JPH02204099A - Supporting member for picture - Google Patents
Supporting member for pictureInfo
- Publication number
- JPH02204099A JPH02204099A JP1022588A JP2258889A JPH02204099A JP H02204099 A JPH02204099 A JP H02204099A JP 1022588 A JP1022588 A JP 1022588A JP 2258889 A JP2258889 A JP 2258889A JP H02204099 A JPH02204099 A JP H02204099A
- Authority
- JP
- Japan
- Prior art keywords
- metal
- support
- alloy
- painting
- alloys
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Granted
Links
- 238000010422 painting Methods 0.000 claims abstract description 50
- 229910052751 metal Inorganic materials 0.000 claims abstract description 47
- 239000002184 metal Substances 0.000 claims abstract description 47
- 239000000463 material Substances 0.000 claims abstract description 21
- RYGMFSIKBFXOCR-UHFFFAOYSA-N Copper Chemical compound [Cu] RYGMFSIKBFXOCR-UHFFFAOYSA-N 0.000 claims abstract description 11
- 239000010949 copper Substances 0.000 claims abstract description 10
- 229910052802 copper Inorganic materials 0.000 claims abstract description 9
- 229910000881 Cu alloy Inorganic materials 0.000 claims abstract description 7
- XEEYBQQBJWHFJM-UHFFFAOYSA-N Iron Chemical compound [Fe] XEEYBQQBJWHFJM-UHFFFAOYSA-N 0.000 claims abstract description 6
- PXHVJJICTQNCMI-UHFFFAOYSA-N Nickel Chemical compound [Ni] PXHVJJICTQNCMI-UHFFFAOYSA-N 0.000 claims abstract description 6
- 229910000846 In alloy Inorganic materials 0.000 claims abstract description 4
- 239000010410 layer Substances 0.000 claims abstract description 4
- VYZAMTAEIAYCRO-UHFFFAOYSA-N Chromium Chemical compound [Cr] VYZAMTAEIAYCRO-UHFFFAOYSA-N 0.000 claims abstract description 3
- 229910000531 Co alloy Inorganic materials 0.000 claims abstract description 3
- 229910000599 Cr alloy Inorganic materials 0.000 claims abstract description 3
- 229910000640 Fe alloy Inorganic materials 0.000 claims abstract description 3
- 229910000990 Ni alloy Inorganic materials 0.000 claims abstract description 3
- 229910001128 Sn alloy Inorganic materials 0.000 claims abstract description 3
- ATJFFYVFTNAWJD-UHFFFAOYSA-N Tin Chemical compound [Sn] ATJFFYVFTNAWJD-UHFFFAOYSA-N 0.000 claims abstract description 3
- HCHKCACWOHOZIP-UHFFFAOYSA-N Zinc Chemical compound [Zn] HCHKCACWOHOZIP-UHFFFAOYSA-N 0.000 claims abstract description 3
- 229910001297 Zn alloy Inorganic materials 0.000 claims abstract description 3
- 229910052804 chromium Inorganic materials 0.000 claims abstract description 3
- 239000011651 chromium Substances 0.000 claims abstract description 3
- 239000000788 chromium alloy Substances 0.000 claims abstract description 3
- 229910017052 cobalt Inorganic materials 0.000 claims abstract description 3
- 239000010941 cobalt Substances 0.000 claims abstract description 3
- GUTLYIVDDKVIGB-UHFFFAOYSA-N cobalt atom Chemical compound [Co] GUTLYIVDDKVIGB-UHFFFAOYSA-N 0.000 claims abstract description 3
- 239000002131 composite material Substances 0.000 claims abstract description 3
- APFVFJFRJDLVQX-UHFFFAOYSA-N indium atom Chemical compound [In] APFVFJFRJDLVQX-UHFFFAOYSA-N 0.000 claims abstract description 3
- 229910052742 iron Inorganic materials 0.000 claims abstract description 3
- 229910052759 nickel Inorganic materials 0.000 claims abstract description 3
- 239000002345 surface coating layer Substances 0.000 claims abstract description 3
- 229910052718 tin Inorganic materials 0.000 claims abstract description 3
- 229910052725 zinc Inorganic materials 0.000 claims abstract description 3
- 239000011701 zinc Substances 0.000 claims abstract description 3
- 229910052738 indium Inorganic materials 0.000 claims abstract 2
