CN104311156A - Ceramic with natural textures and production method of ceramic with natural textures - Google Patents
Ceramic with natural textures and production method of ceramic with natural textures Download PDFInfo
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- CN104311156A CN104311156A CN201410534112.5A CN201410534112A CN104311156A CN 104311156 A CN104311156 A CN 104311156A CN 201410534112 A CN201410534112 A CN 201410534112A CN 104311156 A CN104311156 A CN 104311156A
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Abstract
The invention discloses a ceramic with natural textures and a production method of the ceramic with the natural textures. The ceramic with the natural textures is formed by firing of ceramic clay or petuntse, and glaze, wherein the glaze is incense ash or mixed glaze formed by the incense ash and intermediate-temperature transparent glaze. According to the ceramic, the incense ash is added into the glaze, or the glaze totally adopts the incense ash; under a high-temperature oxidizing atmosphere, chemical substances taking a potassium element as a main element can be separated out from the incense ash by adopting a carbon element, and a yellow green glaze surface is obtained after cooling; in the firing process, the yellow green color can be obtained along with the increase of the thickness of the ceramic glaze, and can be deepened along with the increase of the ratio of the incense ash, so that the yellow green, deep ochre and puce textures are formed. In the firing process, a natural ash falling effect in a state of burning firewood without a sagger is simulated, and an ideal firing environment in an intermediate-temperature state can be created, so that the negative problems that the firewood burning technology difficulty is large, the cost is high, the pollution is heavy and the like are solved, and an ideal way that the furnace transmutation is facilitated by adopting a firing technology is obtained. The method has the advantages that sources and the cost are saved, the production time is short, the pollution is slight, the rate of finished products is high, and the mouth comfort feeling of products is effectively improved.
Description
Technical field
The present invention relates to a kind of pottery and production method thereof, especially one has natural texture pottery and production method thereof.
Background technology
At present, in ceramic production technology, bavin burns pottery profound cultureal value inside information at home, dark pursuing by ceramic fan.The feature that works fired by bavin is that ashes that combustion of wood is produced and flame are directly scurried in kiln, and different from general beautiful glaze water, the ash that falls in kiln is attached on base substrate naturally, forms the natural ash glaze of temperature pool smoothness, levels are rich under high temperature baking; Fusing or unfused wood ash, form level and smooth or coarse texture on its surface, and the change of shades of colour, leaves the vestige that fire was once stopped, from however without the gas of powderings, can not repeat and be difficult to expect the achievement of its firing.But bavin burns and there is following weak point: 1, wood kiln burns porcelain temperature contrast greatly, and each type high temp low temperature glaze colour generation is wayward; 2, fire needs at least three days bavin firewoods continuous, expend huge manpower and materials cost, and contaminate environment, yield rate is low.
Although modern sintering technology consuming time short, yield rate is high, can not form the natural texture that bavin burns at ceramic surface.
Summary of the invention
What the technical problem to be solved in the present invention was to provide a kind of low cost has natural texture pottery; Present invention also offers the production method with natural texture pottery that a kind of technique is simple, cost is low.
For solving the problems of the technologies described above, the technical solution used in the present invention is: it is fired by make pottery mud or porcelain mud and glaze and forms, and described glaze is incense ashes, or incense ashes and middle temperature marzacotto mix glaze.
Incense ashes of the present invention account for 66% ~ 100% of glaze gross weight.
Add in pottery mud of the present invention or porcelain mud and have incense ashes, incense ashes account for 9% ~ 33% of pottery mud or porcelain mud gross weight.
The inventive method is: will make pottery after mud or the clay base of porcelain, and base substrate be used glaze glazing, finally fires and form, described glaze is incense ashes, or incense ashes and middle temperature marzacotto mix glaze.
Incense ashes described in the inventive method account for 66% ~ 100% of glaze gross weight.
When glaze described in the inventive method is incense ashes, incense ashes is directly spread to base substrate, carries out glazing.
When glaze described in the inventive method is for mixing glaze, during glazing, adopt glaze method or spraying method.
Sintering procedure described in the inventive method is: the base substrate completing glazing is put into electrical kiln, at kiln temperature 1110 DEG C ~ 1380 DEG C once-firings.
Make pottery described in the inventive method to add in mud or porcelain mud and have incense ashes, incense ashes account for 9% ~ 33% of pottery mud or porcelain mud gross weight.
