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USRE9218E
USRE9218E US RE9218 E USRE9218 E US RE9218E
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instrument
reeds
reed
stop
wind
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  • the objects of my invention are, first, to make such additions as will produce in one and the same instrument the characteristic effects ot' the harmoninm and American reedorgan; second, to produce more telling, emotional, and string-like e'ects than are obtainable in existingr instruments; third, to proportion the weight of the touch to the number of sets of reeds in play, (when much power is obtained from an instrument heavy touch seems natural, but the reverse is the case when soft music is being produced fourth, to provide for coupling a bank or series of reeds at will; lifth, to provide a simple and efiicient stop mechanism; sixth, to provide for arrangingin an upright position a series of reeds behind the naine-board of the instrument, where they will occupy but litt-le space, and for operating the same by valves carried by the keys; seventh, to provide a simple arrangement for the application of the stop usually termed percussion eighth, to make such wind-connections as will leave available for desirable purposes a most
  • Figure 1 is a vertical cross-section through the entire instrument. Tile section is not in one continuous plane. The lower and middle portion is nearer the eye than the upper portion. So,also, the section of the nozzle through which air is blown upon the motor-wheel of 5o the vox-humana is nearer the eye than are the parts on each side ot' it.
  • the drawing is intended to represent the novelties clearly with but a small number of gures.
  • Fig. 2 represents some of the parts in the upper portion as seen from the side opposite that from which Fig. 1 is taken. In Fig. 2 the coupler-stop is represented as dra-wn out, so as to cause the vox-humana reeds to sound with the others.
  • Fig. 2 represents some of the parts in the upper portion as seen from the side opposite that from which Fig. 1 is taken.
  • the coupler-stop is represented as dra-wn out, so as to cause the vox-humana reeds to sound with the others.
  • FIG. 3 represents certain parts as seen from the saine side of the instrument as Fig. 2. 6o This shows provisions to aid in starting and stopping the vox-humana fan.
  • Fig. 4 represents my vox-humana fan detached.
  • Fig. 5 is alongitudinal section through certain portions.
  • lt shows the arrangement ot' the expression- 65 valve and adjacent parts.
  • Fig. 6 is a vertical longitudinal section through a portion of the instrument, illustrating part of the stop mechanism.
  • A is the xed frame-work.
  • I a single trunk or passage, communicating at the top with a wind-chest,
  • a suction-reservoir, L is attached to a support-board, L', and within the thickness of the support-board L' (see Fig. 5) are formed channels or openings 85 L3, which establish communication between said reservoir L and the trunks I through the sides of the latter.
  • channels or openings L3 are controlled b v expression-valves if', opened or closed through the medium of le- 9o vers i, connectingrods Z' l', elbow -levers or bracket-levers l2 P, push-pin I3, and a suitable stop-draw.
  • the wind-chest B is shown as hinged at the back, and rests on the top of the trunks I.
  • the regulator h In the percussion or hammer action, which in this instrument strikes the reeds s, the regulator h is attached to the lock-board of the instrument.
  • the hammerhinge piece b is screwed or otherwise fastened to a block, b, and does not form a part otl the guide-piece b2.
  • the hopper J is sprung upward from the upper surface of the wind-chest B by a spring,j.
  • the upper reed-chest, O, above the key-board, as here shown, is peculiar, from the fact that the reeds o therein are placed in tubes or airducts. in a board, 0, glued or fastened to a wind-chest, 02, and are above the keys C and in a vertical position, instead of being arranged horizontally.
  • Self-adjusting spring pallet-valves o' attached to the keys C by flexible connections and forced upward by a spring, act on the mouths of the tubes or air-ducts in the tubeboard O at the heels of the reeds, which are tiush therewith.
  • Air communication between the wind-chest ()2 and the wind-chest B is made by a duct or passage, O3, extending through the key-block c', key-frame c, and end ot' the tube-board E, (see dotted lines in Fig. 1,) and beyond the range of the reeds o.
  • An opening at each end will be necessary ⁇ when bass and treble are desired.
  • a trunk might be used instead of airpassages, as described, but it would take up room necessary for part of my stop work.
  • This wind-passage O3 is controlled byavalve, o, attached to a lever, o3, and acting upon its top opening. The lever o3 projects beyond the range of the reeds o, through the back of the wind-chest 02, and through a packing or nipple of leather, o", which is glued or attached to both to prevent leakage.