- 238000000034 method Methods 0.000 claims description 17
- 238000005096 rolling process Methods 0.000 claims description 8
- 238000005422 blasting Methods 0.000 claims description 3
- 238000004049 embossing Methods 0.000 claims description 3
- 238000005498 polishing Methods 0.000 claims description 3
- 239000003973 paint Substances 0.000 abstract description 24
- 239000011247 coating layer Substances 0.000 abstract description 2
- 239000002245 particle Substances 0.000 abstract description 2
- 230000001070 adhesive effect Effects 0.000 abstract 3
- 229910000428 cobalt oxide Inorganic materials 0.000 abstract 1
- 238000010428 oil painting Methods 0.000 description 10
- 239000004744 fabric Substances 0.000 description 5
- 238000005336 cracking Methods 0.000 description 4
- 229920000742 Cotton Polymers 0.000 description 2
- 238000005260 corrosion Methods 0.000 description 2
- 230000007797 corrosion Effects 0.000 description 2
- 230000000694 effects Effects 0.000 description 2
- 239000010893 paper waste Substances 0.000 description 2
- 238000004321 preservation Methods 0.000 description 2
- 230000001681 protective effect Effects 0.000 description 2
- 239000011347 resin Substances 0.000 description 2
- 229920005989 resin Polymers 0.000 description 2
- 238000007788 roughening Methods 0.000 description 2
- 239000002023 wood Substances 0.000 description 2
- FFRBMBIXVSCUFS-UHFFFAOYSA-N 2,4-dinitro-1-naphthol Chemical compound C1=CC=C2C(O)=C([N+]([O-])=O)C=C([N+]([O-])=O)C2=C1 FFRBMBIXVSCUFS-UHFFFAOYSA-N 0.000 description 1
- 229910001369 Brass Inorganic materials 0.000 description 1
- NIXOWILDQLNWCW-UHFFFAOYSA-N acrylic acid group Chemical group C(C=C)(=O)O NIXOWILDQLNWCW-UHFFFAOYSA-N 0.000 description 1
- 238000004026 adhesive bonding Methods 0.000 description 1
- 230000000844 anti-bacterial effect Effects 0.000 description 1
- 239000010951 brass Substances 0.000 description 1
- 208000018747 cerebellar ataxia with neuropathy and bilateral vestibular areflexia syndrome Diseases 0.000 description 1
- 239000003795 chemical substances by application Substances 0.000 description 1
- 239000011248 coating agent Substances 0.000 description 1
- 238000000576 coating method Methods 0.000 description 1
- 239000003086 colorant Substances 0.000 description 1
- 238000011109 contamination Methods 0.000 description 1
- 230000008602 contraction Effects 0.000 description 1
- 239000011889 copper foil Substances 0.000 description 1
- 238000010586 diagram Methods 0.000 description 1
- 238000005516 engineering process Methods 0.000 description 1
- 239000003292 glue Substances 0.000 description 1
- 239000007788 liquid Substances 0.000 description 1
- 239000002932 luster Substances 0.000 description 1
- 238000004519 manufacturing process Methods 0.000 description 1
- 238000002844 melting Methods 0.000 description 1
- 230000008018 melting Effects 0.000 description 1
- 150000002739 metals Chemical class 0.000 description 1
- 244000005700 microbiome Species 0.000 description 1
- 239000000123 paper Substances 0.000 description 1
- 239000000049 pigment Substances 0.000 description 1
- 239000011505 plaster Substances 0.000 description 1
- 239000011120 plywood Substances 0.000 description 1
- 239000011148 porous material Substances 0.000 description 1
- 239000002994 raw material Substances 0.000 description 1
- 229910052709 silver Inorganic materials 0.000 description 1
- 239000004332 silver Substances 0.000 description 1
- 238000003860 storage Methods 0.000 description 1
- 239000000758 substrate Substances 0.000 description 1
