JP2008074079A - Freehand painting composition plotting implement - Google Patents
Freehand painting composition plotting implement Download PDFInfo
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- JP2008074079A JP2008074079A JP2006285516A JP2006285516A JP2008074079A JP 2008074079 A JP2008074079 A JP 2008074079A JP 2006285516 A JP2006285516 A JP 2006285516A JP 2006285516 A JP2006285516 A JP 2006285516A JP 2008074079 A JP2008074079 A JP 2008074079A
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Abstract
Description
本発明は、実際のスケッチに先立ち、透明描写板を透かして目視した描画対象の構図、輪郭、明暗、形の強弱など(以下構図と言う)を、消去可能なマーカーを用いて、当該透明描写板に直接描写して,対象の構図を明確に掴むスケッチ構図描写用具。 In the present invention, prior to the actual sketch, the composition, outline, brightness, shape strength, etc. (hereinafter referred to as composition) of the drawing object viewed through the transparent depiction board are erased using the erasable marker. A sketch composition tool that draws directly on the board to clearly grasp the target composition.
従来,スケッチの描画対象を探したり、その大まかな構図をとる場合、両手の親指と人指し指で四角い枠を作って覗き見たり、実際に手帳程度の紙に大まかな構図の線を引いたり、更には約10センチ四方ぐらいの透明な材料の周囲を黒塗りにして、その内側の透明部に4分割の線を引いて、そこから覗き見る額縁状透視具などの方法がとられている Conventionally, when searching for a sketch drawing target or taking a rough composition, a square frame is made with the thumb and index finger of both hands, and a rough composition line is actually drawn on a notebook-like paper. In the case of a transparent material of about 10 cm square, black is used around the transparent material, and a four-segment line is drawn on the inner transparent part.
そのために次のような問題点があった。
指の枠から覗き見る方法は描く範囲を切り取る程度で構図までは取れない。また手帳より少し大きいスケッチ・ブックに簡単な構図を描くことはよく行はれ有効であるが、実際にキャンバスに描くとなると熟練を要する。額縁状透視具は構図の線をキャンバスに一本引く毎に覗き見し、そのたびに手を掲げなければならないばかりか、額縁状透視具の掲げる位置が常にズレるため極めて構図が取りにくい。
本発明は、これらの問題点を解決するためになされたものである。Therefore, there were the following problems.
The method of peeking from the finger frame only cuts out the area to be drawn, but not the composition. Also, drawing a simple composition in a sketch book that is slightly larger than a notebook is effective, but skill is required when actually drawing on a canvas. The frame-shaped fluoroscope must be looked at every time a composition line is drawn on the canvas, and the hand must be raised each time. Also, the position of the frame-shaped fluoroscope is always shifted, making it extremely difficult to compose.
The present invention has been made to solve these problems.
透明描写板を透かして目視した描画対象の構図を、消去可能なマーカーを用いて、当該透明描写板に直接描写する。そしてこの構図を縦と横に分割スケール板を用いて画面分割を行い、実際のキャンバスやスケッチ・ブックにも同じ比例の分割線を引いて又は引かなくとも、透明板に描写された構図を当該キャンバスまたはスケッチ・ブックに容易に描き写せるようにするものである
以上を特徴とするスケッチ構図描写用具である。The composition of the drawing object viewed through the transparent drawing board is directly drawn on the transparent drawing board using an erasable marker. Then, this composition is divided into screens using a vertical and horizontal division scale board, and the composition drawn on the transparent board is drawn with or without drawing the same proportional dividing line on the actual canvas or sketch book. It is a sketch composition drawing tool characterized by the above that allows easy drawing on a canvas or sketch book.
実際にスケッチまたは写生をするとき、広いキャンバスなどに絵画対象をどう納めるか、つまり構図をどう捉えるか相当困難なところである。本発明はこの困難を大きく軽減し、構図描写の失敗を著しく減少させる。 When actually sketching or drawing, it is quite difficult to see how to put the painting object on a wide canvas, that is, how to capture the composition. The present invention greatly reduces this difficulty and significantly reduces composition failure.