  • the opening and closing ofthe valve o2 are determined by a lever, o5, the lower end of which acts like atoe or wiper on the outer end of the lever of in connection with a stop-draw, o", attached thereto, and consisting of a sliding rod extending over the reed-chest O, and a spring, o", acti ng to depress the inner end of the lever o3 inside the wind-chest O2.
  • the lever o5 consists of a rock-shaft extending parallel with the frontot'the reed-chest O, known commonly as the name-board of the instrument, and from th'e stop-draw rod oi to the lever o3, beyond the range ,of the reeds, said rock-shaft h mountains provided with an arm for attachment to the stop-draw rod, and at a. considerable distance to one side with another arm for acting upon the lever o3.
  • the tube-board E, key-frame c2,and keys C may be of ordinary construction, exceptingl the hole through thc end, as explained The following describes the pressure part of my instrument:
  • the bellows are located toward the bottom and back of" the case.
  • K is the feeder.
  • K' is the reservoir.
  • Kz is the support-board.
  • K3 are blocks secured to the inside of the case.
  • the feeder K is held open by a spring, which may be within the feeder or may be outside, in which latter case the ordinary organ-bellows spring may be used.
  • the pressure-pedal on being depressed, forces the air up through suitable. channels formed in the support-board K2, the trunk K7, the block K8, to the pressure-reed pan F, (which is hinged at the back and held down on soft cushions of leather by harmonium-hooks,oneateacheud,)and down through asimilar block and trunk and passages at the opposite end of the instrument to the reservoir K and inlates it.
  • An attached leaden or other weight, K6, and the weight of the board to which it is fastened force the air back to the pressure-reed pan F, so that aconstant and steady supply is insured.
  • the reeds in harmonium-pans are screwed on and are inside ofthe pans.
  • the pallet-valves are outside. Of these pallet-valves there are sixty-one, or a number according to the compass of the instrument; but I will describe only one, it being understood that the others are the same.
  • the lever f to which the pallet-valvef is attached, reaches over the front of the pan.
  • the parts nearer the front of the instrument, marked X X r .r wz ara form a coupler for the pressure-reed pan F.
  • a fulcrum-piece, X consisting ot a strip or slat extending through the compass of' the keys, is hinged at the edge nearest the front of the instrument on the upper face of the tube-board E, so that it may be raised and lowered relatively' thereto.
  • :v3 (see Fig. 2) is an elbow-lever pivoted to the key-block c', engaging at one end with an upward extension from the fnlcrum-piece X, and actuated at or near the other end by a lever, .13, impinging upon it as a toe or wiper, and connected to astop-draw, consisting ot' a sliding rod.
  • the lever m2 consists of a rockshaft extending parallel with the name-board of the instrument, and provided with an arm suitably disposed for convenient connection with the stop-draw rod a', and another arm suitably disposed for actuating the elbow-lever x3.
  • levers X' provided with fulcrum-pins supported in grooved bearings a" on the fulcrum-piece X, are raised bodily, so that their frontends are brought in contact with screws c, extending from the keys C, and their back ends in contact with screws f2, extending from the lever f, whereby when one ot the keys is depressed the front end of IOO IIO
  • F designates a sound board or reliectorboard placed and properly fastened over the pressure-reed pau F, and having an opening, over which, in proper bearings and connections, is mounted my modification of the voxhumana or fan-tremolo.
  • a twofold object is attained in thus mounting the fan-tremolo: first, the tone of the pressure-reed is deflected outward upon the fan, and is more sensibly affected than it would be if drawn away from it, as in a-n ordinary suction instrument; second. steady and uniform revolutions result from this application of a wind apparatus separate and distinct from the main bellows of the instrument.
  • I em ploy for operating the fan an uninclosed motor, D, formed of two light and thin disks, of wood or other material, distant from each other about an inch, more .or less, and con nected by pegs of wood or wire, arranged at proper intervals in two circles.
  • a strip of paper or other light substance is interlaced about these pegs, over the outer and under the inner pegs, so that a ratchet-shaped wheel, such as is shown in Fig. 1, is produced.
  • the air which drives the motor D passes from the pressure-reed pan F through a conductor or nozzle, D', under control of a valve, d, arranged inside the reedpan, and held to its seat, when not otherwise actuated, by a spring, d3.
