US3789721A

US3789721A - Oboe fingering system and mouthpiece

Info

Publication number: US3789721A
Application number: US00349625A
Authority: US
Inventors: D Paladino
Original assignee: Individual
Current assignee: Individual
Priority date: 1973-04-09
Filing date: 1973-04-09
Publication date: 1974-02-05
Anticipated expiration: 1991-02-05

Abstract

The new oboe or English horn fingering system of the invention comprises a series of new keys added to the instrument and rearrangement of a number of existing keys which cooperate to achieve a new and more versatile fingering system.

Description

United States Patent 1191 11] 3,789,721 Paladino Feb. 5, 1974 1 154] OBOE FINGERING SYSTEM ANT) 2,596,260 5/1952 Linton 84/380 A MOUTHPIECE 2,789,455 4/1957 Lehman et a1.. 84/382 g 2,867,146 1/1959 Mazzeo 84/382 [7 Inventor: Dick al d 4221 San Bernardmo 2,887,001 5/1959 McIntyre 84/382 Ave., Las Vegas, Nev, 89102 3,152,506 10/1964 Roberts 84/380 A Filed: p 1973 3,161,102 12/1964 De Lancie et a1. 84/380 A [2]] Appl 349625 Primary ExaminerLawrence R. Franklin Related [1.5. Application Dat Attorney, Agent, or Firm-Jerry R. Seiler [63} Continuation-impart of Ser. No. 234,481, May 15, 4

[57] ABSTRACT (g1 The new oboe or English horn fingering System of the 58] Field 4/380 385 invention comprises a series of new keys added to the instrument and rearrangement of a number of existing 56] References Cited keys which cooperate to achieve a new and more versatile fingering system. UNITED STATES PATENTS 1,611,382 12/1926 Schindler, 84/382 5 Claims, 6 Drawing Figures SHEH 1 0F 4 FIGURE PAIENTED FEB 5 4 vSHEET 2 0F 4 FIGURE 2( FIGURE PAIENIE FEB 5mm SHE! 3 BF 4 FIGURE 4.

PATENTEDFEB 51w 3789.721

' SHKU U 0F 4 FIGURE-6.

BACKGROUND or THE INVENTION This application is a continuation-in-part of my copending application Ser. No. 234,481, filed May 15, 1972.

The classic or state of the art oboe and fingering system has been used for generations without significant change. However, such a fingering system has a number of disadvantages-which makes intervals between certain of the keys and notes quite difficult, especially for-other than advanced oboist. Moreover, a few intervals, for example, low B flat to C sharp or D sharp, a D sharp to F natural trill as well as others are extremely awkward or difficult even for the advanced or professional player. It is to the elimination of such difficult fingering that the present invention is directed.

SUMMARY OF THE INVENTION piece which increases the instruments high note range.

Specific details and advantages of the new fingering system will be evident from the following detailed description.

BRIEF DESCRIPTION OF THE DRAWINGS FIG. 1 illustrates a partial view of an oboe showing the lower half or right hand portion of the fingering system of the invention;

FIG. 2 illustrates a partial view of the oboe showing the upper portion or left hand of the fingering system;

chart by N. W. Hovey or any similar available fingering charts.

LOW B FLAT On an oboe or English horn the fingering for low B flat according to the system of the invention is significantly improved. To sound low B flat,

left hand keys

53, 64, 52 (FIG. 2), 23 and

right hand keys

39, and 33 are depressed. A cross bar 12 and T bar 14 con nected to the existing low B natural hinge tube 29 and tone hole cover cooperate with cross member 19 to close C natural tone hole cover and existing B natural pad cover when B flat key 23 is depressed with little finger left hand. B flat key 23 is attached to hinge tube 37 as is cross bar 12.so that when key 23 is depressed, the cross bar is displaced or elevated and which also displaces cooperating T bar 14 since the ends of these members abut one another as shown. The upper end of the T bar underlies cross member 19 and is attached to. hinge tube 29 as is the C natural key 15. Accordingly, when. B flat key 23 is depressed C natural key 15 is also depressed, along with B natural tone hole cover and pad (not shown)-attached to hinge tube 29, due to the cooperation of the cross bar 12 and T bar 14 to close. the C natural tone holeunderlying tone hole cover 35.

This leaves the oboe players little or fourth finger right hand free to make smooth and rapid transitions to actu ate other keys which is especially important when attempting a trill from B flat to B natural or, for example,

FIG. 3 is another view of the upper portion shown in F IG. 2 and illustrating a further embodiment of the improved fingering system;

FIG.4 is a view of still another improvement of the fingering system with the components of the assembly detached from the instrument; and

FIGS. 5 and 6 piece.