- XLYOFNOQVPJJNP-UHFFFAOYSA-N water Substances O XLYOFNOQVPJJNP-UHFFFAOYSA-N 0.000 description 1
Classifications
-
- B—PERFORMING OPERATIONS; TRANSPORTING
- B21—MECHANICAL METAL-WORKING WITHOUT ESSENTIALLY REMOVING MATERIAL; PUNCHING METAL
- B21B—ROLLING OF METAL
- B21B1/00—Metal-rolling methods or mills for making semi-finished products of solid or profiled cross-section; Sequence of operations in milling trains; Layout of rolling-mill plant, e.g. grouping of stands; Succession of passes or of sectional pass alternations
- B21B1/22—Metal-rolling methods or mills for making semi-finished products of solid or profiled cross-section; Sequence of operations in milling trains; Layout of rolling-mill plant, e.g. grouping of stands; Succession of passes or of sectional pass alternations for rolling plates, strips, bands or sheets of indefinite length
- B21B1/227—Surface roughening or texturing
Landscapes
- Engineering & Computer Science (AREA)
- Mechanical Engineering (AREA)
- Shaping Metal By Deep-Drawing, Or The Like (AREA)
- Other Surface Treatments For Metallic Materials (AREA)
- Metal Rolling (AREA)
Abstract
Description
【発明の詳細な説明】
〔産業上の利用分野〕
この出頭の発明は、油絵や日本画等を描くときに使用す
る銅箔を基底材とした絵画用支持体に関する。[Detailed Description of the Invention] [Industrial Field of Application] The present invention relates to a support for paintings using copper foil as a base material, which is used when painting oil paintings, Japanese paintings, etc.
〔従来の技術及び発明が解決しようとする課題〕通常油
絵を描く場合、木枠に張った麻製のキャンパス（画布）
が使用されている。このキャンパスの材料は木綿製のも
のもあるし、また板や石などにも描いてはいけないとい
う制約があるわけでもないので、ベニヤ板に描き上げて
展覧会等に出品する例も多く見かけられる。[Problems to be solved by conventional technology and inventions] Usually when painting in oil, a linen canvas (canvas) is stretched over a wooden frame.
is used. Some of the canvas materials are made of cotton, and there are no restrictions that prohibit drawings on boards or stones, so you can often see them painted on plywood boards and exhibited at exhibitions.
しかしながら、多くは布製のキャンパスが用いられてい
る。それは布には生地目があり、絵具ののりが良く、比
較釣書いた時の絵具の置き具合が良いという長所がある
ためと考えられる。However, in many cases, canvases made of cloth are used. This is thought to be due to the fact that cloth has a texture, which makes it easy for paint to adhere to it, making it easier to place the paint when writing comparisons.
油絵は明治時代に西洋から導入されたものであるが、簡
単に言えばヤニ分で絵具を固めたものと言える。Oil painting was introduced from the West during the Meiji period, and to put it simply, it can be said to be a method of hardening paint with resin.
両用液として、水彩画は水で日本画はニカワで溶くよう
に、油絵（油彩画）は油が非常に大切な役割をもってい
る。As a dual-use liquid, just as watercolors dissolve with water and Japanese paintings dissolve with glue, oil plays an extremely important role in oil paintings.
この油は大きく分けると油絵具をそれぞれの技法に合わ
せて溶く役目の溶き油と、絵そのものに油絵本来のつや
を与える役目の油と、また絵を大切に保存するための油
とがある。This oil can be roughly divided into three types: melting oil, which dissolves oil paint according to each technique, oil, which gives the painting its original luster, and oil, which preserves the painting with care.
通常、市販されている油絵具自体はすでに使いやすいよ
うに練りあげられている。Usually, commercially available oil paints themselves have already been refined to be easy to use.
油絵を筐単に紹介すると上記のようなことであるが、他
方日本画の方は従来、廃紙に顔料をしみ込ませ、多くは
巻き物として保存しておくことが多かった。このため巻
回することのできないほど絵具を厚くぬることはできな
かった５
しかしながら、上記の油絵が普及するに従い。The above is a simple introduction to oil paintings, but on the other hand, Japanese paintings have traditionally been made by impregnating waste paper with pigments and often preserving them as scrolls. For this reason, it was not possible to apply paint so thickly that it could not be rolled.5 However, as the above-mentioned oil painting became popular.
