JPH01208384A - China-painting - Google Patents

China-painting

Info

Publication number
JPH01208384A
JPH01208384A JP3246488A JP3246488A JPH01208384A JP H01208384 A JPH01208384 A JP H01208384A JP 3246488 A JP3246488 A JP 3246488A JP 3246488 A JP3246488 A JP 3246488A JP H01208384 A JPH01208384 A JP H01208384A
Authority
JP
Japan
Prior art keywords
glaze
weight
emulsion
painting
pattern
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Granted
Application number
JP3246488A
Other languages
Japanese (ja)
Other versions
JPH0569074B2 (en
Inventor
Naoyuki Kato
直行 加藤
Etsuo Wakabayashi
若林 悦生
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Mitsubishi Chemical BASF Co Ltd
Original Assignee
Mitsubishi Chemical BASF Co Ltd
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Application filed by Mitsubishi Chemical BASF Co Ltd filed Critical Mitsubishi Chemical BASF Co Ltd
Priority to JP3246488A priority Critical patent/JPH01208384A/en
Publication of JPH01208384A publication Critical patent/JPH01208384A/en
Publication of JPH0569074B2 publication Critical patent/JPH0569074B2/ja
Granted legal-status Critical Current

Links

Classifications

    • CCHEMISTRY; METALLURGY
    • C04CEMENTS; CONCRETE; ARTIFICIAL STONE; CERAMICS; REFRACTORIES
    • C04BLIME, MAGNESIA; SLAG; CEMENTS; COMPOSITIONS THEREOF, e.g. MORTARS, CONCRETE OR LIKE BUILDING MATERIALS; ARTIFICIAL STONE; CERAMICS; REFRACTORIES; TREATMENT OF NATURAL STONE
    • C04B41/00After-treatment of mortars, concrete, artificial stone or ceramics; Treatment of natural stone
    • C04B41/45Coating or impregnating, e.g. injection in masonry, partial coating of green or fired ceramics, organic coating compositions for adhering together two concrete elements
    • C04B41/52Multiple coating or impregnating multiple coating or impregnating with the same composition or with compositions only differing in the concentration of the constituents, is classified as single coating or impregnation

Landscapes

  • Chemical & Material Sciences (AREA)
  • Engineering & Computer Science (AREA)
  • Ceramic Engineering (AREA)
  • Materials Engineering (AREA)
  • Structural Engineering (AREA)
  • Organic Chemistry (AREA)
  • Glass Compositions (AREA)
  • Decoration By Transfer Pictures (AREA)
  • Addition Polymer Or Copolymer, Post-Treatments, Or Chemical Modifications (AREA)

Abstract

PURPOSE:To simultaneously effect glaze aging and pattern burning and to readily carry out china-painting having excellent adhesivity in excellent heat efficiency, by coating a ground such as metal or pottery with a composition comprising a mixture of an anionic resin emulsion of a specific copolymer and a glaze, drying, solidifying the composition, subjecting a pattern for transfer to china-painting for transfer and burning. CONSTITUTION:100 pts.wt. vinyl monomer mixture consisting of 0.3-10wt.% hydroxyl group-containing unsaturated monomer, 40-55wt.% acrylic acid (2-8C) alkyl ester, 40-55wt.% monomer selected from methyl methacrylate, styrene and acrylonitrile and 1-10wt.% unsaturated monomer selected from N- phenylmaleimide, Nmethylolacrylamide and (meth)acrylamide is subjected to emulsion polymerization in the presence of 0.1-5 pts.wt. anionic emulsifying agent and 0-5 pts.wt. nonionic emulsifying agent to give a copolymer. Then an anionic resin emulsion of the copolymer is mixed with a glaze to give a composition, which is applied as a glaze to the surface of metal or pottery, the emulsion is dried, solidified and a pattern for transfer is transferred by water sliding method, the metal or pottery is subjected to china-painting and burnt.

Description

【発明の詳細な説明】 〔韮東上のオリ用分封」 不発L4Aは、釉薬熟成と転柄央成とを同時に行なう法
灯方法に関する。
DETAILED DESCRIPTION OF THE INVENTION [Niratojo's Ori Separation] Fusatsu L4A relates to a method for carrying out glaze maturing and turning of the glaze at the same time.

〔促米蚊術」 陶磁器やほうろう等の梃付けを行なうンこは、戴属又は
締焼きし′fc陶磁器素地に生釉?施釉したのち、10
00〜1400℃程度で熟成してから、転写紙上に形成
した絵柄層をその上に転写し、更に500〜1000℃
程度で焼成し、絵柄J−に含まnるせ成樹脂全分解挿散
させる方法がとられてきた。
[Mosquito technique to promote rice] Is the pottery used to hold ceramics, enamel, etc., glazed or glazed? After glazing, 10
After aging at about 00 to 1400℃, the pattern layer formed on the transfer paper is transferred onto it, and then aged at 500 to 1000℃.
A method has been used in which the resin contained in the pattern J- is completely decomposed and dispersed by firing at a certain level.

この方法では、釉薬の焼成と絵柄層の焼成の二つの工程
が必要であジ、作業が複雑で熱効率が悪く、離断的に不
利な欠点があった。
This method requires two steps: firing the glaze and firing the pattern layer, and has the drawbacks of complicated work, poor thermal efficiency, and disadvantages in terms of separation.

