EP3398190B1 - Bocal of a bassoon - Google Patents
Bocal of a bassoon Download PDFInfo
- Publication number
- EP3398190B1 EP3398190B1 EP15832970.6A EP15832970A EP3398190B1 EP 3398190 B1 EP3398190 B1 EP 3398190B1 EP 15832970 A EP15832970 A EP 15832970A EP 3398190 B1 EP3398190 B1 EP 3398190B1
- Authority
- EP
- European Patent Office
- Prior art keywords
- bocal
- bassoon
- adjustment member
- tuning
- reed
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Active
Links
- 235000014676 Phragmites communis Nutrition 0.000 claims description 11
- 238000000034 method Methods 0.000 description 24
- 239000011295 pitch Substances 0.000 description 13
- WURBVZBTWMNKQT-UHFFFAOYSA-N 1-(4-chlorophenoxy)-3,3-dimethyl-1-(1,2,4-triazol-1-yl)butan-2-one Chemical compound C1=NC=NN1C(C(=O)C(C)(C)C)OC1=CC=C(Cl)C=C1 WURBVZBTWMNKQT-UHFFFAOYSA-N 0.000 description 6
- 230000007423 decrease Effects 0.000 description 3
- 230000003247 decreasing effect Effects 0.000 description 2
- 230000008451 emotion Effects 0.000 description 2
- 239000000243 solution Substances 0.000 description 2
- 239000002023 wood Substances 0.000 description 2
- 241000208140 Acer Species 0.000 description 1
- 208000023514 Barrett esophagus Diseases 0.000 description 1
- 210000003484 anatomy Anatomy 0.000 description 1
- 230000000694 effects Effects 0.000 description 1
- 238000011156 evaluation Methods 0.000 description 1
- 238000002347 injection Methods 0.000 description 1
- 239000007924 injection Substances 0.000 description 1
- 239000000463 material Substances 0.000 description 1
- 239000002184 metal Substances 0.000 description 1
Images
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D7/00—General design of wind musical instruments
- G10D7/06—Beating-reed wind instruments, e.g. single or double reed wind instruments
- G10D7/063—Oboes; Bassoons; Bagpipes
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
- G10D9/00—Details of, or accessories for, wind musical instruments
- G10D9/01—Tuning devices
Definitions
- This invention is about the improvement of a specific part called “bocal" of the musical instrument called “bassoon”.
- the invention is mainly on the innovation that allows tuning without disjoining and rejoining the parts of the bassoon with the help of a single bocal and a connecting adjustment apparatus instead of four different bocals and thus facilitating the tuning process.
- Music in its widest description is giving the sounds a certain form with meaningful vibrations. It is the art of reciting certain thoughts and emotions by harmonic sounds and within certain rules. In other words, music is a form of art in which the sound and the silence are expressed in a pre-determined time interval. It is the one and only language that everyone understands and all is able to comprehend. Music is a field of art that directly addresses to the emotions without discriminating on language or race.
- Music is composed of four main elements: pitch, intensity, duration and timbre.
- the pitch expresses how “low” or “high” a voice is.
- “High pitched” means the voice is highest pitch.
- “Low pitched” describes a bass sound.
- Each musical note has a different pitch. Same notes may also express different pitches depending on the octave they are in.
- the acoustic unit of the pitch is frequency.
- Intensity describes the strength of a voice and is also called "nuance".
- the acoustic unit of intensity is decibel.
- Duration is the amount of time in which the sound continues. This notion is expressed by the times of 2 (whole, half, quarter and eighth). The dots put next to these values elongates the duration for one half of its initial value.
- Timbre implies the color of the voice. For instance, the difference between a violin and a flute playing the same note from the same octave, with the same intensity and for the same duration is due to the timbre difference. This element is the most complex among the other four elements. Timbre varies acoustically depending on the harmonic structure of the sound.