DETAILED DESCRIPTION OF THE INVENTION Referring now to FIGS. 1 and 2, there are illustrated partial views of the lower portion (FIG. 1) and upper portion (FIG. 2) of an oboe incorporating the improved oboe fingering system of the invention. The figures illustrate all of the fingering keys located on the lower and upper portions or halves of the oboe so that the tone hole pad coversand bell end of the instrument below those keys shown in FIG. 1 are now shown for simplicity and since they remain substantially unillustrate an improved oboe mouthchanged from existing oboes. For the sake of simplicity,-

the-key and the sequence of playing the keys of the fingering system of the invention will be described individually beginning with the low end of the oboe scale. When tone hole covers are referred to it will be understood that they include pads for closing the tone holes with no vent holes in the keys anywhere. Reference will be made by comparison with existing oboe fingering systems known to those skilled in the art and shown in beginning oboe books, for example, the Rubank oboe intervals between B flat and C sharp or D sharp. Such a feature presents a decided advantage over the existing oboe fingering system in which the player must hold downB flat, a C natural bar and at the same time cover a D natural hole with the'third finger right hand just to trill to C sharp. Moreover, when playing aninterval from B flat to C sharp, the little finger right hand is required to slide to C sharp or D-sharp which is very cumbersome and awkward requiring a four finger combination, the present system only a two finger movement. Further, in the old or existing system, B flat to D sharp interval requires depressing the B flat key with little finger left hand while third finger right hand depresses a C natural bar and at the same time covers a D natural tone hole. Thus, in making the interval, the third finger right hand must be pulled back off the C natural bar using a right hand rocking motion while keeping the D natural hole covered which is extremely unnatural. With the system of the invention, the player simply alternately depresses B flat key 23 or C sharp key 18. A

ease as opposed to the old or existing fingering system which required the player to slide the little finger left hand back and forth-between the Bnatural and B flat key which is considered very impractical.

LOW B NATURAL A new B natural key 16, as previously noted, has been placed for actuation by little finger right hand and which key depression causes pivot of hinge tube 13 in turn elevates cross bar 18A attached to the hinge tube as shown. This cross bar displacement also displaces T bar 14 and, as previously explained, because of the cooperation of the T bar and cross member 19, C natural tone hole cover 35 is closed and C natural key 15 is concomitantly depressed without requiring the player to depress the key. This feature greatly enhances the ability to play intervals from low B natural to C sharp to D sharp to B natural, without sliding, B natural to G sharp to D sharp to low B natural, also since the little finger left hand is free to make such intervals whereas under the old system the left hand little finger was required to hold down the C natural key. Accordingly, in the instant system, B natural key 16 played in the right hand is in addition to existing B natural key and which offers much greater versatility in making otherwise difficult intervals. Thus, low B natural may now be played by depressing either key 25 or key 16 as well as

keys

53, 64, 52 (lefthand) and 39, and 33.

LOW C NATURAL left hand C natural key 42.is depressed, hinge tube 21 rotates and cross bar 26 is elevated and urged against extension 15A thereby causing depression of right hand C natural key 15 and C-natural tone hole cover is closed. However, right hand C natural key 15 works independently of key 42 to achieve a greater variety of fingering possibilities. Thus, low C natural can be played by depressing either key 42 or key 15 together with keys-53, 64, 52, 39, 30 and 33. This improved C natural fingering also eliminates an old C natural bar which was required to be depressed by third finger right hand as earlier described. Such versatility will also be better understood hereinafter by explanation of additional keys in both the le-ftflhand and right hand little finger key arrangement whereby a variety of trills can be easily accomplished in either hand. Because of the newly added left hand C natural key 42, a variety of intervals may be easily played which were heretofore much more .difficult. Examples of such intervals include D natural to B natural, C natural to D sharp, and C natural to C sharp, all without difficult and awkward finger sliding techniques which were required. Moreover, C natural to C sharp trill is accomplished by holding down right band C natural key 15 and trilling C sharp key 44 with the left hand or alternatively holding down left hand C natural key 42 and trilling right hand C sharp key 18.

LOW C SHARP Two new C sharp keys have been added, right hand C sharp key 18 and left hand C sharp key 44 which, together with the old existing C sharp key 11, offer a variety of alternative finger combinations. Low C sharp may now be played by depressing either key 44 or key 18 together with

keys

53, 64, 52, 39, 30 and 33. Left hand C sharp key 44 is attached to hinge post 34 which causes cross bar 24 to be elevated when key 44 is depressed. An extension 22 has also been added to existing C sharp key 11 so that when cross bar 24 is displaced, it is urged against extension 22 which causes concomitant depression of key 11. Right hand C sharp key 18 is attached to hinge tube 20 as is key 11 so that when either of these three C sharp keys are depressed, hinge tube 20 is pivoted and opens a tone hole cover and pad covering the C sharp tone hole and at the same time closes the C natural cover key 35, as in the old system. With these additional C sharp keys, there is significant advantage offered over the old C sharp fingering system which required holding down the C natural bar with fourth finger right hand and then trilling C sharp with the right hand little finger. However, with the system of the invention, the left hand C sharp key 44 can be depressed independently to achieve, the desired tone. The advantages of these C sharp keys also is particularly useful in playing chromatic scales as well in the keys of G flat, D flat, or B major whereby intervals from low D sharp to C sharp to B natural to D sharp to C sharp are much more easily accomplished. Right hand C sharp key 18 offers particular advantage even i to the-professional who might have much difficulty in making or playing such intervals rapidly in the low register. D natural to C sharp trill is also easily accomplished in the right hand because of the position of key 18 as compared to old key position 11. The fingers no longer need to reach out or'spread unnaturally. Further, key 18 is positioned directly under newly positioned D sharp key 17 and adjacent B natural key 16 for additional ease in playing intervals tothose notes.