上記の方法を改善するために熱処理を一工程とする方式
、つ筐り合成樹脂エマルジョンtたは水溶性高分子、筐
たはそnらの混付物を生体とするプライマーを生釉ノー
表面に施した後、次いで転写用絵柄を密層させ、釉栄の
熟成と絵柄層の焼成とを同時に行なう方法が提案さ几た
(特公昭60−45073号)。この方法では、熱処理
工程は一回と簡略化ちルたが、生釉上に水を多く含む高
分子水溶故、つ−jジブライマーを塗布するために、柚
楽ノーを傷つけるおそ几が残っている。
In order to improve the above method, a method in which heat treatment is one step is used, and a primer containing a mixture of synthetic resin emulsion, water-soluble polymer, and other substances as a living body is applied to the unglazed surface A method was proposed (Japanese Patent Publication No. 45073/1983) in which the glaze was applied to the glaze, and then the pattern for transfer was layered in a dense layer, and the glaze was aged and the pattern layer was fired at the same time. This method simplifies the heat treatment process to just one time, but since the polymer water-soluble polymer contains a lot of water, there is still a risk of damaging the yuzuraku no by applying diburimer on the raw glaze. There is.

父、釉薬を熟成する前の生釉に絵付を行う方法は絵柄と
の密着力が弱い。この改良に生釉中に樹脂紹せ剤の根付
や、生釉上へのプライマー堕布があるがこの方法では絵
柄ノーとの@層性と接層性が悲ぐ、予備乾燥時および焼
灰時に絵柄の浮き、ピンホール、励み等を起し不良率が
多い欠点があった。
My father, the method of painting on raw glaze before the glaze is aged has a weak adhesion to the pattern. This improvement includes attaching a resin introduction agent into the raw glaze and dropping a primer onto the raw glaze, but this method suffers from layering and contact with the pattern, and during pre-drying and burning ash. It had the drawback of sometimes causing floating patterns, pinholes, and embossed patterns, resulting in a high defective rate.

この欠点を改良する方法として、水溶性高分子の水浴液
に転写紙から転与さ几る絵柄の皮膜形成剤である合成樹
脂と相溶性を有する溶剤及び/又は可塑剤を添加し、更
に所望ならば縞分子エマルジョンを添加してなる釉上転
写用プライマーに関し、更に該プライマー金生梱ノー上
に塗布し、ついで転写紙から転写用絵柄を転写した後現
成することにより、釉薬熟成と威信焼成と全同時に行な
う転性方法も提案された(%開昭54−81316号)
。この方法におい゛C1生釉(釉薬)とブライマー値布
が別々に行わnる。
As a method to improve this drawback, a solvent and/or plasticizer that is compatible with the synthetic resin that is the film forming agent for the pattern transferred from the transfer paper is added to the water bath solution of the water-soluble polymer, and Then, regarding the primer for transfer on glaze made by adding a striped molecular emulsion, the primer is further applied on the primer, and then the transfer pattern is transferred from the transfer paper and then developed, thereby achieving glaze maturation and prestige firing. A method of transmutation was also proposed in which both were performed at the same time.
. In this method, C1 raw glaze (glaze) and brimer value distribution are performed separately.

〔発明が解決しようとするa題」 拙栄に、絵柄層と密層が良好であり、耐水性に冨む切崩
水性エマルジョンを配せした組成物音用い九ば施釉とプ
ライマー処理が一つの工程で隣まさ几ることを我々は考
えた。
[Problem to be solved by the invention] A composition with a water-resistant emulsion that has a good pattern layer and dense layer and is rich in water resistance. We thought about going next door.

しかし、釉薬は、クロム系の緑、カドミウム系の黄〜赤
、コバルト糸の宵、鉄系の赤カッ色、酸化ナマリ系、ガ
ラス質系と各種の金属酸化物を含有するため、IfrM
t中にアニオン系エマルジョンがゲル化もしくは増粘し
、塗布が困難となることが判明した。
However, since the glaze contains various metal oxides such as chromium-based green, cadmium-based yellow to red, cobalt thread evening, iron-based reddish-brown, oxidized oxide, and glassy, IfrM
It was found that the anionic emulsion gelled or thickened during the t period of time, making it difficult to apply.

特公昭61−11903号公報には、アルカリ性の状態
で釉薬と佃脂水性エマルジョンを根付すると安定化し、
凝集が防げると記載されている。
Japanese Patent Publication No. 61-11903 states that when a glaze and a soybean aqueous emulsion are allowed to take root in an alkaline state, it stabilizes.
It is stated that aggregation can be prevented.

しかし、経時的には安定と言えず、また、夏等の高温下
では容易にゲル化しやすい。
However, it is not stable over time and tends to gel easily under high temperatures such as in summer.

不発明は、施釉とブライマー処理が一つの工程で行える
貯厭安定なエマルジョンを与えることを目的とする。
The object of the invention is to provide a storage-stable emulsion in which glazing and brimering can be performed in one step.