日本画も額に入れるようになり、絵具を厚くする傾向に
変ってきている。すなわち、廃紙の上に「どうさ」 に
カワ）を塗って絵具がしみ込まないようにし、その上に
絵具を厚く盛り上げるように変ってきたのである。この
ため日本画独自の画法と並行して油絵的な日本画も発生
した。Japanese paintings have also started to be framed, and the trend has changed to using thicker paint. In other words, people started painting waste paper with a layer of ``glue'' to prevent the paint from seeping in, and then layering the paint thickly on top of it. For this reason, in parallel with the unique Japanese painting method, oil painting style Japanese paintings also emerged.
このように油絵や日本画から出発した種々の技法を発達
せしめ、すぐれた絵画が数多く生れることとなったが１
作成された絵画に非常に大きな問題を有している。In this way, various techniques that started from oil painting and Japanese painting were developed, and many excellent paintings were created.
There is a very big problem with the created painting.
それは、絵画のひび割れ（クランク）であり、場合によ
っては剥落の危険すらある。特に乾湿のはげしい日本で
は気候の変動でよりもろくなり、破損し易すい状況にあ
ると言える。This causes the painting to crack, and in some cases there is even a risk of it falling off. Particularly in Japan, which is extremely dry and humid, climate change has made them more brittle and more susceptible to damage.
乾燥し安定した気候である西欧においてすらも過去の有
名絵画に、近づいてａ察すると無数のひび割れが見られ
る。ひび割れにごみがたまって製作時における鮮烈な絵
画が維持できず長年のうちに絵画が変質してくるのみな
らず、剥落による絵画の消失になるおそれもあり、無念
の情を禁じ得ない人も多いと思われる。Even in Western Europe, where the climate is dry and stable, if you look closely at famous paintings from the past, you can see countless cracks. Many people can't help but feel a sense of regret, as there is a risk that the painting will not only deteriorate over the years, but also disappear due to peeling, as dirt accumulates in the cracks and the vivid painting that was created at the time of production cannot be maintained. I think that the.
このような絵画のひび割れは絵具や地塗りなども原因す
るところもあるが、キャンパスなどの基底材の乾湿の変
化や温度変化による伸縮が原因となるところが大きい。Cracks in paintings like this can be caused by the paint or undercoat, but they are often caused by changes in the dryness and humidity of the base material, such as the canvas, or expansion and contraction due to temperature changes.
上記のような絵画におけるひび割れは、厚塗りをする絵
画のみならず、油絵的傾向をもつ日本画などにもみられ
ている。Cracks in paintings such as those described above can be seen not only in paintings that are painted thickly, but also in Japanese paintings that tend to resemble oil paintings.
このような問題をかかえながら、高級絵画においてはそ
れを保有するために、修復のための研究すら行われてい
るのが実情である。また、古い絵画においては金属板、
特に腐食に強い銅板が基底材として用いられたことがあ
る。Despite these problems, the reality is that research is even being carried out to restore high-quality paintings in order to preserve them. Also, in old paintings, metal plates,
Copper plates, which are particularly resistant to corrosion, have been used as base materials.
これは主として宗教改革後、カドリック画が新世界への
布教の地を求めて宣教師たちを送り出すと同時に、を像
を銅板に描いた油彩画を携帯させたものである。This was mainly done after the Reformation, when Cadric sent out missionaries in search of missionary sites in the New World, and at the same time he carried an oil painting of his image on a copper plate.
これは板より軽く、かさがなく、布よりもはるかに剥落
やひび割れの心配がなく、また多少の雨や、熱にも強い
という特徴があったためと考えられる。This is thought to be because it is lighter than a board, has less bulk, is far less susceptible to peeling or cracking than cloth, and is also resistant to some rain and heat.
しかしながら、銅そのものが高価であり、平面さを得る
ことができず、また絵具ののりが悪く、非常に特殊な技
法でのみ製作が可能であったために、１８世紀以降殆ど
姿をみせなくなり現在に至っている。However, since copper itself was expensive, it was impossible to obtain a flat surface, paint did not adhere well to it, and it could only be produced using very special techniques, so copper has hardly been seen since the 18th century and is still used today. It has been reached.
以上のような絵画用支持体の問題を解決するために、本
発明者らは金属板に着目し改善を試みた。In order to solve the above-mentioned problems with picture supports, the present inventors focused on metal plates and attempted to improve them.
すなわち、ひび割れ防止に有効であり、その他生、環境
等による腐食の問題もなく、下塗りしなくてよい、又形
も自由に塑性加工でき強度も強いという長所がある事か
ら金属板に着目した。そして。That is, we focused on metal plates because they are effective in preventing cracks, have no problems with corrosion due to raw materials or the environment, do not require undercoating, can be plastically processed into any shape, and are strong. and.