D NATURAL Fingering for low D natural remains unchanged by

depressing keys

53, 64,52, 39, 30 and 33 while middle or second octave D natural can now be played without moving the first finger left hand forward to uncover a vent hole in the center of the B natural key. Instead, for middle D only the single octave key 61 (FIG. 3) is depressed together with the same keys for low D natural. Low D natural key 33 is provided with a solid tone hole pad so that unlike earlier open hole oboes having vented keys, key 33 merely needs to be pressed and the D tone hole is covered. D natural key 33 also activates and controls the automatic-vent k ey'which is discussed hereinafter.

D SHARP I Low and middle octave D sharp is played with the same fingering as in the old system. Thus,

keys

53, 64, 52, 39, 30 and .33 are depressed together with either key 17 or key 27 for low D sharp plus octave key 61 for middle octave D sharp. Right hand D sharp key 17 has been moved to a new position shown in FIG. 1 making it much easier.to play, for example, in the key of B major. D sharp key 17 is attached to hinge tube 20 by a bridge 20A so that when playing in the key of B major, or otherwise making an interval from low B natural to C sharp to D sharp to B natural or C sharp to low D sharp, the movement for the players right hand little finger is much more natural than the old system which required sliding the little finger from C sharp to D sharp.

E NATURAL FNATURAL F natural has been altered by incorporating an over ring 39 attached to bridge member 40 and in turn at tached to F sharp tone hole cover 32. Located beneath over ring 39 is tone hole cover 38 which is a newly positioned F natural fingering. Accordingly, the F natural tone hole of the present invention is now located beneath key 30 and allows the note F natural to be produced through a new tone hole making possible a much clearer sounding note. It is now in place of the old F sharp fingering. The F sharp fingering has instead been moved to key and tone hole cover 30. Moreover, the F natural tone hole has beenmade slightly smaller and has a diameter, of approximately 9/64 inch. To play F natural according to the invention, the oboist uses only the first finger right hand to depress over ring 39 which also causes depression of tone hole covers 38 and 32. Low F natural also requires depression of

left hand keys

53, 64 and 52 while for middle octave F, octave key 61 is also depressed. Such a fingering for F natural is a significant improvement over the old F natural in fingering system whereby first, second and third fingers right handare required to depress keys to achieve that note.

cover and F SHARP One F sharp position and fingering according to the invention requires depression of key 30 with .second finger right hand instead of first finger righthandposition according to theold system. The F sharp tone hole located beneath tone hole cover 32 has been enlarged from 1 H64 inch to l5/64 inch or A inch with the specific diameter depending on the individual instrument and the pitch of the note desired. It will be noted that thehinge tube to which

keys

33, 30 and 39 are attached is split into segments 7, 3, 5 and 8. The hinge tube is hollow and has a rod (shown in phantom) extending through the length of the tubes hollow interior. Pin 4 secures segment 3 to the rod while pin 6 similarly secures segment 8 to which bar 2 is attached. Thus, key 33 works independently from

keys

30 and 39. When key or over ring 39 and F natural tone hole cover 38 are depressed, keys 3'3 and 30 remain open. However, when the instrumentalist depresses key 30, tone hole cover 38 will also be depressed since hinge tube segments 3 and 8 will rotate because of pins 4 and 6 thereby causing depression. of bar 2 (attached to segment 8) which overlies stud 9 attached to the tone hole cover 38. Yet, over ring 39 is not then depressed due to the action of a spring (not shown) which holds the over ring, bridge member 40 and tone hole cover 32 up unless specifically depressed since these members are secured to independent segment 10. Thus, the new F sharp tone hole located beneath tone hole cover 32 remains open when key 30 is depressed to sound F sharp. When playing low F sharp,

keys

53, 64 and 52 are also depressed as is octave key 61 when playing middle or second octave F sharp. Accordingly, the improvement of the present F sharp comprises" enlarging the size of the tone hole, the new fingering position, the elimination of a vent hole in key 30, and the operating mecha-' nism of the key as described herein.

F SHARP TRILL KEY A new F sharp trill key 28, tone hole cover 36 and underlying tone hole 46 have been added to the instrument. Thus, an additional F sharp tone hole 46 has been placed on the instrument adjacent and in line horizontally with the F sharp tone hole under tone hole cover 32. This new tone hole is substantially the same size as the previously described F sharp tone hole, i.e.,-

between about 15/64 inch and /4 inch depending on the specific instrument and intonation desired. Accordingly, F sharp trill key 28 can be actuated independent, and normally first finger right hand depresses key 39 and the third finger right hand depresses key 28. Thus, F sharp can be produced either by actuating the trill key 28 and key 39 or by depressing key 30 singularly as previously explained which gives added versatility to the instrument.

Referring now also to FIG. 2, there is shown an upper half of the oboe and fingering system of the invention .with the upper portion thereof omitted. FIG. 3 shows the side of the instrument and keys thereon which are not visible in FIG. 2. It is also to be understood, and it niques and system that

keys

53, 64 and 52 in FIG. 2 are depressed with first, second and third fingers left hand to achieve notes as previously described. Moreover, although certain keys will be described as over rings, it is to be appreciated that these keys may comprise solid discs or plateaus to achieve the same purpose.