〔妹題を解決する具体的手段〕[Specific means to solve the problem]

不発明におい為では、アニオン性側脂水性エマルジョン
と拙楽根付漱のケル化防止のために、アニオンff41
k(脂水性エマルジョン中のカルボキシル基濃度ををと
し、ヒドロキシル基濃度を特定量とした。
In order to prevent the anionic side fat aqueous emulsion and Kura Netsuke Sou from becoming kelp, we use anion FF41.
k (The carboxyl group concentration in the fat-aqueous emulsion was taken as , and the hydroxyl group concentration was taken as a specific amount.

即ち、本発明は、金属または1.Ifil磁器の素地に
、水酸基含有不飽和i量体0.3〜10]1ii4と他
の不飽第1単量体と全乳化重合して得らnた水酸基合有
共軍せ体のアニオン性樹脂エマルジョンに釉薬を配合し
た組成物で施釉し、ついで水スライド法により転写用絵
柄を転写し、又は、釉楽水分散欣をMt2堕ジし絵付全
し、しかる後焼成することにより柚薬熱放と絵柄焼成と
全同時に杓うことを特徴とする絵付方法を提供するもの
である。
That is, the present invention provides metal or 1. Anionic properties of the hydroxyl group-combined conjugate obtained by total emulsion polymerization of the hydroxyl group-containing unsaturated i-mer 0.3 to 10]1ii4 and other unsaturated first monomers on the Ifil porcelain base. Glaze with a composition containing a resin emulsion and a glaze, and then transfer the design using the water slide method, or use Mt2 to reduce the glaze water dispersion to complete the painting, and then fire to create a yuzuyaku heat effect. The present invention provides a painting method characterized by firing, firing, and lathing at the same time.

陶磁器用の素地原料としては5102・Al2O3が主
戚分で、カオリン、粘土、雲母、長石、ベントナイト、
珪石、滑石等が利用さ几、こ几らは脚台さn1秤濾さf
Lfcf&、粉[孕機で細かく伜き(粉砕工程)、つい
で上線9し、脱泡さnる(土材工程)。
The main raw materials for ceramics are 5102.Al2O3, including kaolin, clay, mica, feldspar, bentonite,
Silica stone, talc, etc. are used, and these are used as a footrest.
Lfcf&, the powder is finely ground using a grinding machine (grinding process), then it is crushed and defoamed (soil material process).

この鞘軸した株主を、石・を型やろくろで望むべき形状
に成形し、乾燥させる(成形工程)。
This sheathed shareholder is molded into the desired shape using a stone mold or a potter's wheel, and then dried (molding process).

乾燥′2!f′した成形品素地は表面全なめらかVこ仕
上げさn(生素地仕上工程)、匣結さfl、1200〜
1300℃の高温に焼成される(峠焼工程)、次いで施
釉工程に廻さnる。
Dry '2! The entire surface of the molded product base with f' is smooth and V-finished (green base finishing process), casing fl, 1200~
It is fired at a high temperature of 1,300°C (touge firing process), and then goes to the glazing process.

施釉さ几るものは陶磁器ばかりでなく、耐熱性のある銅
、アルミニウム、鉄等の曾属、石であっても良い。
The glazed object is not limited to ceramics, but may also be heat-resistant materials such as copper, aluminum, iron, etc., or stone.

(釉薬組成物) 生釉組成物は、(a)透明ユウ、色ユウ、結晶ユウや成
分による鉛釉、フリット柚、ブリストル柚、用途での磁
器釉、磁器釉等言われる釉薬と、(1))アニオン性樹
脂水性エマルジョンを少くとも含有する。
(Glaze Composition) The raw glaze composition includes (a) glazes called transparent yu, colored yu, crystal yu, lead glaze, frit yuzu, bristol yuzu, porcelain glaze, porcelain glaze, etc. depending on the ingredients, and (1) ) Contains at least an aqueous anionic resin emulsion.

柚桑 釉薬を構成している原料を大きくわけると、■カレット
、酸化鉛、酸化状、酸化マンガン、アルミナ、シリカ、
酸化ナトリウム、酸化マグネシウム、酸化カルシウム寺
の戴属酸化物、塩化力ルシクム、[1、ドロマイト、N
aC1% Na2 C03、硼砂、ソーダ長石、炭酸カ
リ、震母、葉長石等の融剤と、■酸化アンチモン、骨灰
、gI4[カルシウム、酸化錫、酸化ジルコニウム等の
乳濁剤と、■酸化コバルト、炭酸コバルト、酸化第2鋼
、二酸化マンガン、塩化鉄、三酸化モリブテン等の顔料
用原料にわけらnる。これらは根付して用いられ、分類
すnば、JjJ物の種類では、磁器釉、磁器釉等;融剤
の種類から分類すれば鉛柚、アルカリ釉、石灰釉、長石
釉、硼酸釉、アルカリ−石灰柚等;起源、産地、研死者
の名称から分類すればプリストル釉、ロツキンガム釉、
ゼーゲル磁器柚等;溶は易すさの面から低火度釉、中火
度釉、高火度稍;製遺方式あるいは釉掛けの方法から生
釉、食塩柚:特長ある性質から光沢袖、マット釉、乳濁
剤等に分類される。
The raw materials that make up Yuzukuwa glaze can be roughly divided into: Cullet, lead oxide, oxidized manganese oxide, alumina, silica,
Sodium oxide, magnesium oxide, calcium oxide, chloride, [1, dolomite, N
Fluxing agents such as aC1% Na2 C03, borax, soda feldspar, potassium carbonate, seismic acid, and leaf feldspar; ■ Emulsifying agents such as antimony oxide, bone ash, gI4 [calcium, tin oxide, and zirconium oxide; ■ Cobalt oxide, Raw materials for pigments include cobalt carbonate, second steel oxide, manganese dioxide, iron chloride, and molybdenum trioxide. These are used as netsuke, and are categorized into porcelain glaze, porcelain glaze, etc.; categorized by type of flux, lead yuzu, alkali glaze, lime glaze, feldspar glaze, boric acid glaze, alkali glaze, etc. Lime yuzu, etc.; categorized based on origin, place of production, and name of the person who died: Priestl glaze, Rotskingum glaze,
Seegel porcelain yuzu, etc.; low heat glaze, medium heat glaze, high heat glaze due to ease of melting; raw glaze, salt yuzu due to the production method or glazing method: gloss sleeve, matte due to its distinctive properties It is classified into glazes, emulsifiers, etc.