The beneficial effect adopting technique scheme to produce is: the present invention adds or adopts incense ashes completely in glaze, and incense ashes, under high temperature oxidative atmosphere, go out the chemical substance based on potassium element by carbon wash rice, present yellowish green glaze paint after cooling; In sintering procedure, yellow-green colour can be presented along with the thickness increase of ceramic glaze, also can deepen along with incense ashes ratio increases yellow-green colour; Thus form yellow-green colour, dark reddish brown, auburn texture.
The inventive method has imitated the grey effect that naturally to fall under bavin burns without firepot state in sintering procedure, desirablely under having built middle temperature state fire environment, instead of bavin firing technique difficulty large, high cost, the negative difficult problem such as heavily contaminated, obtains the desirable route burning the transmutation of fabrication technique judicial convenience.
The present invention is effective and reasonable has used incense ashes raw material, saving resource and manpower and materials cost, and consuming time short, pollute little, yield rate is high, and accomplishes to improve from vessel Sheng tea mouthfeel, more sliding, thick, sweet, effectively improves product and sends out mouthfeel.
Accompanying drawing explanation
Below in conjunction with the drawings and specific embodiments, the present invention is further detailed explanation.
Fig. 1 is the texture photo of the embodiment of the present invention 1;
Fig. 2 is the texture photo of the embodiment of the present invention 2;
Fig. 3 is the texture photo of the embodiment of the present invention 5.
Embodiment
Embodiment 1: originally there is natural texture pottery and adopt following method to produce.
(1) base: mud of routine being made pottery, according to design paper throwing, dries, repaired biscuit; After 800 DEG C of biscuitings, polishing, moisturizing, can obtain base substrate.Above-mentioned pottery mud adopts conventional pottery pug, and does not add incense ashes.
(2) enamel frit makeing: adopt incense ashes as glaze.
(3) glazing: adopt dry application method, purposive for incense ashes is trickled down on all or part of surface of base substrate.
(4) fire: the base substrate completing glazing is put into electrical kiln, kiln temperature 1100 DEG C, 8 hours once-firings.
This pottery fire effect: present the grey effect that naturally falls after firing; Ceramic outward appearance after firing, glazing part increases along with incense ashes thickness, presents obvious yellowish green glaze colours; Overall appearance is with naturally mottled skin texture.
Embodiment 2: originally there is natural texture pottery and adopt following method to produce.
(1) base: add incense ashes in conventional porcelain mud, incense ashes account for 9% of porcelain mud (conventional porcelain mud+incense ashes) gross weight; Then pug mill pugging is put into until practice even.By porcelain mud according to design paper throwing, dry, repaired biscuit; After 800 DEG C of biscuitings, polishing, moisturizing, can obtain base substrate.
(2) enamel frit makeing: joined by incense ashes in middle temperature marzacotto, incense ashes account for 71% of glaze (incense ashes+middle temperature marzacotto) gross weight, are adjusted to scattered paste shape, can obtain mixing glaze.
(3) glazing: adopt glaze method, namely first swing glaze, then dip in glaze.Dip in glaze by base substrate put into mixing glaze dip.Swinging glaze pours in base substrate by mixing glaze, rocks even glazing, is poured out by residue glaze.
(4) fire: the base substrate completing glazing is put into electrical kiln, kiln temperature 1300 DEG C, 8 hours once-firings.
This pottery fire effect: the finished product inner bottom part after firing has long-pending glaze phenomenon, and glaze colours is yellow-green colour, vivid fertilizer profit; Wall presents different colours along with glazing thickness difference, and texture bossing glaze is the thinnest, how in Vandyke brown.
Embodiment 3: originally there is natural texture pottery and adopt following method to produce.
(1) base: mud of routine being made pottery, according to design paper throwing, dries, repaired biscuit; After 800 DEG C of biscuitings, polishing, moisturizing, can obtain base substrate.Above-mentioned pottery mud adopts conventional pottery pug, and does not add incense ashes.
(2) enamel frit makeing: joined by incense ashes in middle temperature marzacotto, incense ashes account for 85% of glaze (incense ashes+middle temperature marzacotto) gross weight, are adjusted to scattered paste shape, can obtain mixing glaze.
(3) glazing: adopt above-mentioned glaze method.
(4) fire: the base substrate completing glazing is put into electrical kiln, kiln temperature 1200 DEG C, 7 hours once-firings.