G NATURAL AND THE SINGLE ACTION OCTAVE KEY Referring to FIG. 2, G natural key-position is unchanged but now comprises a tone hole cover and pad 54 and over ring 52 which may be independently actuated since they are respectively attached to different hinge tubes as shown. G natural is played by depressing over ring 52 and underlying key 54 with the third finger left hand with, of course, A natural and B

natural keys

64 and 53 being depressed at the same time. Attached to and adjacent the upper end of hinge tube segment 82 is cross bar 84 which extends to engage arm 71 for actuating octave hole cover 76 and arm 73 for actuating octave hole cover 74. Arm 73 is pivotally connected between posts 75. The hinge tube to which over ring 52 is attached is also segmented in a manner as previously described with a rod extending therethrough. Pin 97 extends through the rod and segment 69 while pin 80 extends through the rod and segment 82. When over ring 52 is depressed, underlying G natural tone hole cover 54 is depressed and at the same time

hinge tube segments

69 and 82 are rotated whereby cross bar 84 is depressedjAs this occurs, arm 73 is depressed, as is octave hole cover 74, while octave hole cover 76 is raised by a biasing spring with arm 71 pivoting on posts 81.

Cooperating with this mechanism is octave key 61 shown in FIG. 3 which is connected to hinge tube 65 to which tube are also attached

arms

63 and 85 shown in FIG. 2. Octave key 61 is referred to as a single action octave key and eliminates the old system which utilized two octave keys. Thus, in the new fingering system a left side octave key has been removed. As will be understood-by those skilled in the art, the second or left side octave key was a bar which was required to be held down with the side of the first finger left'hand while playing octaves A natural, B natural, C natural and C sharp and which was released while depressing the left hand thumb octave key for playing certain other octave notes. When the person was required to hold the side of the first finger left hand on the octave key it significantly reduced the efficiency of playing notes with the fingers of the left hand.

Observing FIGS. 2 and 3, when octave key 61 is depressed with the thumb of the left hand and which is the only octave key now used, hinge tube 65 will be rotated to elevate

arms

63 and 85 and allow octave hole covers 74 and 76 to be elevated for upper octave notes. With playing low octave G by depressing over ring 52, but

without depressing octave key 61,

arms

63 and 85 remain depressed and octave hole covers 74' and 76 are closed. When octave key 61 is depressed,

arms

63 and 85 are elevated so that when at the same time G natural over ring 52 and tone hole cover 54 are depressed, arm 84 is also depressed to close octave key 74 while octave key 76 remains open sounding G natural in the second octave. The next note up, second octave A natural, is where the old system second octave key bar was placed; instead one merely raises the third finger left hand of the G natural key 52 activating cross bar 84 against arm 71 to close cover 76 and releasing cover 74, thus sounding second octave A natural. Octave key 61 is depressed for middle D natural and all higher notes.

Moreover, as shown in FIG. 2, hinge tube 95 is also segmented and tone hole covers 91 and 93 are each attached to independent segments thereof as are tone hole covers 72 and 54 unlike the old system whereby all these keys were attached to each other. vLift springs (not shown) underlie the arms extending between the hinge tube segments and tone hole covers 91 and 93 whereby they remain open until depressed in response to depression of other keys or over rings as do covers 54 and 72. Observing also FIG. 3, cross bar 94 is attached to cover 91 unlike the old system where it was attached to a key replaced by tone hole cover 72. Cross bar 96 is now attached to cover 93 instead of a key corresponding to cover 54 in existing oboes. Thus, cooperating cross bars 59, 94 and 96 cause depression of different combinations of tone hole covers 91 and 93 depending on which keys are depressed. Two new cross bars 72A and 54A (see FIG. 2) have been added for the purpose of closing tone hole covers 91 and 93 by the depression of tone hole covers 72 and 54 respectively. As over ring 64 is depressed also depressing its underlying cover 72 to which is attached cross bar 72A, cover 91 is also depressed and held closed by the pressure of cross bar 72A acting on the cover arm. It will be noted that bar 72A underlies

members

64 and 70. Similarly, cover 93 is closed with applied pressure from cross bar 54A which is attached to cover 54 and the latter being depressed when over ring 52 is also depressed. For example, when over ring 52 is depressed as is tone hole cover 54 and cover 93, cross bar 96 is elevated by the rotating hinge tube segment to which it is attached and causes elevation of cross bar 94. In turn, since tone hole cover 91 is attached to the same hinge tube segment as is cross bar 94, covers 93 and 91 will be then closed when G natural over ring 52 and tone hole cover o SHARP The G sharp fingering remains the same in both low and middle octaves, for either left or right hand fingering. However, a new trill for G sharp has been created,

and due to the interrelationship of the system, it is much less difficult. The player simply depresses

keys

53 and 64 with the first and second fingers left hand and key 39 with the first finger right hand the latter being the trill finger. .The old system required trilling with the third finger left hand, a much more difficult technique for rapid trilling. Accordingly, the old G sharp trill'required holding down of fourth or little finger left hand and first and second finger left hand while raising and lowering the third finger which is obviously difficult.

A NATURAL Low A natural is played the same by depressing

keys

53 and 64. Second octave A natural is played by simply depressing the same keys and octave key 61 whereas in the old system the alternate or second octave key bar was used. It is to be noted that over ring (key) 64 is attached to independent hinge tube segment 77 which allows over ring (key) 52 to remain elevated so that octave hole cover 76 is depressed and cover 74 elevated to produce the second octave A'natural. Depression of over ring 64 also causes closing of new B flat tone hole pad 56 when key 68 has been depressed by allowing arm 60 to urge the underlying tone hole cover extension 89 downwardly.

