttons same tones is provided.
Landscapes
- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Input From Keyboards Or The Like (AREA)
- Electrophonic Musical Instruments (AREA)
- Diaphragms And Bellows (AREA)
- Electrotherapy Devices (AREA)
Claims (8)
- Accordéon diatonique classique avec trois rangées de touches ou quatre rangées de touches sur le côté droit de l'accordéon, dans lequell les touches des tons bas se trouvent sur le côté gauche et le soufflet est prévu dans une position intermédiaire, caractérisé en ce que sur le côté des touches des tons bas, c'est-à-dire sur le côté gauche de l'accordéon, sont ajoutées quatre touches supplémentaires et est ajoutée une jonction mécanique supplémentaire entre deux de ces touches, dans lequell sur le côté droit de l'accordéon est ajoutée une rangée de 11 touches, qui produisent le même ton indépendamment du fait que le soufflet est comprimé ou étendu, dans lequell cette rangée de 11 touches est disposée en tant que rangée extérieure.
- Accordéon diatonique selon la revendication 1, caractérisé en ce que dans l'accordement de Do-Fa-Si bémol ces 11 touches comprennent les tons la bémol, ré bémol, mi bémol, sol bémol, la bémol, si, ré bémol, mi bémol, sol bémol, la bémol, si, lesquels sont subdivisés de "la bémol" bas vers haut jusqu'à "si" haut.
- Accordéon diatonique selon la revendication 1, caractérisé en ce que dans l'accordement de Do dièse-Fa dièse-Si ces 11 touches comprennent les tons La, re, mi, sol, la, do, re, mi, sol, la, do, lesquels sont subdivisés de "la" bas vers haut jusqu'à "do" haut.
- Accordéon diatonique selon la revendication 1, caractérisé en ce que dans l'accordement de La-Ré-Sol ces 11 touches comprennent les tons fa, si bémol, do, ré dièse, fa, sol dièse, si bémol, do, ré dièse, fa, sol dièse, lesquels sont subdivisés de "fa" bas vers haut jusqu'à "sol dièse" haut.
- Accordéon diatonique selon la revendication 1, caractérisé en ce que dans l'accordement de Si bémol-Mi bémol-La bémol ces 11 touches comprennent les tons sol bémol, si, ré bémol, mi, sol bémol, la, si, ré bémol, mi, sol bémol, la, lesquels sont subdivisés de "sol bémol" bas vers haut jusqu'à "la" haut.
- Accordéon diatonique selon la revendication 1, caractérisé en ce que dans l'accordement de Si-Mi-La ces 11 touches comprennent les tons sol, do, re, fa, sol, si bémol, do, re, fa, sol, si bémol, lesquels sont subdivisés de "sol" bas vers haut jusqu'à "si bémol" haut.
- Accordéon diatonique selon la revendication 1, caractérisé en ce que dans l'accordement de Ré-Sol-Do ces 11 touches comprennent les tons si bémol, ré dièse, fa, sol dièse, si bémol, do dièse, ré dièse, fa, sol dièse, si bémol, do dièse, lesquels sont subdivisés de "si bémol" bas vers haut jusqu'à "do dièse" haut.
- Accordéon diatonique selon la revendication 1, caractérisé en ce que dans l'accordement Do-Fa-Si bémol-Mi bémol ces 11 touches comprennent les tons la bémol, ré bémol, mi bémol, sol bémol, la bémol, si, ré bémol, mi bémol, sol bémol, la bémol, si, lesquels sont subdivisés de "la bémol" bas vers haut jusqu'à "si" haut.
Applications Claiming Priority (3)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
SI9800322A SI9800322A (sl) | 1998-12-29 | 1998-12-29 | Diatonična harmonika z dodatnimi tipkami |
SI9800322 | 1998-12-29 | ||
PCT/SI1999/000028 WO2000039785A2 (fr) | 1998-12-29 | 1999-12-24 | Accordeon diatonique avec touches supplementaires |
Publications (2)
Publication Number | Publication Date |
---|---|
EP1155397A2 EP1155397A2 (fr) | 2001-11-21 |
EP1155397B1 true EP1155397B1 (fr) | 2004-05-26 |
Family
ID=20432379
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
EP99963830A Expired - Lifetime EP1155397B1 (fr) | 1998-12-29 | 1999-12-24 | Accordeon diatonique avec touches supplementaires |
Country Status (5)
Country | Link |
---|---|
EP (1) | EP1155397B1 (fr) |
AT (1) | ATE268043T1 (fr) |
DE (1) | DE59909618D1 (fr) |
SI (1) | SI9800322A (fr) |
WO (1) | WO2000039785A2 (fr) |
Families Citing this family (1)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
FR2926390B1 (fr) * | 2008-01-10 | 2010-05-28 | Le Piano A Bretelles | Claviers boutons pour instruments de musique type accordeon permettant l'inclusion de quart de ton et l'abandon des accords pre-composes |
Family Cites Families (5)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
DE207903C (fr) * | ||||
US3311011A (en) * | 1965-05-05 | 1967-03-28 | William F Kuehl | Keyboard for free bass accordian |
FR2558980A1 (fr) * | 1984-01-30 | 1985-08-02 | Tatinclaux Maurice | Accordeon |
FR2724253A1 (fr) * | 1994-09-06 | 1996-03-08 | Tatinclaux Maurice | Clavier gauche d'accordeon a touches-boutons |
DE29804847U1 (de) * | 1998-03-18 | 1998-07-16 | Fröhlich, Dieter, 35713 Eschenburg | Akkordeon-Doppeltastatur |
-
1998
- 1998-12-29 SI SI9800322A patent/SI9800322A/sl unknown
-
1999
- 1999-12-24 WO PCT/SI1999/000028 patent/WO2000039785A2/fr active IP Right Grant
- 1999-12-24 EP EP99963830A patent/EP1155397B1/fr not_active Expired - Lifetime
- 1999-12-24 AT AT99963830T patent/ATE268043T1/de active
- 1999-12-24 DE DE59909618T patent/DE59909618D1/de not_active Expired - Lifetime
Also Published As
Publication number | Publication date |
---|---|
EP1155397A2 (fr) | 2001-11-21 |
WO2000039785A2 (fr) | 2000-07-06 |
DE59909618D1 (de) | 2004-07-01 |
WO2000039785A3 (fr) | 2000-11-09 |
ATE268043T1 (de) | 2004-06-15 |
SI9800322A (sl) | 1999-04-30 |
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