  • a pin, 1, extends from the under side of the platform W to this valve d, and a lever, d', actuated by a stop-draw consisting of a sliding rod, d, serves to depress the same and open the valve.
  • the lever d' consists of a rock-shaft extending parallel with the name-board, and provided with an arm disposed suitably for connection with the stop-draw rod d, and another arm disposed suitably for acting on the platform W.
  • the fan D2 and reeds k can be used separately or together, at pleasure. This is important, as the upper set of reeds on the suction part of the instrument is also atfected by the fan.
  • the fan (see .particularly Fig. 4) consists of separate sets of blades D, each being only half of the length of the entire fa-n, and the different sets being arranged at right angles to each other-that is, those at one end are at right angles with those at the other end. This arrangement breaks up the tone and gives a string-like effect instead of the marked pulsations which so much resemble the ordinary valve-tremolo.
  • Du designates a screen at the back of the fan, serving to direct the sound forward toward the player and thel wind-pulsations toward the suction-reeds, so that they may be more sensibly affected than they would otherwise be.
  • D4 (see Fig. 3) is a starter for the purpose of overcoming the inertia and giving momentum to the fan simultaneously with the drawing of the stop to which it is attached. It consists of an arm jointed to the lever d', and bearing upon the shaft of the tremolo, so that its under surface exerts a considerable friction on said shaft when drawn forward in the act of letting on the wind, and thus aids in setting itinstantly in motion at full speed. Then fully dra-wn forward it is clear of the shaft, and is then held up by contact with the shoulder d2 on the lever d.
  • the upper tubeboard and wind-chest, with the stop-work attached thereto, are hinged as follows: A piece of wood or metal, in which the pivots of the stop-rollers work, is screwed to each end of the reed-chest O, and extends backward and is pivoted to an upright (shown by dotted lines in Fig. l) fastened to each end of the pressurereed pan F.
  • the upper reed-chest, 0, may also be held down by hooks.
  • the main windchest B, beingr hinged at the back, may be lifted from the trunks I.
  • Flexible tubing may be used for air communcation instead of the trunks K7.
  • a percussion action consisting of hammers H, hoppers or jacks J, springs j, and regulators h, when combined and arranged as and for the purposes specilied.
  • the combination with a. stop-draw rod and a device to be actuated thereby arranged at one side of the stopdraw rod, of a rock-shaft extending from the vicinity of the stop-draw rod to the vicinity of the device to be actuated thereby, and provided with an arm for connection to the stop-draw rod, and with an arm located at some distance from the former for imparting motion to the device which is to be actuated by the stopdraw rod, substantially as and for the purpose specified.
  • the reed-pan F with its connecting feeder K, reservoir K', support-board K2, and suitable wind-passages, all arranged to be operated substantially as described, in combination with reeds operated by a separate wind apparatus, as herein specified.
  • a fan-treniolo in combination with means for operating the reeds K ot' the pan F by pressure and blowing outwardly through the tremolo, as herein specilied.
  • the supplementary pressure-reservoir K and feeder K in combination with a suction instrument and means for operating a trinolo-tan by blowing a connected motor, when said parts are combined and arranged substantially as specified.
  • the unincloscd fan-motor D arranged relatively to the fan-treniolo D2 and to a set of pressure-reeds, k, as herein specified.
  • the screen D3 in combination with motor D, and arranged relatively tothe fan or tremolo as and for the purposes described.

Description

BEST AVAILABLE COPY 2 Sheets-Sheet 1. M. J.MATTHEWS,
wig-nor, by mesne assignments, to THE MASON a HAMLIN unam Co.
Reed-Organ.. No. 9,218. Reissued May 25, |880.
i 11n/plz for 2 Sheets-Sheet. 2,
M. J. MATTHEWS, Assignor, by mesne assignments, to THE MAsoN A'. HAMLIN OnsAN Co.
Reed-Organ. No. 9,218. Ressued May 25,1880.
Inventor: mQg//Mawm Uitncsues:
UNITED STATES PATENT OFFICE.
MASON J. MATTHEWS, OF BOSTON, MASSACHUSETTS, ASSIGNOR, BY MESSE ASSIGNMENTS, TO THE MASON HAMLIN ORGANUOMPANY.
REED-ORGAN.
SPECIFICATION forming part of Reissued Letters Patent No. 9,218, dated May 25, 1880.
Application for reissue filed July :25, 1879.