唯一の欠点である絵具の密着性、のりの悪さの改善を行
ったものである。 すなわち、金属表面に機械的凹凸を
つけたことを特徴とする金属を基底材とした絵画用支持
体、及び機械的凹凸をつけた金属表面に、銅若しくは銅
合金、錫若しくは錫合金、インジウム若しくはインジウ
ム合金、亜鉛若しくは亜鉛合金、クロム若しくはクロム
合金、ニッケル若しくはニッケル合金、鉄若しくは鉄合
金。The only drawback was the poor adhesion and gluing of the paint. That is, a support for a painting using a metal as a base material, which is characterized by mechanically uneven surfaces, and copper or copper alloys, tin or tin alloys, indium or Indium alloys, zinc or zinc alloys, chromium or chromium alloys, nickel or nickel alloys, iron or iron alloys.
コバルト若しくはコバルト合金、若しくは上記金属の酸
化物又は上記金属と前記酸化物の複合物の少なくとも一
層を含んだ表面被覆層を備えていることを特徴とする金
属を基底材とした絵画用支持弁、及び金属が銅及び銅合
金である事を特徴とする同絵画用支持体、及び金属表面
に機械的凹凸をつける方法がパフ等による研摩である事
を特徴とする同絵画用支持体、及び金属表面に機械的凹
凸をつける方法がショツトブラストである事を特徴とす
る同絵画用支持体、及び金属表面に機械的凹凸をつける
方法がエンボス加工である事を特徴とする同絵画用支持
体、及び金属表面に機械的凹凸をつけたのち、圧延を施
す事を特徴とする同絵画用支持体、及び金属表面に機械
的凹凸をつける方法がダルロールによる圧延である事を
特徴とする同絵画用支持体、及び金属表面に機械的凹凸
をつける方法が重ね圧延を施した重ね面である事を特徴
とする同絵画用支持体を提供するものである。A support valve for paintings using a metal as a base material, characterized in that it is provided with a surface coating layer containing at least one layer of cobalt or a cobalt alloy, an oxide of the above metal, or a composite of the above metal and the oxide; and a support for the same painting, characterized in that the metal is copper or a copper alloy, and a support for the same painting, characterized in that the method of creating mechanical irregularities on the metal surface is polishing with a puff or the like, and a metal. A support for the same painting, characterized in that the method for creating mechanical irregularities on the surface is shot blasting, and a support for the same painting, characterized in that the method for creating mechanical irregularities on the metal surface is embossing, and a support for the same painting characterized in that the metal surface is mechanically roughened and then rolled; and a support for the same painting characterized in that the method for mechanically roughening the metal surface is rolling with a dull roll. The object of the present invention is to provide a support for a picture, characterized in that the method of mechanically creating irregularities on the support and metal surface is by applying lap rolling to form an overlapping surface.
これによって絵画がひび割れや剥離することを抑制し、
絵画製作当時の鮮烈さを維持するとともに、絵具ののり
を良好にし、密着性を高め安定した品質の保持可能とす
るものである。This prevents the painting from cracking or peeling,
In addition to maintaining the vividness of the painting at the time it was made, it also improves the adhesion of the paint and improves adhesion, making it possible to maintain stable quality.
金属製の基底材を使用することは、乾湿や温度女化によ
るひび割れや剥落を防止する大きな役割をになうのであ
るが、この場合の大きな欠点である絵具の密着性、のり
の良さを改善することは極めて重要なことであり、この
出頭の発明の金属において初めて達成されたものである
。Using a metal base material plays a major role in preventing cracking and peeling due to dryness and temperature fluctuations, but it also improves the adhesion and adhesiveness of paint, which is a major drawback in this case. This is extremely important and was achieved for the first time in the metal of this invention.
すなわち、金属表面に機械的凹凸をつけることにより、
絵具ののりや密着性が著しく向上するものであり、特に
、パフ等による研摩や、ショツトブラスト、エンボス加
工、ダルロールによる圧延。In other words, by creating mechanical irregularities on the metal surface,
It significantly improves the adhesion and adhesion of paint, especially when polishing with a puff, shot blasting, embossing, and rolling with a dull roll.