例えばSKI 3の磁器釉の成分は次の通りである。For example, the components of SKI 3 porcelain glaze are as follows.

長石   73.57重量係 マグ坏サイト    5.35厘1% 石灰石       0.87)i重係カオリン   
   5.68直it釜石英   14.53 XM% 又、釉薬分散液には分散剤や粘度調歪寺の為の増粘剤や
水溶性物質を加えても良い。
Feldspar 73.57 weight kaolin 5.35 weight 1% Limestone 0.87) i weight kaolin
5.68 Straight pot quartz 14.53

樹脂水性エマルジョンは、例えば (a)水酸基含有不飽和単量体 0.3〜lO重t% (b)アクリル酸アルキルエステル(アルキル基の炭素
数は2〜8) 40〜55重t% (C)メタクリル酸メチル、スチレンおよびアクリロニ
トリルより選ばれた単量体 30〜55重童傷 (d) N−フェニルマレイミド、N−メチロールアク
リル了ミド、了クリルアミド、メタクリルアミドより選
ば九た不飽和単量体 1〜10重漬% よりなるビニル単量体混合物1001ム部を、アニオン
性乳化剤0.1〜5重量都およびノニオン性乳化剤θ〜
5I盪部の#任FVc汐1」えば過硫酸カルシウムの様
なM@雁媒全用いて乳化1仕して・寿ら几るものである
。このエマルジョンは、柚+r−の皮膜化の面、皮膜の
硬さ、ベタツキによる汚n等を考慮して造膜温度が10
℃以上のエマルジョンが好箇しAo エマルジョン中の共重合体の水酸基(−OH)は、雀属
、陶磁器への素地との密着性や釉薬の分散性を良好とす
る。
The aqueous resin emulsion is made of, for example, (a) 0.3 to 10% by weight of an unsaturated monomer containing a hydroxyl group (b) 40 to 55% by weight of an acrylic acid alkyl ester (the number of carbon atoms in the alkyl group is 2 to 8) (C ) A monomer selected from methyl methacrylate, styrene, and acrylonitrile with 30 to 55 severe injuries (d) An unsaturated monomer selected from N-phenylmaleimide, N-methylol acrylamide, acrylamide, and methacrylamide 1001 parts by weight of a vinyl monomer mixture consisting of 1 to 10% by weight of anionic emulsifier and 0.1 to 5% by weight of an anionic emulsifier and a nonionic emulsifier θ~
For example, use a medium such as calcium persulfate to emulsify the emulsion. This emulsion has a film-forming temperature of 10°C, taking into consideration factors such as the film formation of Yuzu+r-, the hardness of the film, and the contamination due to stickiness.
The hydroxyl group (-OH) of the copolymer in the emulsion improves the adhesion to the ceramic base and the dispersibility of the glaze.

(a)成分の水酸基含有不飽和単量体としては、2−ヒ
ドロキシエチルアクリレート、2−ヒドロキシエチルア
クリレート、ペンタエリスリトールテトラアクリレート
、ジエチレングリコールモノアクリレート等のアクリレ
ートおよびこ几らのメタクリレート相当物が利用できる
As the hydroxyl group-containing unsaturated monomer of component (a), acrylates such as 2-hydroxyethyl acrylate, 2-hydroxyethyl acrylate, pentaerythritol tetraacrylate, diethylene glycol monoacrylate, and their methacrylate equivalents can be used.

貯蔵性、顔料分散性、密着性、耐水性の而からこの不飽
和単量体は帆3〜io重量係の割合で用いら几る。
From the viewpoint of storage stability, pigment dispersibility, adhesion, and water resistance, this unsaturated monomer is used in a proportion of 3 to 10% by weight.

(b)IJ51分のアクリル跋アルキルエステルは、皮
膜にoT涜性乞与えるソフトモノマーで、アクリル酸エ
チル、アクリル酸イングロビル、アクリル(in・ブチ
ル、アクリルmt・ブチル、アクリル酸n−フロビル、
アクリル醒2−エチルヘキシル等カ用いら几る。
(b) The acrylic alkyl ester with an IJ of 51 minutes is a soft monomer that provides oT degradation to the film, including ethyl acrylate, inglovir acrylate, acrylic (in-butyl, acrylic mt-butyl, n-furovir acrylate,
The acrylic acid is purified using 2-ethylhexyl or the like.