To all whom Iit may concern:
Be it known that I, MASON J. MATTHEWS, formerly of New York city, in the State of New York, but now ot' Boston, in the .State of Massachusetts, have invented certain new and useful Improvements in Reed-Organs, of which the following is a specitication.
The objects of my invention are, first, to make such additions as will produce in one and the same instrument the characteristic effects ot' the harmoninm and American reedorgan; second, to produce more telling, emotional, and string-like e'ects than are obtainable in existingr instruments; third, to proportion the weight of the touch to the number of sets of reeds in play, (when much power is obtained from an instrument heavy touch seems natural, but the reverse is the case when soft music is being produced fourth, to provide for coupling a bank or series of reeds at will; lifth, to provide a simple and efiicient stop mechanism; sixth, to provide for arrangingin an upright position a series of reeds behind the naine-board of the instrument, where they will occupy but litt-le space, and for operating the same by valves carried by the keys; seventh, to provide a simple arrangement for the application of the stop usually termed percussion eighth, to make such wind-connections as will leave available for desirable purposes a most important part of the instrument, besides admittingof a simple application ofthe well-known expression-stop to a suction instrument; ninth, to so operate the fan connected with the vox-humana stop that it will revolve at a desirable and uniform speed; tenth, to so arr-an ge the several parts that they will be of easy access for adjustmentor repair.
The followingis adescription of what l consider the best means ot' carrying out the invention.
The accompanying drawings form a part of this specification.
Figure 1 is a vertical cross-section through the entire instrument. Tile section is not in one continuous plane. The lower and middle portion is nearer the eye than the upper portion. So,also, the section of the nozzle through which air is blown upon the motor-wheel of 5o the vox-humana is nearer the eye than are the parts on each side ot' it. The drawing is intended to represent the novelties clearly with but a small number of gures. Fig. 2 represents some of the parts in the upper portion as seen from the side opposite that from which Fig. 1 is taken. In Fig. 2 the coupler-stop is represented as dra-wn out, so as to cause the vox-humana reeds to sound with the others. Fig. 3 represents certain parts as seen from the saine side of the instrument as Fig. 2. 6o This shows provisions to aid in starting and stopping the vox-humana fan. Fig. 4 represents my vox-humana fan detached. Fig. 5 is alongitudinal section through certain portions.
lt shows the arrangement ot' the expression- 65 valve and adjacent parts. Fig. 6 is a vertical longitudinal section through a portion of the instrument, illustrating part of the stop mechanism.
Similar letters of reference indicate like 7o parts in all the figures.
A is the xed frame-work. At each side of my instrument is a single trunk or passage, I, communicating at the top with a wind-chest,
B, through openings in the bottom board ot' 75 the latter, and provided at the foot with openings establishing communication with the exhausts L. (A trunk at one side would do it' large enough). On the lower side ot' the support-board L, and below each trunk, is a small 8o leather valve for preventing the return of air into the wind-chest B. A suction-reservoir, L, is attached to a support-board, L', and within the thickness of the support-board L' (see Fig. 5) are formed channels or openings 85 L3, which establish communication between said reservoir L and the trunks I through the sides of the latter. These channels or openings L3 are controlled b v expression-valves if', opened or closed through the medium of le- 9o vers i, connectingrods Z' l', elbow -levers or bracket-levers l2 P, push-pin I3, and a suitable stop-draw.
The wind-chest B is shown as hinged at the back, and rests on the top of the trunks I.
To the under side ot' the wind-chest B a modification of the harmonium-reed pan S is attached. It is leathered around its edges and hinged at the back, so thatitwill rise and fall for coupling and swell pui-poses without zoo causing leak. The naked reeds s are screwed to the under surface of this pan S. The passage ot' air through the ducts or passages of this reed-pan is controlled by valves 4, attached to one end of levers 5, which at the other end are depressed by rods 6, actuated by the contact therewith ofthe under side of the keys C. Springs 7 hold the valves 4 to their seats when not actuated by the levers 5.
In the percussion or hammer action, which in this instrument strikes the reeds s, the regulator h is attached to the lock-board of the instrument. The hammerhinge piece b is screwed or otherwise fastened to a block, b, and does not form a part otl the guide-piece b2. The hopper J is sprung upward from the upper surface of the wind-chest B by a spring,j.