- Bassoon is a wind instrument made of wood and has a very important place in today's western world, especially in orchestras. This instrument is derived from "Curtal” which is a single pieced instrument with double reed, encountered in Europe of 16th century. Sound interval of bassoon is 3.5 octave and it is made of maple wood and metal joints. Bassoon is the developed version of a member folded in two and carved as a cone. Normal length of a bassoon is 1.3 meters; however this reaches 2.5 meters when the joints are opened.
- Bassoon besides being used solo in the orchestras, is also used together with clarinet to create bass sounds or with cello to strengthen the sounds of wind instruments. Therefore a need for different tones occurs in bassoon, depending on the changes of tones of the piece and the spaciousness and the acoustic properties of the place of performance.
- Bocal attached to the main body of the instrument, is used to answer this need. Different sound tones can be produced with different types of bocals. Different bocals have to be used regarding the different factors mentioned above in order for the performer to catch the desired tone and tuning. This change is mostly required to be done on the stage, during performance of the piece.
- This invention presented in this written description allows fine-tuning of the bassoon during the performance of the piece thus eliminating the intonation problem. Thanks to this new bocal system, the performer will be able to have all toning levels from 0 (highest pitch), 1 (middle pitch), 2 (bass) to 3 (most bass) with a single bocal.
- WO 03012773 A1 discloses a bassoon comprising a bocal, a reed, an adjustment member placed between the bocal and the reed and which can be moved back and forth for tuning, wherein a first end of the adjustment member is connected to the bocal and a second end of the adjustment member is connected to the reed, and a fixing element for fixing the position of the adjustment member within the bocal when the right and appropriate position is found.
- This invention is about the new generation of bassoons that answers the needs mentioned above, eliminates all the disadvantages and brings in new advantages.
- Prior purpose of the invention is to shorten the time and decrease the effort needed for the tuning process and also to realize the harmony of the tonality.
- Second purpose of the invention is to prevent the artist from distraction caused by the necessity of the current technique to pause the piece in order to change the bocal. Another purpose can be explained as encouraging the solo use of bassoon by eliminating the bocal changing process carried out to reach tonality and right tuning in the current technique.
- the last objective of the invention is to decreasing the number of bocals thus decreasing the number of pieces of bassoon and resolving the problems caused by disjoining and rejoining the instrument.
- the single bocal bassoon contains:
- This invention aims to solve the problems of intonation of the musical instrument named "bassoon".
- tone harmony is established by the tuning process.
- tuning may occur as a major problem in wind instruments.
- this invention eliminates all the problems encountered during the process of tuning and tone harmonization in bassoons.
- bocal is attached to the tenor joint (6) with a tenor connecting lever (7).
- Tenor joint is connected to the u-shaped boot joint with the bass (long) joint.
- the reed (4) is attached to an adjustment member.
- the bocal and the reed are connected to each other by installing the conical surfaces (surfaces shown with the angle ⁇ ) as depicted in the Figure 5 .
- the adjustment member of this invention four bocals that exist in the current technique are excluded. The tuning and the tone adjustments will be done by changing the position of the adjustment member (3) within the bocal.
Landscapes
- Physics & Mathematics (AREA)
- Engineering & Computer Science (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Electrophonic Musical Instruments (AREA)
Description
- This invention is about the improvement of a specific part called "bocal" of the musical instrument called "bassoon".
- Currently, four different bocals are used during the tuning of bassoons. The invention subject to the written description on the other hand, suggests the usage of only one bocal and a new adjustment apparatus that is connected to the bocal physically instead of using four different bocals. The tuning process will be completed without disjoining and rejoining the parts of the musical instrument.
- The invention is mainly on the innovation that allows tuning without disjoining and rejoining the parts of the bassoon with the help of a single bocal and a connecting adjustment apparatus instead of four different bocals and thus facilitating the tuning process.
- Music, in its widest description is giving the sounds a certain form with meaningful vibrations. It is the art of reciting certain thoughts and emotions by harmonic sounds and within certain rules. In other words, music is a form of art in which the sound and the silence are expressed in a pre-determined time interval. It is the one and only language that everyone understands and all is able to comprehend. Music is a field of art that directly addresses to the emotions without discriminating on language or race.