B FLAT (OCTAVE 2 AND 3) A new B flat key 55 has been added for playing with the side of the right hand first finger to open B flat tone hole beneath cover 86. The diameter of the newBflat tone hole is about 3/32'inch'. Cover 86 and its tone-hole beneath are located directly adjacent cover 93 (to the side). Thus, second octave B fiat may be played by depressing key 55 with the side of the first finger right hand while at the same time depressing keys 53 and64 first and second fingers left hand respectively. Third octave B flat is played identically except that octave key 61 is also depressed.

A newleft hand B flat key 68 has also been added to make playing in a certain key such as G minor, A flat, E flat, B fiat and others in which the B flat is frequently used, much simplier. Playing B flat with key 68 requires the instrumentalist to depress B natural key 53 and key 68 simultaneously with the first finger left hand. Depression of key 68 also closes A natural tone hole cover 72 and at the same time a newly added B flat tone hole 97 adjacent cover 93 and to the side shown in FIG. 3 is opened since tone hole cover 56, normally in a closed position, is elevated as arm 62 is depressed against flexible spring member 58. This will be observed from FIG. 2 wherein key 68 is attached to hinge tube segment 82A as is bridge 66 and which bridge also is secured to hinge tuhe segment 79 as is arm 62. Over ring 64 extends from independent tube segment 77 so that as key 68 is depressed causing

hinge tube segments

82A and 79 to rotate, arm 62 is depressed against member 58 rotating hinge tube 88 and elevating B fiat tone hole cover 56 from the tone hole. The new B flat tone hole 97 which underlies B flat tone hole cover 56 is also approximately 3/32 inch in diameter. Utilizing the new fingering system, a new A natural to B flat trill may be played by raising and lowering the second finger left hand on over ring 64 while depressing new B fiat key 68 and key 53 with firstfinger left hand. G natural to B flat trill may be easily accomplished by maintaining

keys

53 and 68 depressed with first finger left hand while raising and lowering second and third fingers left hand on over

rings

64 and 52. Third octave B flat is played the same as the second octave note except that octave key 61 is also depressed.

B NATURALtOCTAVE 2 AND 3) A new cross bar 59 (FIG. 3) has been attached to hinge tube 95 so that when 53 is depressed, tone hole covers 91 and 93 are also depressed leaving both tone hole covers 72 and 54 in a raised position to sound B natural. These covers remain open to sound C sharp unless B natural key 53 is depressed as opposed to the old system where these covers were closed normally until opened by depressing the right hand first finger key to sound B flat, C natural and C sharp. This embodiment replaces a lengthy bar used in the old system for this key. Observing also again FIG. 3, when key 53 is depressed, new cross bar 59 is elevated on the rotating segment of hinge tube 95 which thus lifts cross bars 94 and 96 thereby depressing both tone hole covers 91 and 93 only. Thus, cross bar 59 and tone hole cover 53 are commonly attached to the same segment of hinge tube 95 whereas cross bar 96 and tone hole cover '93 are commonly attached to a different segment of the hinge tube. In addition, cross bar 94 and tone hole cover 91 are commonly attached to still a different segment, as described earlier under G natural. It will be appreciated that this new fingering system also makes the B natural to C sharp trill a one finger exercise as opposed tothe old system requiring two fingers. To play third octave B natural, in addition to key 53, octave key 61 is depressed.

C NATURAL OCTAVE 2 ,AND 3) Second octave C natural is played by depressing over ring 64 with second finger left hand. Third octave C natural is played in the same way but also requires'depression of octave key 61 with the thumb of the left hand. Both of these notes are obviously played with much more simplicity as compared to the old system requiring depression of keys with both the first finger left and right hand. A new side C natural trill key 57 has been added to give greater ease for playing trills and grace notes, the latter often required to enhance the sound of the basic melody note. Accordingly, this may be easily accomplished by depressing C natural key 57 which elevates tone hole cover 92 over a new C natural tone hole (about 3/32 inch in diameter) and key 53. Tone hole cover 92 is located directly adjacent cover 91 and to the side. Key 57 is located adjacent new B flat side key and above it. Accordingly, the new C natural key 57 is depressed with the side of first finger right hand. It is also understood that key 55 is pressedwith side of first finger right hand and also works independently for B flat. Observing again also FIG. 2, tone hole cover'72 underlying over'ring 64 is attached to a segment of hinge tube so that when cover '72 is depressed this causes cross bar 72A to be depressed thereby also closing tone hole cover 91 and leaving tone hole covers 53, 93 and 54 elevated, thus producing a clear second octave C natural with the second finger left hand. Although this fingering is the same as the old military system, the operating mechanism of the keys set forth is not the same. In old existing system,

keys

91 and 93 are already in a closed position, this being their normal state. This does not produce a clear C natural as does the new system described herein.

C SHARP Middle or second octave C sharp is played with no keys depressed may be referred to as open C sharp.