以下、本発明の実施の形態について説明する。
(イ)本発明は、透明描写板(1)と、これに重ね合せる 透明分割スケール(2)、額縁マスク(4)、自由構図マスク(5)および白色不透明板(6)の全てを同時に保持できる保持枠(3)より成る。
(ロ)透明分割スケール(2)は実際によく描かれるキャンバス規格、例えばF10号、F8号、F6号、F4,P10号など、その夫々異なる縦対横の比率に対応して縦および横の分割線を引いた分割スケールとする。
(ハ)切口窓(4a)を設けた周囲が黒色の額縁マスク(4)は構図範囲の広狭に対応して視野を調整するもので分割スケール(2)の目盛単位で作成する。又 自由な構図を取るための自由構図マスク(5)を、図面上においてはL字状のマスクを示したが、この形状は特定するものでなく楕円の切り口窓のマスクを始め複数の形態から構成される。
(ニ) 白色不透明板(6)は透明描写板(1)に重ね合わせて、描かれた構図を鮮明にする
本発明は、以上のような構成で、これを使用するとき、
(イ)把手(8)を透明描写板(1)に取り付ける、すなわち把手取り付けボルト(9)を把手取り付け穴(7)に差し込んで、把手取り付けネジ(10)を締めて取り付ける。なお同時に把手固定凸(11)を凸受け穴(12)に合わせて固定する。
(ロ)先ず、実際のスケッチを始める前に、透明描写板(1)を透かして風景などのスケッチ対象を見渡し、スケッチ対象の探求および選択を行う。
(ハ)探求に際しては
(a)透明描写板(1)を縦又は横にして透視し、縦又は横の構図を決める
(b)透明描写板(1)を目に近かづけて対象を広く捉えたり、遠ざけて狭く捉えたりし、必要に応じて額縁マスク(4)又は自由構図マスク(5)を利用する。この場合キャンバス・サイズの規格又は自由サイズを念頭に置いて構図範囲を決める。
(c)必要に応じて、この段階から透明分割スケール(2)を用いて、スケッチの中心に何を捉えるか、空はどの程度入れるか、屋根の角度はどの程度の傾きか、目線の高さはどの位置にするのかなどスケッチの重要な要素を掴むことに活用する。
(ニ)実際に構図を描写するには、透明描写板(1)を透視して、見えた通りに対象の重要な形態、形状、配置などを、消去可能なホワイトボード用マーカーなどを用いて、直接当該透明描写板(1)に描写(18)する。所要時間はおおむね数分で済む。この場合、透明描写板(1)の揺れまたは位置のずれを防ぐため、イーゼル(13)またはカメラの三脚(16)に把手(8)を取り付けることが望ましいが、大掴みに構図を掴むことで足りるときは手持ちでも良い。なお把手(8)をイーゼルに取り付けるには、イーゼル取り付け部(15)をホース・バンド(14)を以って緊縛するのが適当であり、カメラの三脚雲台(16)は把手(8)の三脚取り付けW 1/4ネジ穴(17)に取り付ける。
(ホ)構図の描写を終えたら、透明描写板(1)をイーゼル(13)または三脚(16)からはずして、取り扱い易くし、描かれた構図を明確にするため白色不透明板(6)を透明描写板(1)に重ね合わせて、描写された構図を明確にする。なお白色不透明板に替え他の薄めの色の不透明板を用いることも、色調を見るため有効である。
(ヘ)明確になった構図を画面分割するため、透明分割スケール(2)を透明描写板(1)と白色不透明板(6)の間に入れて構図の画面分割を行い、これにより構図の重要な形態、形状および配置などを更に詳しく掴むことが出来る。一方この分割に比例した線をキャンバスまたはスケッチ・ブックなどに薄く引き、透明描写板(1)に描いた構図に従って当該キャンバス又はスケッチ・ブックなどに描き写す。 つまり、これによって当該スケッチの土台となる客観的な基本構図を容易に掴むことができる。 また構図をデフォルメするとしても,この基本構図が前提となる。
なお、透明描写板(1)に描いた構図だけでも相当に構図感覚が得られるので経験を積めば キャンバスやスケッチ・ブックに比例分割線を引かないで済むことになる。
(ト)構図をとった描画を保存したいときは、別の保存用透明描写板(19)を透明描写板(1)に重ね合わせて、当該保存用透明描写板(19)に直接消去不可のマーカーで描写する。 これは旅行など、スケッチ時間がないとき短時間のうちに構図が描画でき、同時に写真を撮っておけば、後日、肉眼の構図とレンズの不自然な構図の大きな違いを解消して、保存した正しい構図を基に、細部の形や色ならびに陰の描写は写真を参考にすれば良いことになるEmbodiments of the present invention will be described below.
(A) The present invention simultaneously holds the transparent depiction plate (1) and the transparent division scale (2), the frame mask (4), the free composition mask (5) and the white opaque plate (6) which are superposed on the transparent description plate (1). It consists of a holding frame (3) that can be made.
(B) The transparent division scale (2) is a vertical and horizontal scale corresponding to different vertical to horizontal ratios such as canvas standards that are often drawn in practice, such as F10, F8, F6, F4, and P10. Use a division scale with a division line.
(C) A black frame mask (4) provided with a cut window (4a) adjusts the field of view according to the width of the composition range, and is created in units of divisions of the division scale (2). Also, the free composition mask (5) for taking a free composition is shown as an L-shaped mask on the drawing, but this shape is not specified, and it can be selected from a plurality of forms including an oval cut window mask. Composed.
(D) The white opaque plate (6) is superimposed on the transparent depiction plate (1) to sharpen the drawn composition. The present invention is configured as described above.
(A) The handle (8) is attached to the transparent drawing plate (1), that is, the handle attachment bolt (9) is inserted into the handle attachment hole (7), and the handle attachment screw (10) is tightened. At the same time, the handle fixing projection (11) is fixed to the projection receiving hole (12).
(B) First, before starting an actual sketch, the transparent depiction board (1) is seen through the sketch object such as a landscape, and the sketch object is searched and selected.