The upper reed-chest, O, above the key-board, as here shown, is peculiar, from the fact that the reeds o therein are placed in tubes or airducts. in a board, 0, glued or fastened to a wind-chest, 02, and are above the keys C and in a vertical position, instead of being arranged horizontally.
Self-adjusting spring pallet-valves o', attached to the keys C by flexible connections and forced upward by a spring, act on the mouths of the tubes or air-ducts in the tubeboard O at the heels of the reeds, which are tiush therewith.
1t would not be dicult to make the palletvalves open on the front side ofthe board 0 and in sight of the player; but the former plan is preferable.
Air communication between the wind-chest ()2 and the wind-chest B is made by a duct or passage, O3, extending through the key-block c', key-frame c, and end ot' the tube-board E, (see dotted lines in Fig. 1,) and beyond the range of the reeds o. An opening at each end will be necessary` when bass and treble are desired. A trunk might be used instead of airpassages, as described, but it would take up room necessary for part of my stop work. This wind-passage O3 is controlled byavalve, o, attached to a lever, o3, and acting upon its top opening. The lever o3 projects beyond the range of the reeds o, through the back of the wind-chest 02, and through a packing or nipple of leather, o", which is glued or attached to both to prevent leakage. s
The opening and closing ofthe valve o2 are determined by a lever, o5, the lower end of which acts like atoe or wiper on the outer end of the lever of in connection with a stop-draw, o", attached thereto, and consisting of a sliding rod extending over the reed-chest O, and a spring, o", acti ng to depress the inner end of the lever o3 inside the wind-chest O2.
The lever o5 consists of a rock-shaft extending parallel with the frontot'the reed-chest O, known commonly as the name-board of the instrument, and from th'e stop-draw rod oi to the lever o3, beyond the range ,of the reeds, said rock-shaft heilig provided with an arm for attachment to the stop-draw rod, and at a. considerable distance to one side with another arm for acting upon the lever o3.
The tube-board E, key-frame c2,and keys C may be of ordinary construction, exceptingl the hole through thc end, as explained The following describes the pressure part of my instrument: The bellows are located toward the bottom and back of" the case. K is the feeder. K' is the reservoir. Kz is the support-board. K3 are blocks secured to the inside of the case. The feeder K is held open by a spring, which may be within the feeder or may be outside, in which latter case the ordinary organ-bellows spring may be used.
The piece K4, with pulley Kis attached to a foot-pedal. There are three of these footpedals, two for suction and one for pressure apparatus. The pressure-pedal, on being depressed, forces the air up through suitable. channels formed in the support-board K2, the trunk K7, the block K8, to the pressure-reed pan F, (which is hinged at the back and held down on soft cushions of leather by harmonium-hooks,oneateacheud,)and down through asimilar block and trunk and passages at the opposite end of the instrument to the reservoir K and inlates it. An attached leaden or other weight, K6, and the weight of the board to which it is fastened force the air back to the pressure-reed pan F, so that aconstant and steady supply is insured.
The reeds in harmonium-pans are screwed on and are inside ofthe pans. The pallet-valves are outside. Of these pallet-valves there are sixty-one, or a number according to the compass of the instrument; but I will describe only one, it being understood that the others are the same. In my instrument the lever f, to which the pallet-valvef is attached, reaches over the front of the pan. The parts nearer the front of the instrument, marked X X r .r wz ara, form a coupler for the pressure-reed pan F. A fulcrum-piece, X, consisting ot a strip or slat extending through the compass of' the keys, is hinged at the edge nearest the front of the instrument on the upper face of the tube-board E, so that it may be raised and lowered relatively' thereto.
:v3 (see Fig. 2) is an elbow-lever pivoted to the key-block c', engaging at one end with an upward extension from the fnlcrum-piece X, and actuated at or near the other end by a lever, .13, impinging upon it as a toe or wiper, and connected to astop-draw, consisting ot' a sliding rod. The lever m2 consists of a rockshaft extending parallel with the name-board of the instrument, and provided with an arm suitably disposed for convenient connection with the stop-draw rod a', and another arm suitably disposed for actuating the elbow-lever x3.
When the fulcrum-piece X is raised by dra wing the stop x (see Fig. 2) levers X', provided with fulcrum-pins supported in grooved bearings a" on the fulcrum-piece X, are raised bodily, so that their frontends are brought in contact with screws c, extending from the keys C, and their back ends in contact with screws f2, extending from the lever f, whereby when one ot the keys is depressed the front end of IOO IIO
the corresponding lever f, with the palletvalve j" attached, is caused to rise, and,if the be partitioned ofi. This would be objection able in that it would rob the ordinary reeds of the necessary resonance. The tension, also, of the back set of springs would always be felt in the touch. With the coupling this tension is only felt when the reeds k are in play.