重ね圧延による重ね面などが、量産性もあり極めて有効
である。さらに機械的凹凸をつけたものの圧延材は第１
図に示すような表面になるため、密着性はさらに改善さ
れる。また、機械的凹凸をつけた表面に各種被ｒｉ暦を
施すことにより、被覆層の電着粒子が凸部に集中し、さ
らに凹凸を強調するとともに、絵具の密着性も向上する
。Overlapping surfaces produced by overlapping rolling are extremely effective as they can be mass-produced. Furthermore, the rolled material with mechanical irregularities is the first
Since the surface is as shown in the figure, adhesion is further improved. Furthermore, by subjecting the mechanically textured surface to various types of rippling, the electrodeposited particles of the coating layer are concentrated on the protrusions, further emphasizing the texture and improving the adhesion of paint.
金属の種類としてはあらゆるものが適用できるが、特に
銅及び銅合金の場合、微生物等に対する殺菌作用があり
、保存という観点から極めて優れた材料であるといえる
。Although any type of metal can be used, copper and copper alloys in particular have a bactericidal effect against microorganisms and can be said to be extremely excellent materials from the viewpoint of preservation.
さらにこれらの工程の後、キャンパス等の絵画用支持体
の使用時に、手で引剥しできる保護シートを被覆するこ
とができる。この保護シートは手の脂等が金属につかな
いように汚染防止の役目をもっている。Further, after these steps, the painting support such as a canvas can be covered with a protective sheet that can be peeled off by hand during use. This protective sheet has the role of preventing contamination by preventing oil from your hands from getting on the metal.
このようにして得られた金属基底材は在来の木や布と比
較するとさらにいくつかの長所をもっている。それは、
絵具の密着性を保有していると同時に平坦性に優れ、な
めらかであり、気孔や表面の起伏を地塗りで充填する必
要もないことである（もちろん地塗りをすることはさし
つかえなく、本願発明はこれを包含している。）。そし
て金属の色調や被覆材の色調は同時に下塗りとして使用
することもできるからである２金属材料の遭択により赤
、白、シルバー色、さらに黄銅色から黄金色、黒色、茶
褐色まで多種多様に変えることができる。The metal substrate thus obtained has several additional advantages when compared to conventional wood or cloth. it is,
It retains the adhesion of paint, and at the same time has excellent flatness and smoothness, and there is no need to fill in pores or surface undulations with a base coat (of course, base coat is not a problem, and the present invention includes this). The color tone of the metal and the coating material can be changed in a wide variety of colors, from red, white, silver, and even brass to golden yellow, black, and brown, because it can also be used as an undercoat at the same time. be able to.
さらに、強度があるとともに、塑性加工できるため自由
な形に加工できる長所を持ち合わせている。In addition to being strong, it has the advantage of being able to be processed into any shape as it can be plastically processed.
裏打には麻、木綿などの従来のキャンパス材の他、ベニ
ヤ、木材板、紙、石膏、樹脂、タイルなどが使用できる
。また、裏材を用いず使用することもできる。In addition to traditional canvas materials such as linen and cotton, veneer, wood board, paper, plaster, resin, and tile can be used for backing. Moreover, it can also be used without using a backing material.
これは絵画人の好みによって選択できるが、金属を用い
た特徴は失われることがない。This can be selected according to the painter's preference, but the characteristics of using metal will not be lost.
また、金属基底材としてカッター等で簡単に切断できる
薄板を用いる事により、キャンパス・ボード、ピンナツ
プ、さらには壁画用支持体とすることができる。またこ
れらは、一般建造物への接着が可能であるから内装、外
装品、ドア、橿などのインテリア品として使用できると
ともに、交換や保管も容易にできるという特徴を有して
いる。Furthermore, by using a thin plate that can be easily cut with a cutter or the like as the metal base material, it can be used as a support for canvas boards, pin-ups, and even murals. Furthermore, since these materials can be adhered to general buildings, they can be used as interior items such as interior and exterior items, doors, and bows, and are also characterized by being easy to replace and store.