(C)[分のメタクリル酸メチル、アクリロニトリルま
たはスチレンは皮膜に強靭さを与えるハードモノマーで
あり、こnらの一部をメタクリル酸エチル、メタクリル
酸イソプロピル、メタクリル酸イソブチルにおきかえて
もよい。
(C) Methyl methacrylate, acrylonitrile, or styrene are hard monomers that give toughness to the film, and some of these may be replaced with ethyl methacrylate, isopropyl methacrylate, or isobutyl methacrylate.

(d)UX、分の一部 〇Nf(2基、メチロール基全
有するビニルモノマーは陶磁器の素焼、金属、石への密
層性を付与するために用いる。
(d) Part of UX, 〇Nf (2 groups, a vinyl monomer having all methylol groups is used to impart dense layering properties to unglazed ceramics, metals, and stones.

エマルジョン樹脂の粒径は、0.05〜1ミクロンであ
り、エマルジョン樹脂」度が20〜55重量%のものが
通常使用される。
The particle size of the emulsion resin is 0.05 to 1 micron, and those having an emulsion resin content of 20 to 55% by weight are usually used.

アニオン性樹脂水性エマルジョンは進常刀チオン・イオ
ンの混合により−f:の安定性が低下するが、前出願(
特願昭6l−147582)の発明では、カチオン・イ
オンであるカチオン乳化剤との混和安定性を改番する為
に、多重のノニオン乳化剤又は両性活性剤全配付するこ
とにより、その目的を、4成したが、ノニオン又は両性
乳化剤の種類及び童運びに混合手順が制限さnる。
In the anionic resin aqueous emulsion, the stability of -f: decreases due to the mixing of Shinjoto thione ions, but the previous application (
In the invention of Japanese Patent Application No. 61-147582, in order to change the miscibility with the cationic emulsifier, which is a cationic ion, by distributing multiple nonionic emulsifiers or amphoteric active agents, the purpose was achieved by four components. However, the mixing procedure is limited by the type of nonionic or amphoteric emulsifier and its handling.

本発明では、カチオンイオンを添加安定剤として用いる
ことなく直接混合できるようにするため、エマルジョン
共重含体として水酸基含有共重合体を用いた。
In the present invention, a hydroxyl group-containing copolymer was used as an emulsion copolymer to enable direct mixing without using cation ions as an additive stabilizer.

このアニオン性樹脂水性エマルジョンは、釉薬と混付し
た際の粘度上昇やゲル化防止のため、共重合体を与える
(a)If分の水酸基含有不飽和単電体の便用量を0.
3〜10重i優とし、皮膜の冨層刀、耐水性、強度、エ
マルジョンの貯蔵安定性、(山系の分散性?良好とした
This anionic resin aqueous emulsion is designed to prevent viscosity increase and gelation when mixed with a glaze, by reducing the amount of the hydroxyl group-containing unsaturated monoelectric material (a) that provides the copolymer to 0.
The weight of the film was rated as 3 to 10, and the film was evaluated as having good layer strength, water resistance, strength, emulsion storage stability, and (mountain dispersibility).

このエマルジョンは、釉薬組成物の粘度調整と、水スラ
イド法Vこよる転写紙を用いて釉薬層へ転写する際及び
a#による絵付する際の釉薬層の耐水性同上による、ぐ
ずnを防止するとともにエマルジョン樹脂皮膜による釉
薬j−強度の向上、施釉後の商品の移動、作業時の釉薬
面の鶴付き防止、脱洛防止寺の釉薬面保護効果並びに、
絵柄層との密層性を良好とする。
This emulsion adjusts the viscosity of the glaze composition, and prevents the water resistance of the glaze layer from fading when transferred to the glaze layer using transfer paper using the water slide method and when painting with A#. In addition, the emulsion resin film improves the strength of the glaze, prevents the movement of the product after glazing, prevents the glaze surface from sticking during work, protects the glaze surface to prevent deterioration, and
Good layer density with the pattern layer.

釉薬と通常のアニオン性樹脂エマルジョンは単に混付し
、た7ビちVc2用すnば、何ら問題はない。
If you simply mix the glaze and a normal anionic resin emulsion and use Vc2, there will be no problem.

しかしながら工場では釉薬液を全景便め切るものでもな
く、後日便用や、まえもってあらかじめ調侵したり1.
@に便用しない場せがよくある。こnらのaI4@液は
工場内や屋外に貯蔵さn日光や、熱の影響を受けるが、
この時、調せ液の粘度が上昇したり、ゲル化等の現象が
認められ、正常な施釉が出来なくなる。
However, in the factory, the glaze liquid is not completely disposed of, but it is used at a later date, or it is mixed in advance.
There are many situations where @ is not conveniently used. These aI4@ liquids are stored in factories or outdoors and are affected by sunlight and heat.
At this time, phenomena such as an increase in the viscosity of the prepared liquid and gelation are observed, making it impossible to apply the glaze normally.