F designates a sound board or reliectorboard placed and properly fastened over the pressure-reed pau F, and having an opening, over which, in proper bearings and connections, is mounted my modification of the voxhumana or fan-tremolo.
A twofold object is attained in thus mounting the fan-tremolo: first, the tone of the pressure-reed is deflected outward upon the fan, and is more sensibly affected than it would be if drawn away from it, as in a-n ordinary suction instrument; second. steady and uniform revolutions result from this application of a wind apparatus separate and distinct from the main bellows of the instrument.
I em ploy for operating the fan an uninclosed motor, D, formed of two light and thin disks, of wood or other material, distant from each other about an inch, more .or less, and con nected by pegs of wood or wire, arranged at proper intervals in two circles. A strip of paper or other light substance is interlaced about these pegs, over the outer and under the inner pegs, so that a ratchet-shaped wheel, such as is shown in Fig. 1, is produced.
The air which drives the motor D passes from the pressure-reed pan F through a conductor or nozzle, D', under control of a valve, d, arranged inside the reedpan, and held to its seat, when not otherwise actuated, by a spring, d3. A pin, 1, extends from the under side of the platform W to this valve d, and a lever, d', actuated by a stop-draw consisting of a sliding rod, d, serves to depress the same and open the valve.
The lever d' consists of a rock-shaft extending parallel with the name-board, and provided with an arm disposed suitably for connection with the stop-draw rod d, and another arm disposed suitably for acting on the platform W.
Thus the fan D2 and reeds k can be used separately or together, at pleasure. This is important, as the upper set of reeds on the suction part of the instrument is also atfected by the fan.
The fan (see .particularly Fig. 4) consists of separate sets of blades D, each being only half of the length of the entire fa-n, and the different sets being arranged at right angles to each other-that is, those at one end are at right angles with those at the other end. This arrangement breaks up the tone and gives a string-like effect instead of the marked pulsations which so much resemble the ordinary valve-tremolo.
When the fan is extended to inliuence both the bass and treble portions of the instrument, a repetition of the blades at the same angle should be lixed to a longeraxle. In such case there would be eight blades instead of four, as in the former case.
Du designates a screen at the back of the fan, serving to direct the sound forward toward the player and thel wind-pulsations toward the suction-reeds, so that they may be more sensibly affected than they would otherwise be.
D4 (see Fig. 3) is a starter for the purpose of overcoming the inertia and giving momentum to the fan simultaneously with the drawing of the stop to which it is attached. It consists of an arm jointed to the lever d', and bearing upon the shaft of the tremolo, so that its under surface exerts a considerable friction on said shaft when drawn forward in the act of letting on the wind, and thus aids in setting itinstantly in motion at full speed. Then fully dra-wn forward it is clear of the shaft, and is then held up by contact with the shoulder d2 on the lever d.
An important feature of this instrument is the hinging of the upper actions to each other and to the wind-chest B. The upper tubeboard and wind-chest, with the stop-work attached thereto, are hinged as follows: A piece of wood or metal, in which the pivots of the stop-rollers work, is screwed to each end of the reed-chest O, and extends backward and is pivoted to an upright (shown by dotted lines in Fig. l) fastened to each end of the pressurereed pan F. The upper reed-chest, 0, may also be held down by hooks. The main windchest B, beingr hinged at the back, may be lifted from the trunks I.
It will be seen that by these arrangements the various parts are accessible without inconvenience.
It may not be necessary' to explain the advantages or give the reasons in full for all the features above described. Thus, in reference to the springs for the reservoir K', it will be understood that awe-ighted reservoir having uniform pressure for operating reeds alone may not be so good as reservoirs acted on by springs, which give variations of pressure and power.
Many of the featuresof my instrument may be greatly varied without sacrificing all the benetits of the invention. For example, it might be preferable to inclose the expressionvalve in a. box, with openings into both the reservoir L and wind-trunk I, so that the tendency of the air-currentwould be to keep the valve closed. It is practicable to mount the reeds in the tube-board O' in any position between the vertical and horizontal, and at the same time to control the speaking by my self- IOO IIO
BEST AVAILABLE copy adjusting pallet-valves o. It is also optional to place the tube-board O in its forward position above the stop-rail, in which case trackerpins will connect the pallet-valves o' with the keys G, and the stop-draws will pass between the said tracker-pins.