This pottery fire effect: the finished surface after firing is simple, and the wall of cup surface presentation yellow-green colour after glazing is mingled with brown, bottom due to glaze thicker, color is relatively vivid, and yellow-green colour is alternate with cyan.
Embodiment 4: originally there is natural texture pottery and adopt following method to produce.
(1) base: add incense ashes in conventional high temperature pottery mud, incense ashes account for 21% of pottery mud (conventional high temperature pottery mud+incense ashes) gross weight; Then pug mill pugging is put into until practice even.Mud will be made pottery according to design paper throwing, dry, repaired biscuit; After 800 DEG C of biscuitings, polishing, moisturizing, can obtain base substrate.
(2) enamel frit makeing: joined by incense ashes in middle temperature marzacotto, incense ashes account for 66% of glaze (incense ashes+middle temperature marzacotto) gross weight, are adjusted to scattered paste shape, can obtain mixing glaze.
(3) glazing: adopt above-mentioned glaze method.
(4) fire: the base substrate completing glazing is put into electrical kiln, kiln temperature 1380 DEG C, 9 hours once-firings.
This pottery fire effect: the finished product glaze color after firing is more partially greener than former glaze cyan, and the product surface of glazing is uneven, overall glaze colours based on dark green, simultaneously surface arrangement different shapes, the reddish brown of size, pale pink.The thick position of glaze is protruded, and color and luster is dark green, it is bright to moisten; The position that glaze is thin is recessed, and in reddish brown, pale pink, bottom product, green is partially yellowish green, vivid moist.
Embodiment 5: originally there is natural texture pottery and adopt following method to produce.
(1) base: add incense ashes in routine pottery mud, incense ashes account for 33% of pottery mud (conventional pottery mud+incense ashes) gross weight; Then pug mill pugging is put into until practice even.Mud will be made pottery according to design paper throwing, dry, repaired biscuit; After 800 DEG C of biscuitings, polishing, moisturizing, can obtain base substrate.
(2) enamel frit makeing: joined by incense ashes in middle temperature marzacotto, incense ashes account for 90% of glaze (incense ashes+middle temperature marzacotto) gross weight, are adjusted to scattered paste shape, can obtain mixing glaze.
(3) glazing: adopt above-mentioned glaze method.
(4) fire: the base substrate completing glazing is put into electrical kiln, kiln temperature 1260 DEG C, 8 hours once-firings.
This pottery fire effect: the finished product glaze colours after firing is comparatively even, and depth yellow-green colour is uniformly distributed, and dark yellow-green place is slightly protruding.Product frit surface is smooth, clear thoroughly moist; Glazing edge and Tao Ni intersection, in dark reddish brown or brown, to the gradual change of middle glazing place yellow-green colour.
Performance Detection: prove after testing, after adding a large amount of incense ashes, there is no materially affect to ceramic mass in glaze, and other Test of ceramics indexs such as water-intake rate, thermostability, anti-pressure ability of product all meet national standard.
Mouthfeel is evaluated and tested: (1) reviewer: in order to carry out evaluation and test experiment to the mouthfeel of this pottery, random invitation 50 Group overlap integral sensory test.50 participants from different industries, different ages, wherein 14 often have tea, 28 digit pairs you have tea, 8 have tea hardly.
(2) evaluating method: prepare 50 these ceramic teacups, 50 conventional ceramic teacups; 50 participants need bring eyeshade, and in face of it, arbitrarily incense ashes burn teacup and each one of conventional ceramic teacup, and are numbered No. 1 and No. 2 respectively; Pour the tea soaked into teacup, the person of letting on quotes and provides the mouthfeel rank of tea in two teacups.
(3) evaluation result: through statistics to participant's evaluating result, tea mouthfeel is better in this ceramic teacup wherein to have 44 participants to think, 3 participants think that conventional ceramic teacup mouthfeel is better, and 3 participants think that two kinds of teacup mouthfeels are suitable.
Claims (9)
1. have a natural texture pottery, it is fired by make pottery mud or porcelain mud and glaze and forms, and it is characterized in that: described glaze is incense ashes, or incense ashes and middle temperature marzacotto mix glaze.
2. according to claim 1 have natural texture pottery, it is characterized in that: described incense ashes account for 66% ~ 100% of glaze gross weight.