Third octave C sharp is played by depressingoctave key 61 so that it will be understood that the playing of these notes is greatly simplified from the old'fingering system. High or third octave C sharp may also be played by depressing octave key 61, over

rings

64 and 52 with second and third finger left hand respectively, and keys 39, 30 (FIG. 1) and key 15 in the right hand. This latter key must be depressed for playing all notes above third octave C sharp, with the exception of the notes A natural, A sharp, B natural and C natural fourth octave to which the alternate key 17 may be applied. It will be further noted that, due to the development of the simplified fingerings above the third octave .C sharp, all the old system alternate and out of tune fake fingerings have been eliminated.

D NATURAL THIRD OCTAVE time depressing D natural trill key and first and second.

finger right hand keys. Moreover, the instant system presents a simplified interval between C sharp and D natural by simply raising or lowering the second finger right hand as opposed to the old system requiring first finger right hand to be raised and first finger left hand to close B natural key but leaving the orifice or hole open which was obviously very inconvenient.

D SHARP THIRD OCTAVE This note is played like D natural except that the third finger right hand depresses key 28. Thus, the movement between D natural and D sharp third octave simply requires the depression of key 28. Referring to FIGS. 1 and 2, the new D natural fingering is depression of

keys

64 and 52 second and third fingers left hand respectively and

keys

39, 28 and 15 in the right hand by respective fingers one, three and four. Also octave key 61 is depressed. The old D sharp third octave fingering required first finger left hand rolled forward to open the old vent hole in B natural key while second,

third and little fingers left hand depressed keys together E NATURAL THIRD OCTAVE F NATURAL THIRD OCTAVE The F natural fingering is a one finger movement from E natural. The depression of over

rings

64, 52 and key 51 with the second, third and fourth fingers left hand respectively, octave key 61, plus key 15 with the right hand fourth finger, produce this note. Seven fingers were needed to make this same note on the existing old system, being an obvious hardship.

F SHARP THIRD OCTAVEv The fingering of this note requires only the depression of octave key 61, over ring 64, key 51 and key 17 so that it is only a one finger variation from F natural third octave. In the old'system a number of keys were to be depressed for this note which was much more difficult as will be understood by those skilled in the art.

G NATURAL AND G SHARP THIRD OCTAVE G natural isplayed by depressing octave key 61, key

, 53 and over ring 64 in the left hand and over ring 39 and key 15 in the right hand. G sharp fingering requires only depressing octave key 61 and key 53 in the left hand and over ring 39 and key 15 in the right hand. Thus, the interval between G natural and G sharp in the third octave is a one finger movement and very simply accomplished. I

A NATURAL THIRD OCTAVE This note is played by depressing left hand second and third fingers on over

rings

64 and 52, octave key 61 and

right hand keys

30, 33 and 17.

A SHARP, B NATURAL, C NATURAL AND C SHARP FOURTH OCTAVE The fingerings for the four notes identified in the fourth octave do not appear on standard oboe fingering charts. A sharp is played by depressing octave key 61 and over rings 64' and 52 with left hand second and third fingers, and

keys

33 and 17 in the right hand with third and fourth fingers. For B natural,

keys

64 and 52 are depressed, key 51 is held down with the little finger left hand and key 17 is depressed with the fourth finger right hand. For C natural,

keys

64 and 52 are depressed with the left hand and

keys

30, 33 and 17 with the right hand. For C sharp,

keys

64 and 52 are depressed with second and third fingers left hand, plus key 61 and with the right hand keys 33 third finger and key 17 fourth little finger.

AUTOMATIC VENT KEY Referring now to FIG. 4, there is illustrated an optional embodiment which may be referred to as the automatic vent key the purpose for which is eliminating a vent hole found on theold system B natural key and played with first finger left hand. Normally in the old fingering system playing middle or second octave, D

sharp or D natural, key 53 is depressed with first finger left hand but the finger rests on the key such that an orshown in FIG. 2. The new tone hole has a diameter between about l/l6 and about 5/64 inch.

The mechanism for operating automatic vent key and the placement thereof will be appreciated by noting D natural key 33, observing also its position shown in FIG. 1, octave key 61 (see also FIG. 3) and line AA which represents the approximate location of the part line between upper and lower halves of the instrument. Cooperating between automatic vent key 100 and octave key 61 is hinged member 102 which is supported and rotates between

posts

105 and 107 secured to the other side of the instrument from the keys illustrated in FIG. 2. Hinge member 102 is also biased by a spring 101 and includes

extensions

103 and 106, the former underlying and in abutment with octave key 61 as illustrated. Vent key 100 will remain in a closed position to cover the newly placed vent hole as previously described since spring 101 will hold extension 106 against the protruding part of vent key 100 until octave key 61 is depressed whereupon hinge member 102 will rotate and allow the vent key to open. Attached to vent key 100 is am 136 which is secured to hinge tube 138 and which arm includes a protuberance 125 against which' spring 126 acts to bias vent key 100- in an open position. However, spring 101 overrides that bias and acts to maintainthe down pressure of arm 106 against the vent key 100 until octave key 61 is depressed whereupon the vent key will be open. Also secured along hinge tube 138 is arm secured downwardly from. post 133 and arm 108 secured upwardly from post 134. Hinge tube 138 is hollow and has extending along its interior length a rod (shown in phantom) which allows portions or. segments of the hinge tube to act independently of one-another. Moreover, a pin .122 extends through hinge tube segment 133 andinterior rod as does pin 124 on segment l16.-The hinge tube isalso split between