It is optional, for the mounting of my treniolo, either to add a supplementary pressure or suction bellows to a suction instrument or a a supplementary pressure and suction bellows to a pressure instrument. It is also optional to drive the fan through the medium ot an ordinary inclosed motor with suitable valve attachnients.
Flexible tubing may be used for air communcation instead of the trunks K7.
I am aware that organs have been made in which reeds were arranged in an upright p0- sition in the front of the instrument, and also that organs have been made with valves attached to the keys for controlling the action of the reeds; and l do not therefore claim this as my invention.
I claim as my invention- 1. The expression-valve t" in the trunk I, in combination with the chest B, bellows or exhaust L, and reservoir L, substantially as herein specified.
2. The levers i', connections l', bracket-levers l, and pin l, connecting from the stopdraw to the said expression-valves i', the several parts being arranged relatively to each other and to the support-board L and reservoir L, and to the bellows L2, as and for the purposes specified.
3. The reed-pan S, with itsV naked reeds s, mounted below the main wind-chest of a suction-reed musical instrument, as herein specitied.
4. In combination with reeds and bellows, a percussion action consisting of hammers H, hoppers or jacks J, springs j, and regulators h, when combined and arranged as and for the purposes specilied.
5. The reed-pan S, with reeds s and suitable connections to suction-bellows, in combination with each other and with a percussion action, when the reeds s and the percussion mechanism are arranged outside the wind-chest, all substantially as herein specified.
6. In a musical instrument, the combination, with a. stop-draw rod and a device to be actuated thereby arranged at one side of the stopdraw rod, of a rock-shaft extending from the vicinity of the stop-draw rod to the vicinity of the device to be actuated thereby, and provided with an arm for connection to the stop-draw rod, and with an arm located at some distance from the former for imparting motion to the device which is to be actuated by the stopdraw rod, substantially as and for the purpose specified.
7. In a musical instrumen t, the combination, with a stop-draw rod and a device to be actuated thereby arranged at'oue side ofthe stopdraw rod, of a rock-shaft parallel with nameboard, provided opposite the stop-draw rod reeds, substantially` as specitied.
9. In a reed musical instrument, the air-passage O, valve o2, and the lever o3 in the upper reed-chest, O, all arranged above and toward the front ot the keys a-nd wind-chest B, substantially as specited.
10. The coupling action between the keys C and pallet-levers f, consisting of the hinged piece X, carrying coupling-levers X', and suitable connections t0 the stop-draw .1', combined and arranged as and for the purpose herein specified.
11. The reed-pan F, with its connecting feeder K, reservoir K', support-board K2, and suitable wind-passages, all arranged to be operated substantially as described, in combination with reeds operated by a separate wind apparatus, as herein specified.
12. In a reed or cabinetorgan, a fan-treniolo, in combination with means for operating the reeds K ot' the pan F by pressure and blowing outwardly through the tremolo, as herein specilied.
13. The supplementary pressure-reservoir K and feeder K, in combination with a suction instrument and means for operating a treinolo-tan by blowing a connected motor, when said parts are combined and arranged substantially as specified.
14. The pressure wind apparatusl K K', pressure-reed pan F, and mechanism for blowing upon the fan-tremolo motor D, in combination with suction-reeds and suction wind apparatus, as herein specilied.
15. The unincloscd fan-motor D, arranged relatively to the fan-treniolo D2 and to a set of pressure-reeds, k, as herein specified.
1G. An uninclosed fan-motor, in combination with the directing-nozzle D' and suitable connections for conducting the air thereto, and with the controlling-valve d, all substantially as herein specified.
17. The screen D3, in combination with motor D, and arranged relatively tothe fan or tremolo as and for the purposes described.
18. The top chest, O, and its connections and the reed-pan F and its connections, hinged together and to the body of the instrument, so as to be conveniently opened and closed, as and for the purposes herein specified.
In testimony that I consider the above to be my in vention I hereunto subscribe my name.
MASON J. MATTHEWS.
Witnesses:
JAMES W. CUBRIER, J mms HOLLYER.
IOO
IIO

Family

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