(C) When exploring (a) Transparent drawing board (1) is viewed vertically or horizontally to determine the vertical or horizontal composition. (B) Keep transparent drawing board (1) close to your eyes The frame mask (4) or the free composition mask (5) is used as necessary. In this case, the composition range is determined with the canvas size standard or free size in mind.
(C) If necessary, using transparent division scale (2) from this stage, what is captured at the center of the sketch, how much the sky is included, how much the roof angle is tilted, the height of the line of sight This is used to grasp important elements of the sketch, such as where to place it.
(D) To actually describe the composition, see through the transparent drawing board (1), and use the whiteboard marker etc. that can erase the important form, shape, arrangement, etc. of the object as you see. The image is directly drawn (18) on the transparent drawing plate (1). The time required is generally only a few minutes. In this case, it is desirable to attach the handle (8) to the easel (13) or the tripod (16) of the camera in order to prevent the transparent depiction plate (1) from shaking or being displaced, but by grasping the composition with a large grip. You can hold it when you need it. In order to attach the handle (8) to the easel, it is appropriate to fasten the easel attachment part (15) with a hose band (14), and the camera tripod head (16) can be attached to the handle (8). Attach the tripod to the 1/4 screw hole (17).
(E) After drawing the composition, remove the transparent drawing board (1) from the easel (13) or tripod (16) to make it easier to handle, and remove the white opaque board (6) to clarify the drawn composition. Overlaid on the transparent drawing plate (1), the drawn composition is clarified. It is also effective to use a light-colored opaque plate instead of the white opaque plate in order to see the color tone.
(F) In order to divide the clarified composition into screens, the transparent division scale (2) is inserted between the transparent depiction plate (1) and the white opaque plate (6), and the composition is divided into screens. You can grasp important forms, shapes and arrangements in more detail. On the other hand, a line proportional to the division is thinly drawn on a canvas or sketch book, and is drawn on the canvas or sketch book according to the composition drawn on the transparent drawing board (1). In other words, this makes it possible to easily grasp the objective basic composition that forms the basis of the sketch. Even if the composition is deformed, this basic composition is assumed.
It should be noted that the composition drawn on the transparent depiction board (1) can provide a considerable sense of composition, so that if you gain experience, you will not have to draw proportional dividing lines on canvases or sketch books.
(G) When it is desired to save a drawing with a composition, another transparent drawing plate (19) for storage is superimposed on the transparent drawing plate (1) and cannot be directly erased on the transparent drawing plate (19) for storage. Describe with a marker. This allows you to draw a composition in a short time when there is no sketching time, such as travel, and if you take a photo at the same time, you can save the big difference between the composition of the naked eye and the unnatural composition of the lens at a later date. Based on the correct composition, the shape and color of the details and the description of the shade should be referred to the photograph.
1 透明描写板
2 透明分割スケール
3 保持枠
4 額縁マスク
5 自由構図マスク
6 白色不透明板
7 把手取り付け穴
8 把手
9 把手取り付けボルト
10 把手取り付けネジ
11 把手固定凸
12 凸受け穴
13 イーゼル
14 イーゼル取り付けホース・バンド
15 イーゼル取り付け部
16 カメラ三脚雲台
17 カメラ三脚取り付けW1/4ネジ穴
18 透明描写板の実施例
19 保存用透明描写板DESCRIPTION OF SYMBOLS 1 Transparent description board 2 Transparent division scale 3
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Priority Applications (1)
Application Number | Priority Date | Filing Date | Title |
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JP2006285516A JP2008074079A (en) | 2006-09-21 | 2006-09-21 | Freehand painting composition plotting implement |
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
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JP2006285516A JP2008074079A (en) | 2006-09-21 | 2006-09-21 | Freehand painting composition plotting implement |
Publications (1)
Publication Number | Publication Date |
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JP2008074079A true JP2008074079A (en) | 2008-04-03 |
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Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
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JP2006285516A Pending JP2008074079A (en) | 2006-09-21 | 2006-09-21 | Freehand painting composition plotting implement |
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JP (1) | JP2008074079A (en) |
Cited By (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
KR101341113B1 (en) | 2012-04-04 | 2013-12-11 | 이영하 | Double Picture Canvas Having Divided Images and Method for Manufacturing The Same |
KR200479134Y1 (en) * | 2015-10-27 | 2015-12-22 | 권헌윤 | Art for picture composition implement |
KR101721623B1 (en) * | 2017-01-31 | 2017-04-10 | 권헌윤 | Art for picture composition implement |
-
2006
- 2006-09-21 JP JP2006285516A patent/JP2008074079A/en active Pending
Cited By (3)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
KR101341113B1 (en) | 2012-04-04 | 2013-12-11 | 이영하 | Double Picture Canvas Having Divided Images and Method for Manufacturing The Same |
KR200479134Y1 (en) * | 2015-10-27 | 2015-12-22 | 권헌윤 | Art for picture composition implement |
KR101721623B1 (en) * | 2017-01-31 | 2017-04-10 | 권헌윤 | Art for picture composition implement |
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