不発明においてはこの釉薬とアニオン性樹脂エマルジョ
ン調曾液の増粘化防止の目的で水酸基含有共重合体のエ
マルジョンを用いる。
In the present invention, an emulsion of a hydroxyl group-containing copolymer is used for the purpose of preventing thickening of the glaze and the anionic resin emulsion preparation.

調製 生釉は、釉薬xoomt部に対し水、分散剤を加えボー
ルミルで混合し、アニオン性gR脂水性エマルジョンが
4〜20這櫨部(樹脂固型分量)の割付で配付し、必要
により消泡剤を添加し、混合する。生釉の水分含j」ぼ
、45〜65i重係がよい。
The prepared raw glaze is prepared by adding water and a dispersant to the xoomt part of the glaze, mixing in a ball mill, distributing the anionic gR fat aqueous emulsion at 4 to 20 parts (resin solid content), and defoaming if necessary. Add agent and mix. The moisture content of raw glaze should be between 45 and 65 degrees.

施釉 締焼された陶磁器素地や−i属への施釉は吹掛け、攪し
掛け、流し掛は等の方法で行わ几、素地に生釉、1−が
形底される。
The glaze is applied to the glazed ceramic base or ceramic base using methods such as spraying, stirring, and pouring.

生釉は樹脂エマルジョンにより耐水性が賦与さnるので
、転写νこ水を用いる絵付時に生釉層が溶は出すことが
ない。
Since the raw glaze is given water resistance by the resin emulsion, the raw glaze layer will not dissolve during painting using transfer water.

施釉後、150〜200℃に予備乾燥して生釉中の水分
を除去する。なお、より低くても良いが時間が必要とな
る。ただしエマルジョンの造膜温度より高いことが必要
である。
After glazing, it is pre-dried at 150-200°C to remove moisture in the raw glaze. Note that it may be lower, but it will require more time. However, it is necessary that the temperature is higher than the film forming temperature of the emulsion.

転性 転与2紙は紙表面に水溶性高分子を堕布し、その上に台
底樹脂に顔料を混不口したインキによ!7絵柄全印刷し
て絵柄層を形成させ、更にその上に甘酸樹脂の補強層を
&けたものであり、上記転写厭全ノKVc浸直すると水
溶性高分子が溶解して絵柄層は補強層と共に紙から剥離
さnlこA全上記の生釉j−表面上に転写する。この方
法は一般にスライド法と呼ば九、この際、梃柄増は水分
を多重合盾し7’C−f\で生釉J−衣表面転写さ九る
が@成剖1指エマルジョン成分により耐水件全Mするか
ら生m層のぐず′nぽ確実に防止さ几る。こILは転写
紙?用いず、直接上絵付釉を塗布する重甘も同様である
Converter 2 paper is made by dropping water-soluble polymer onto the paper surface, and then applying ink made by mixing pigments into base resin! 7 All patterns are printed to form a pattern layer, and a reinforcing layer of sweet acid resin is added on top of the pattern layer.When the above transfer is completely immersed in KVc, the water-soluble polymer dissolves and the pattern layer becomes a reinforcing layer. The raw glaze above is then peeled off from the paper and transferred onto the surface. This method is generally called the slide method.At this time, the lever is multi-polymerized with water and transferred to the surface of the raw glaze with 7'C-f\, but the emulsion component makes it water resistant. Since all the matters are M, it will definitely prevent the nuisance of the M class. Is this IL transfer paper? The same is true for juama, which is not used and is directly applied with overglaze.

父、絵付用転写紙の顔料補強用甘酸樹脂に不発明のアニ
オン甘酸樹脂エマルジョンを使用しても良釉焼 絵付後は、必要により陶磁器に仕上りを美しくするため
に線引を行なったり、模様を加え、1000〜1400
℃の温度で第二焼成(釉焼)する。
My father said that even if an uninvented anionic sweet acid resin emulsion was used as the pigment-reinforcing sweet acid resin on the transfer paper for painting, it would produce a good result. In addition, 1000-1400
Second firing (glaze firing) at a temperature of ℃.

この際、エマルジョン中の樹脂、界面活性剤は分解揮散
し、絵付が完成する。
At this time, the resin and surfactant in the emulsion are decomposed and volatilized, completing the painting.

〔効果〕〔effect〕

不発明の方法によ几ば、生釉ノー上にプライマーを処理
する工程が省けるとともK11it水性の低い生釉上に
直接水系組底物を塗布することによる生釉の欠落の心配
が無くかつ、−回の焼成により釉薬の熟成と絵柄の焼成
とが同時に行なわ几るため、熱効峯が向上しかつ工程が
廿理化される。
By using the uninvented method, it is possible to eliminate the step of treating the raw glaze with a primer, and there is no need to worry about the raw glaze missing due to applying a water-based composition directly onto the raw glaze, which has a low water base. The glaze is matured and the design is fired at the same time by firing for , - times, which improves thermal efficiency and streamlines the process.

さらに粕桑調せ液の長期貯蔵ができ、経断的である。Furthermore, the mulberry lees preparation can be stored for a long period of time.