extensions

110 and 108 to form independent segments and 121. These two segments are located in the same positions as were keys D natural and D sharp in the old system. Observing now the other end or lower portion of the embodiment of FIG. 4 there is shown a hinge tube 112 secured between posts and 131 and having a spring 127 which biases the hinge tube to urge cross bar 114 upwardly and maintain abutment with key 33. Member 115 is also secured to hinge tube 112 and underlies and cooperates with member 108 as shown. Accordingly, when low D natural key 33 is depressed, vent key 100 will remain closed even though member 115 is elevated thereby elevatingabutting member 108 and in turn member 110 since, as previously explained, until octave key 61 is depressed, the vent key will remain closed due to the biasing action of spring 101. On the other hand, when only depressing octave key 61, vent key 100 will still remain closed unless key 33 is also depressed because

springs

127 and 118 bias the respective hinge tubes to which they are attached to maintain eliminated entirely utilizing this embodiment. It will be appreciated that the apparatus shown in FIG. 4 will be secured to the instrument onthe other side of the fingering keys shown in FIG. 2 whereby the hinge tubes and various extensions and members will be of sufficient length so that cross bar 114 underlies key 33, extension 103 underlies octave key 61 and cross bar 106 overlies new vent key 100 and the underlying orifice or hole in the instrument is appropriately placed as will be understood by those skilled in the art. I

THE MOUTHPIECE Referring to FIGS. 5 and 6, there is shown an improved mouthpiece assembly of the invention which may be used in lieu of the double reed normally used to play an oboe. The mouthpiece assembly comprises an elongated and hollowed member 140, hereinafter referred to as the mouthpiece, and a reed which is secured to the mouthpiece. The mouthpiece has a forward end section 146 secured to the upper end of the instrument. The mouthpiece end may be wrapped with cork or similar material to achieve an air tight fit into the instrument. Extending therefrom'is a reed support portion 148 which is hollow and has been cut away so as to expose trough 152 and a reed support surface 150. The reed is formed preferably of bamboo cane or similar material and has a forward block shaped end 142 which overlies reed support surface 150 when the reed is attached and gradually thinning portion 144. Referring also to FIG. 6, the. mouthpiece has a forward cone shaped cavity 154 which terminates in a restricted orifice 156 so that the overall cavity is frustoconical shaped. Mouthpiece 140may comprise brass and may be nickel or similarly plated or may be produced out of hardened rubber or plastic. The overall length of the mouthpiece 140 is preferably about 2 /2 inches long and more preferably about 2% inches and having a forward portion diameter of about A inch. Accordingly, the mouthpiece may be conveniently formed from a length of inch tubing. The reed length is preferably about 1% to about 1% inches in length and more preferably about 1% inches. Obseving again FIG. 6, the length of the conical chamber 154 is preferably about 1% inches, between the forward mouthpiece endand surface 156 and which orifice is preferably about 3/16 inch in diameter. The depth of the concave trough or baffle 152 and the length of the points between 157 and 158 may be varied ,to achieve a variety of tonal qualities and extreme pitch changes which previously were unavailable in a double reed mouthpiece. Further, the flexibility of embouchure control is greatly increased, allowing a much larger tone and pitch center, as will be understood by those skilled in the art. Moreover, the reed may be secured to the mouthpiece as shown so that the 6 thin reed end substantially terminates at the underlying end of the mouthpiece 158. Thereafter, a thread, rubber bands or similar ring shaped devices as a ligature may be used around the portion 142 of the reed and 148 of the mouthpiece for securing these members.

The described mouthpiece is significant in the advantages over a double reed which is well understood to be somewhat-difficult to play and control and especially for beginning oboists. The new mouthpiece utilizes only a single reed thereby simplifying tonguing and allows the instrumentalist to make either softer or louder sounds without extensive changes in the embouchure. Once the mouthpiece has been secured to the instrument, it is played by bracing the upper teeth on topof the mouthpiece with the bottom lip gripping reed surface 144. Moreover, such a mouthpiece will allow instrumentalists familiar with other single reed mouthpieces to more easily achieve proficiency of the instrument. These as well as other advantages will be evident to those skilled in the art.

I claim:

1. In an upper portion of an oboe or English horn, a key arrangement comprising:

first, second, and third time holes corresponding to B natural, A natural, and G natural;

first, second, and third ventless tone hole covers contively, of a first hinge tube and biased towards the. open position over said first, second, and third tone holes, respectively;

a first key integral with said first tone hole cover;

a second key overlying said second tone hole cover and attached to a first segment of a second hinge tube;

a third key overlying said third tone hole cover and attached to a second segment of said second hinge tube;

said first, second and third keys being located to be normally actuated by the first, second, and third fingers of the left hand;

a fourth tone hole located between said B natural and said A nat ral tone holes, and a fifth tone hole located between said A'natural and said G natural tone holes;

fourth and fifth tone hole covers biased into an open position over said fourth and fifth tone holes respectively and attached to fourth and fifth segments of said-first hinge tube;

means operatively connecting said first key to said fourth and fifth tone hole covers to close said fourth and fifth tone holes respectively when said first tone hole is closed;

means operatively connecting said second tone hole cover to close only said fourth tone hole when said second tone hole is closed; and

means operatively connecting said third tone hole cover to said fourth and fifth tone hole. covers to close said fourth and fifth tone holes respectively when said third tone hole cover is closed.