3. according to claim 1 and 2 have natural texture pottery, it is characterized in that: adding in described pottery mud or porcelain mud has incense ashes, and incense ashes account for 9% ~ 33% of pottery mud or porcelain mud gross weight.
4. have a production method for natural texture pottery, it will be made pottery after mud or the clay base of porcelain, base substrate be used glaze glazing, finally fire and form, it is characterized in that: described glaze is incense ashes, or incense ashes and middle temperature marzacotto mix glaze.
5. the production method with natural texture pottery according to claim 4, is characterized in that: described incense ashes account for 66% ~ 100% of glaze gross weight.
6. the production method with natural texture pottery according to claim 4, is characterized in that: when described glaze is incense ashes, is directly spread by incense ashes and carry out glazing to base substrate.
7. the production method with natural texture pottery according to claim 4, is characterized in that: when described glaze is for mixing glaze, adopt glaze method or spraying method during glazing.
8. the production method with natural texture pottery according to claim 4, is characterized in that, described sintering procedure is: the base substrate completing glazing is put into electrical kiln, at kiln temperature 1100 DEG C ~ 1380 DEG C once-firings.
9. the production method with natural texture pottery according to claim 4-8 any one, is characterized in that: adding in described pottery mud or porcelain mud has incense ashes, and incense ashes account for 9% ~ 33% of pottery mud or porcelain mud gross weight.
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| CN201410534112.5A CN104311156A (en) | 2014-10-11 | 2014-10-11 | Ceramic with natural textures and production method of ceramic with natural textures |
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| CN201410534112.5A CN104311156A (en) | 2014-10-11 | 2014-10-11 | Ceramic with natural textures and production method of ceramic with natural textures |
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Cited By (6)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN105753452A (en) * | 2016-03-02 | 2016-07-13 | 管汝瑜 | Wood firing technology for purple clay ware |
| CN106032317A (en) * | 2015-03-20 | 2016-10-19 | 唐奕 | Incense ash Buddha beads and preparation method thereof |
| CN106348781A (en) * | 2015-07-16 | 2017-01-25 | 深圳圣世宗教文化发展有限公司 | Manufacturing method of incense ash and wood ash ceramic |
| CN108046762A (en) * | 2017-12-13 | 2018-05-18 | 景德镇瓷品文化有限公司 | A kind of incense ashes porcelain and preparation method thereof |
| CN108329011A (en) * | 2018-02-13 | 2018-07-27 | 晏炅 | A kind of simple and unadorned texture ceramics and its production method |
| CN112876288A (en) * | 2020-12-09 | 2021-06-01 | 保山学院 | Process for manufacturing Yunnan-xi-soil pottery glaze with oak ash mixed metamorphic rock |
-
2014
- 2014-10-11 CN CN201410534112.5A patent/CN104311156A/en active Pending
Non-Patent Citations (1)
| Title |
|---|
| 杜沁芬: "香灰釉的制备工艺初探", 《科协论坛》 * |
Cited By (8)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN106032317A (en) * | 2015-03-20 | 2016-10-19 | 唐奕 | Incense ash Buddha beads and preparation method thereof |
| CN106348781A (en) * | 2015-07-16 | 2017-01-25 | 深圳圣世宗教文化发展有限公司 | Manufacturing method of incense ash and wood ash ceramic |
| CN105753452A (en) * | 2016-03-02 | 2016-07-13 | 管汝瑜 | Wood firing technology for purple clay ware |
| CN105753452B (en) * | 2016-03-02 | 2018-03-30 | 管汝瑜 | A kind of red stoneware ware bavin firing technique |
| CN108046762A (en) * | 2017-12-13 | 2018-05-18 | 景德镇瓷品文化有限公司 | A kind of incense ashes porcelain and preparation method thereof |
| CN108329011A (en) * | 2018-02-13 | 2018-07-27 | 晏炅 | A kind of simple and unadorned texture ceramics and its production method |
| CN112876288A (en) * | 2020-12-09 | 2021-06-01 | 保山学院 | Process for manufacturing Yunnan-xi-soil pottery glaze with oak ash mixed metamorphic rock |
| CN112876288B (en) * | 2020-12-09 | 2022-06-21 | 保山学院 | Process for manufacturing Yunnan-xi-soil pottery glaze with oak ash mixed metamorphic rock |
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Application publication date: 20150128 |