実施態様 以下、本発明を実施例によジ更に詳細に説明する。なお
、例中の部および係は特に倒起しない限り■憧基準であ
る。
EMBODIMENTS The present invention will now be explained in more detail with reference to Examples. In addition, the departments and sections in the example are based on the standard ■ unless otherwise specified.

温度調節器、いかV形攪拌器、還流冷却器、供給容器、
温度計及び窒素導入管を備えた反応容器内に、下記の原
料を装入した。
Temperature controller, squid V-shaped stirrer, reflux condenser, supply container,
The following raw materials were charged into a reaction vessel equipped with a thermometer and a nitrogen inlet tube.

水                     200
部エチレンオキシド20モルと反応 させたp−ノニルフェノールの懺 酸半エステルのナトリウム塩(ア ニオン性乳化剤)の35%水浴孜      5部エチ
レンオキシド25モルト反応 させたp−ノニルフェノール(非 イオン性乳化剤)の20%溶液      20部。
water 200
A 35% water bath solution of the sodium salt of the phosphoric acid half ester of p-nonylphenol (anionic emulsifier) reacted with 20 moles of ethylene oxide; 5 parts 20% solution of p-nonylphenol (nonionic emulsifier) reacted with 25 moles of ethylene oxide; 20 copies.

次いで、反応容器内を窒素ガスで置侯したのち、仄に示
す供給物Iの10%を加え、根付物を90℃に刀口序A
しlヒ。
Next, after filling the reaction vessel with nitrogen gas, 10% of the feed I shown below was added, and the roots were heated to 90°C under the conditions of A.
Shilhi.

り尖氷]堅σ ■ 水                     200
部前記アニオン性乳化剤の35%水溶g   25部メ
タクリル酸メチル          195部アクリ
ル醒11−ブチル          189邪2−ヒ
ドロキシプロピルアクリレート     2部アクリル
アミド              8部。
risha ice] solid σ ■ water 200
Part: 35% aqueous solution of the anionic emulsifier 25 parts Methyl methacrylate 195 parts Acrylic acid 11-butyl 189 parts 2-hydroxypropyl acrylate 2 parts Acrylamide 8 parts.

更に、85部の水に2.5部の過硫酸カリウムを溶解し
たもの(供給物■)の10%を容器内に装入後、残ジの
供給物I全ておよび供給物■の40qbを3.5時間か
けて容器内に供給し、供給終了後、2時間、同温度に保
って供給物■を重合させてアニオン性<at脂水性エマ
ルジョン金得た。
Furthermore, after charging 10% of 2.5 parts of potassium persulfate dissolved in 85 parts of water (Feed ■) into the container, all of the remaining Feed I and 40 qb of Feed ■ The mixture was fed into the container over a period of 5 hours, and after the feeding was completed, the feed was kept at the same temperature for 2 hours to polymerize the feed (2) to obtain an anionic <at fat-water emulsion gold.

例2〜7 ビニル単重体の組成を表1のように変更する他は14J
 1と同様にしてアニオン性樹脂水性エマルジョン?得
た。
Examples 2 to 7 14J except that the composition of the vinyl monomer was changed as shown in Table 1.
Anionic resin aqueous emulsion as in 1? Obtained.

実施例1 市販の鉛釉100重量部に水70重量部を加え、ボール
ミルで粉砕根付し之(固型分約58憾、pH9,3)。
Example 1 70 parts by weight of water was added to 100 parts by weight of a commercially available lead glaze, and ground with a ball mill (solid content: about 58, pH 9.3).

この分散釉薬孜100重盆部に、例1で得友アニオン性
樹脂水性エマルジョン(固型分50重量係、pH6,0
) kl 0重量部配付し、生釉とした。
Into this dispersion glaze, the aqueous anionic resin emulsion prepared in Example 1 (solid content 50% by weight, pH 6.0) was added.
) 0 parts by weight of kl was distributed to make a raw glaze.

この生柿のSOC雰囲気での貯蔵時の粘度変化は次の通
りである。
The viscosity change of this raw persimmon during storage in an SOC atmosphere is as follows.

Z、200 Cで締焼した陶磁器素焼皿の表面に、備付
して1日#i過した生柿を吹き付は塗装し、150℃で
予備乾燥した後、この生柿層の表面VC転写紙上に印刷
した絵柄層を水スライド法により転写し、この做付した
皿上1250℃で第二焼成(釉焼)したときの転倒は、
綱のくずnやピンホールもなく、−郭のすつ@ジした艮
好な、滅柄であつた。
On the surface of a ceramic bisque plate baked at 200 C, fresh persimmon that had been prepared for 1 day was spray painted, and after pre-drying at 150 C, the surface of this raw persimmon layer was painted on VC transfer paper. The pattern layer printed on the plate was transferred using the water slide method, and when the second firing (glaze firing) was performed on this plate at 1250°C, the fall occurred.
There were no rope shavings or pinholes, and the pattern was clean and neat.

実施例2〜5.比較例1〜2 生釉に配付したアニオン住エマルジョ:/トt、”?:
、例2〜7で得たエマルジョンを用いる他は同様にして
絵付を行った。
Examples 2-5. Comparative Examples 1-2 Anion-based emulsion distributed to raw glaze:/tot,”?:
, Painting was carried out in the same manner except that the emulsions obtained in Examples 2 to 7 were used.