2. The key arrangement of claim 1 further comprisfirst and second octave holes located above said first key having first and second octave hole covers biased toward the open position;

a single octave key having means connected thereto for closing both said octave hole covers when said octave key is not depressed; and

means connecting said third key to said first and second octave hole covers for closing one when said nected to first, second, and third segments, respecing:

a sixth tone hole corresponding to B fiat located adjacent and to the side of said fifth tone hole;

a sixth tone hole cover biased to close said sixth tone hole, said sixth tone hole cover having an extension attached thereto;

a sixth key located adjacent said first key attached to a third segment of said second hinge tube;

means connecting said sixth key to open said sixth tone hole while simultaneously closing said second and fourth tone holes; and

an arm on said second key cooperating with said extension to close said sixth tone hole when both said second key and said sixth key are actuated.

4. In an upper portion of an oboe or English horn a key' arrangement comprising:

first, second, and third keys located to be actuated by the first, second, and third fingers of the left hand, said second key comprising a tone hole cover and a separate overlying tone hole key said overlying key having an arm attached thereto;

a B flat tone hole located between and to the side of said second and third keys; a B flat tone hole cover biased to close said B flat tone hole, said B flat tone hole cover having an extension attached thereto;

a B flat key located adjacent said first key;

means connecting said B flat key to open said B flat tone hole while simultaneously closing said second tone hole when said B flat key alone is actuated; and

said arm cooperating with said extension to close said B flat tone hole when both said second key and said B flat key are actuated.

5. In an upper portion of an oboe or English horn a key arrangement comprising:

first, second, and third keys to be actuated by the first, second and third fingers of the left hand;

first and second octave holes located above said first first and second octave hole covers biased toward the open position;

a single octave key having means connected thereto for closing both said octave hole covers when said octave key is not depressed; and 7 means connecting said third key to said first and second octave hole covers for closing one when said third key is actuated and for closing the other when said third key is not actuated.

Claims

1. In an upper portion of an oboe or English horn, a key arrangement comprising: first, second, and third tone holes corresponding to B natural, A natural, and G natural; first, second, and third ventless tone hole covers connected to first, second, and third segments, respectively, of a first hinge tube and biased towards the open position over said first, second, and third tone holes, respectively; a first key integral with said first tone hole cover; a second key overlying said second tone hole cover and attached to a first segment of a second hinge tube; a third key overlying said third tone hole cover and attached to a second segment of said second hinge tube; said first, second and third keys being located to be normally actuated by the first, second, and third fingers of the left hand; a fourth tone hole located between said B natural and said A natural tone holes, and a fifth tone hole located between said A natural and said G natural tone holes; fourth and fifth tone hole covers biased into an open position over said fourth and fifth tone holes respectively and attached to fourth and fifth segments of said first hinge tube; means operatively connecting said first key to said fourth and fifth tone hole covers to close said fourth and fifth tone holes respectively when said first tone hole is closed; means operatively connecting said second tone hole cover to close only said fourth tone hole when said second tone hole is closed; and means operatively connecting said third tone hole cover to said fourth and fifth tone hole covers to close said fourth and fifth tone holes respectively when said third tone hole cover is closed.

2. The key arrangement of claim 1 further comprising: first and second octave holes located above said first key having first and second octave hole covers biased toward the open position; a single octave key having means connected thereto for closing both said octave hole covers when said octave key is not depressed; and means connecting said third key to said first and second octave hole covers for closing one when said third key is actuated and for closing the other when said third key is not actuated.

3. The key arrangement of claim 1 further comprising: a sixth tone hole corresponding to B flat located adjacent and to the side of said fifth tone hole; a sixth tone hole cover biased to close said sixth tone hole, said sixth tone hole cover having an extension attached thereto; a sixth key located adjacent said first key attached to a third segment of said second hinge tube; means connecting said sixth key to open said sixth tone hole while simultaneously closing said second and fourth tone holes; and an arm on said second key cooperating with said extension to close said sixth tone hole when both said second key and said sixth key are actuated.

4. In an upper portion of an oboe or English horn a key arrangement comprising: first, second, and third keys located to be actuated by the first, second, and third fingers of the left hand, said second key comprising a tone hole cover and a separate overlying tone hole key said overlying key having an arm attached thereto; a B flat tone hole located between and to the side of said second and third keys; a B flat tone hole cover biased to close said B flat tone hole, said B flat tone hole cover having an extension attached thereto; a B flat key located adjacent said first key; means connecting said B flat key to open said B flat tone hole while simultaneously closing said second tone hole when said B flat key alone is actuated; and said arm cooperating with said extension to close said B flat tone hole when both said second key and said B flat key are actuated.

5. In an upper portion of an oboe or English horn a key arrangement comprising: first, second, and third keys to be actuated by the first, second and third fingers of the left hand; first and second octave holes located above said first key; first and second octave hole covers biased toward the open position; a single octave key having means connected thereto for closing both said octave hole covers when said octave key is not depressed; and means connecting said third key to said first and second octave hole covers for closing one when said third key is actuated and for closing the other when said third key is not actuated.