キャンパスとする場合には、適度な強度と弾力性を保有
しているので、布などの裏材を張り合わせて木枠に緊張
させ、絵筆をキャンパス地にあてたときに感じられる心
地よい弾力を感じとることができる。When making a canvas, it has appropriate strength and elasticity, so you can attach a backing material such as cloth to it, tension it against a wooden frame, and feel the comfortable elasticity that you feel when you touch the canvas with a paintbrush. Can be done.
なお、ここでいう絵画用とは、商業用としてレタリング
、ポスター、イラストレーション、レイアウトといった
グラフィックデザインを包含するものである。Note that "for painting" here includes graphic designs such as lettering, posters, illustrations, and layouts for commercial use.
絵としての手法は油彩画（油絵）、アクリルペイント画
、日本画、パステル画、水墨画などに適しているが、他
の画法に適用することはなんらさしつかえない。The painting method is suitable for oil paintings, acrylic paints, Japanese paintings, pastel paintings, ink paintings, etc., but there is nothing wrong with applying it to other painting methods.
いずれも絵具との密着性に優れており、また、ひび割れ
の発生、剥離は大きく改善され、絵画の鮮烈さの維持と
保存性に優れており、さらに絵筆のタッチに快感を強く
与えるものである。All of them have excellent adhesion to paint, greatly reduce the occurrence of cracking and peeling, maintain the vividness of paintings and have excellent storage stability, and also give a strong sense of pleasure to the touch of a paintbrush. .
以上で述べたように、本願発明の金属を基底材とするこ
とにより、金属特有の色感を得、平坦性に優れ、あるい
は故意に部分的に塑性加工させ立体感も出せるとともに
５強度に優れしかも絵筆のタッチに優れた快感を得るこ
とができ、また、保存、修復の観点から見ると半永久的
に保存できるとともに、金属のもつ大きな欠点であった
絵具との密着性を著しく改善したものであり、従来の絵
画用支持体として極めて優れたものである。As mentioned above, by using the metal of the present invention as a base material, it is possible to obtain the color characteristic of metals, to have excellent flatness, or to have a three-dimensional effect by intentionally partially plasticizing the material, and to have excellent five-dimensional strength. What's more, it provides an excellent sense of pleasure when touched with a paintbrush, and from the perspective of preservation and restoration, it can be preserved semi-permanently, and the adhesion with paint, which was a major drawback of metal, has been significantly improved. It is extremely excellent as a conventional support for paintings.
しかも従来の絵画特にキャンパス使用において著しかっ
たひび割れの発生を防ぐことができる著しい特性を有す
るものである。Moreover, it has a remarkable property of being able to prevent the occurrence of significant cracks in conventional paintings, especially when used on canvas.
第１図は、機械的凹凸をつけた後、圧延を行った時の金
属表面を示す概念図である。
（イ）： 機械的凹凸をつけた金属表面（０）：
圧延を行った後の金属表面第１図
（イ）
特許出願人 日本鉱業株式会社（＜−ｖｉ７．）代理
人 弁理士（７５６９）並用啓志（ロ）FIG. 1 is a conceptual diagram showing the metal surface after mechanical roughening and rolling. (A): Mechanically textured metal surface (0):
Figure 1 (a) Metal surface after rolling Patent applicant Japan Mining Co., Ltd. (<-vi7.) Agent
Person Patent Attorney (7569) Keishi Junyo (Ro)
Claims (9)
金属を基底材とした絵画用支持体。(1) A support for paintings using a metal as a base material, which is characterized by having mechanical irregularities on the metal surface.
金、錫若しくは錫合金、インジウム若しくはインジウム
合金、亜鉛若しくは亜鉛合金、クロム若しくはクロム合
金、ニッケル若しくはニッケル合金、鉄若しくは鉄合金
、コバルト若しくはコバルト合金、若しくは上記金属の
酸化物又は上記金属と前記酸化物の複合物の少なくとも
一層を含んだ表面被覆層を備えていることを特徴とする
金属を基底材とした絵画用支持体。(2) Copper or copper alloys, tin or tin alloys, indium or indium alloys, zinc or zinc alloys, chromium or chromium alloys, nickel or nickel alloys, iron or iron alloys, cobalt or 1. A support for paintings using a metal as a base material, characterized in that it is provided with a surface coating layer containing at least one layer of a cobalt alloy, an oxide of the above metal, or a composite of the above metal and the oxide.