結果を表2に示す。The results are shown in Table 2.

実施例6 陶磁器素焼皿の化9VC肉厚2■の銅板を用いる他は実
施例1と同様にして良好な転倒を得た。
Example 6 Good tipping was obtained in the same manner as in Example 1, except that a copper plate having a thickness of 2 cm and having a thickness of 9VC was used.

(以ド余白)(Less blank space)

Claims (1)

【特許請求の範囲】 1)、金属、陶磁器の素地に、水酸基含有不飽和単量体
0.3〜10重量%と他の不飽和単量体とを乳化重合し
て得られた水酸基を有する共重合体のアニオン性樹脂エ
マルジョンに釉薬を配合した組成物で施釉し、アニオン
性樹脂水性エマルジョンを乾燥固化し、ついで水スライ
ド法により転写用絵柄を転写し、又は釉薬水分散液を重
ね塗りし絵付をし、しかる後焼成することにより釉薬熱
成と絵柄焼成とを同時に行うことを特徴とする絵付方法
。 2)、アニオン性樹脂水性エマルジョンの共重合体は、 (a)水酸基含有不飽和単量体 0.3〜10重量% (b)アクリル酢アルキルエステル(アルキル基の炭素
数は2〜8) 40〜55重量% (c)メタクリル酸メチル、スチレン、アクリロニトリ
ルより選ばれた単量体 30〜55重量% (d)N−フェニルマレイミド、N−メチロールアクリ
ルアミド、アクリルアミド、メ タクリルアミドより選ばれた不飽和単量 体10重量% よりなるビニル単量体混合物100重量部を、アニオン
性乳化剤0.1〜5重量部およびノニオン性乳化剤0〜
5重量部の存在下に乳化重合して得られた共重合体であ
る特許請求の範囲第1項記載の絵付方法。
[Claims] 1) Having hydroxyl groups obtained by emulsion polymerization of 0.3 to 10% by weight of a hydroxyl group-containing unsaturated monomer and other unsaturated monomers on a metal or ceramic base. Glaze is applied with a composition containing a glaze mixed with an anionic resin emulsion of a copolymer, the anionic resin aqueous emulsion is dried and solidified, and then a pattern for transfer is transferred by a water slide method, or an aqueous glaze dispersion is overcoated. A painting method characterized in that the glaze is heated and the pattern is fired at the same time by painting and then firing. 2) The copolymer of the anionic resin aqueous emulsion consists of (a) 0.3 to 10% by weight of a hydroxyl group-containing unsaturated monomer (b) Acrylic acetic acid alkyl ester (the number of carbon atoms in the alkyl group is 2 to 8) 40 ~55% by weight (c) 30~55% by weight of a monomer selected from methyl methacrylate, styrene, and acrylonitrile (d) Unsaturated monomer selected from N-phenylmaleimide, N-methylolacrylamide, acrylamide, and methacrylamide 100 parts by weight of a vinyl monomer mixture consisting of 10% by weight, 0.1 to 5 parts by weight of an anionic emulsifier and 0 to 5 parts by weight of a nonionic emulsifier.
The painting method according to claim 1, which is a copolymer obtained by emulsion polymerization in the presence of 5 parts by weight.
JP3246488A 1988-02-15 1988-02-15 China-painting Granted JPH01208384A (en)

Priority Applications (1)

Application Number Priority Date Filing Date Title
JP3246488A JPH01208384A (en) 1988-02-15 1988-02-15 China-painting

Applications Claiming Priority (1)

Application Number Priority Date Filing Date Title
JP3246488A JPH01208384A (en) 1988-02-15 1988-02-15 China-painting

Publications (2)

Publication Number Publication Date
JPH01208384A true JPH01208384A (en) 1989-08-22
JPH0569074B2 JPH0569074B2 (en) 1993-09-30

Family

ID=12359691

Family Applications (1)

Application Number Title Priority Date Filing Date
JP3246488A Granted JPH01208384A (en) 1988-02-15 1988-02-15 China-painting

Country Status (1)

Country Link
JP (1) JPH01208384A (en)

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
EP0599106A1 (en) * 1992-11-25 1994-06-01 Cerdec Aktiengesellschaft Keramische Farben Method of glazing non-metallic sustrates
ES2368961A1 (en) * 2009-08-21 2011-11-24 José Francisco Méndez Herrero Method of aging combined for a smooth surface of pottery material. (Machine-translation by Google Translate, not legally binding)

Citations (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS59195589A (en) * 1983-04-20 1984-11-06 三井東圧化学株式会社 Glazing process

Patent Citations (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
JPS59195589A (en) * 1983-04-20 1984-11-06 三井東圧化学株式会社 Glazing process

Cited By (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
EP0599106A1 (en) * 1992-11-25 1994-06-01 Cerdec Aktiengesellschaft Keramische Farben Method of glazing non-metallic sustrates
ES2368961A1 (en) * 2009-08-21 2011-11-24 José Francisco Méndez Herrero Method of aging combined for a smooth surface of pottery material. (Machine-translation by Google Translate, not legally binding)

Also Published As

Publication number Publication date
JPH0569074B2 (en) 1993-09-30

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