求の範囲第（１）項乃至第（２）項記載の絵画用支持体
。(3) The support for a picture according to claims (1) to (2), wherein the metal is copper or a copper alloy.
る研摩である事を特徴とする特許請求の範囲第（１）項
乃至第（３）項記載の絵画用支持体。(4) The support for a picture according to claims (1) to (3), wherein the method for creating mechanical irregularities on the metal surface is polishing with a paring machine or the like.
ラストである事を特徴とする特許請求の範囲第（１）項
乃至第（３）項記載の絵画用支持体。(5) The support for a picture according to claims (1) to (3), wherein the method of mechanically creating irregularities on the metal surface is shot blasting.
工である事を特徴とする特許請求の範囲第（１）項乃至
第（３）項記載の絵画用支持体。(6) A support for a picture according to any one of claims (1) to (3), wherein the method of creating mechanical irregularities on the metal surface is embossing.
事を特徴とする特許請求の範囲第（１）項乃至第（６）
項記載の絵画用支持体。(7) Claims (1) to (6) characterized in that the metal surface is mechanically roughened and then rolled.
Painting support as described in Section 1.
による圧延である事を特徴とする特許請求の範囲第（１
）項乃至第（３）項記載の絵画用支持体。(8) Claim No. 1, characterized in that the method of creating mechanical irregularities on the metal surface is rolling with dull rolls.
) to (3).
施した重ね面である事を特徴とする特許請求の範囲第（
１）項乃至第（３）項記載の絵画用支持体。(9) Claim No. 1, characterized in that the method of creating mechanical irregularities on the metal surface is by applying lap rolling.
The picture support described in items 1) to (3).
Priority Applications (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| JP1022588A JP2706295B2 (en) | 1989-02-02 | 1989-02-02 | Painting support |
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| JP1022588A JP2706295B2 (en) | 1989-02-02 | 1989-02-02 | Painting support |
Publications (2)
| Publication Number | Publication Date |
|---|---|
| JPH02204099A true JPH02204099A (en) | 1990-08-14 |
| JP2706295B2 JP2706295B2 (en) | 1998-01-28 |
Family
ID=12087012
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| JP1022588A Expired - Lifetime JP2706295B2 (en) | 1989-02-02 | 1989-02-02 | Painting support |
Country Status (1)
| Country | Link |
|---|---|
| JP (1) | JP2706295B2 (en) |
Cited By (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| JP2009538232A (en) * | 2006-05-23 | 2009-11-05 | ピーエムエックス・インダストリーズ・インコーポレーテッド | Method for retaining and using high concentrations of dissolved copper on useful product surfaces |
| WO2019199194A1 (en) * | 2018-04-12 | 2019-10-17 | Addventure Sp. Z O.O. | Canvas for an artwork in a planar form, particularly for a painting or a photograph, manufacturing method and application thereof |
| JP2021123787A (en) * | 2020-02-07 | 2021-08-30 | 株式会社原田伸銅所 | Phosphor bronze alloy exhibiting reduction in gloss (low gloss, or matte) by roughening surface having antibacterial property with dull roll to reduce gloss and significant amplification of antibacterial property, and article using the same |
Citations (1)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| JPS63128100U (en) * | 1987-02-16 | 1988-08-22 |
-
1989
- 1989-02-02 JP JP1022588A patent/JP2706295B2/en not_active Expired - Lifetime
Patent Citations (1)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| JPS63128100U (en) * | 1987-02-16 | 1988-08-22 |
Cited By (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| JP2009538232A (en) * | 2006-05-23 | 2009-11-05 | ピーエムエックス・インダストリーズ・インコーポレーテッド | Method for retaining and using high concentrations of dissolved copper on useful product surfaces |
| WO2019199194A1 (en) * | 2018-04-12 | 2019-10-17 | Addventure Sp. Z O.O. | Canvas for an artwork in a planar form, particularly for a painting or a photograph, manufacturing method and application thereof |
| JP2021123787A (en) * | 2020-02-07 | 2021-08-30 | 株式会社原田伸銅所 | Phosphor bronze alloy exhibiting reduction in gloss (low gloss, or matte) by roughening surface having antibacterial property with dull roll to reduce gloss and significant amplification of antibacterial property, and article using the same |
Also Published As
| Publication number | Publication date |
|---|---|
| JP2706295B2 (en) | 1998-01-28 |
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