- Music is composed of four main elements: pitch, intensity, duration and timbre. The pitch expresses how "low" or "high" a voice is. "High pitched" means the voice is highest pitch. "Low pitched" describes a bass sound. Each musical note has a different pitch. Same notes may also express different pitches depending on the octave they are in. The acoustic unit of the pitch is frequency.
- Intensity describes the strength of a voice and is also called "nuance". The acoustic unit of intensity is decibel.
- Duration is the amount of time in which the sound continues. This notion is expressed by the times of 2 (whole, half, quarter and eighth). The dots put next to these values elongates the duration for one half of its initial value.
- Timbre implies the color of the voice. For instance, the difference between a violin and a flute playing the same note from the same octave, with the same intensity and for the same duration is due to the timbre difference. This element is the most complex among the other four elements. Timbre varies acoustically depending on the harmonic structure of the sound.
- Due to the unlimited variations of the elements that form music, up until today, various musical instruments have been developed and used. There are cultural and historical differences among musical instruments. Bassoon is a wind instrument made of wood and has a very important place in today's western world, especially in orchestras. This instrument is derived from "Curtal" which is a single pieced instrument with double reed, encountered in Europe of 16th century. Sound interval of bassoon is 3.5 octave and it is made of maple wood and metal joints. Bassoon is the developed version of a member folded in two and carved as a cone. Normal length of a bassoon is 1.3 meters; however this reaches 2.5 meters when the joints are opened.
- It is composed of 4 pieces joint together:
- 1. Bell Joint
- 2. Boot Joint (Double joint)
- 3. Bass Joint (Long Joint)
- 4. Tenor Joint
- Bassoon has three resonance ranges:
- 1. Bass sound range: This covers the range that exists between the most bass note B flat of an octave to the octave above. It has a dark, full and rich timbre. It is extremely difficult to play low sounds within the five most bass intervals.
- 2. Middle sound range: This covers the range that exists between the C of the second staff and the C on the additional staff in the octave above. These sounds have a faint, dry, soft and solemn timbre and resembles to a baritone human voice in linked passages.
- 3. High-pitched sound range: This covers the range that exists between the D on the first additional staff and all the other higher pitched sounds. The sounds intensify as their pitch gets high. The highest pitch may be disturbing.
- Bassoon, besides being used solo in the orchestras, is also used together with clarinet to create bass sounds or with cello to strengthen the sounds of wind instruments. Therefore a need for different tones occurs in bassoon, depending on the changes of tones of the piece and the spaciousness and the acoustic properties of the place of performance. Bocal, attached to the main body of the instrument, is used to answer this need. Different sound tones can be produced with different types of bocals. Different bocals have to be used regarding the different factors mentioned above in order for the performer to catch the desired tone and tuning. This change is mostly required to be done on the stage, during performance of the piece.
- In order not to change the bocal during the performance, the artists search for different solutions such as changing bocal or "the reed" that is attached to the bocal and touches the lips or changing their finger positions by trial and error. However, none of these methods give a safe and definite result and cannot guarantee the right tone of sound. For this reason, the most efficient method to overcome this obstacle of fine-tuning is to change the bocal. In the previous technique, to solve this problem, 4 different bocals were used in bassoon that can be listed as 0 (highest pitch), 1 (middle pitch), 2 (bass) and 3 (most bass).
- Although the method of changing the bocal is the most certain solution applied on the intonation problem; it also brings out some difficulties. These universal difficulties may be listed as the stress that the performer goes through due to pausing during the performance to change the member thus disconnecting himself from the integrity of the piece and also not being able to follow the notes further. In addition to these, since bassoon can only be played on a single tone of a bocal; changing the bocal is obligatory for the tuning process. This process decreases the dominance of the performer on the instrument. It is estimated that the main reason for the bassoon not being preferred to be played solo is the tuning problem. To summarize, the problems encountered due to the obligatory change of bocal are listed below:
- There occurs a decrease in the dominance of the performer on the piece and in the quality of performance due to the only tuning process possible that requires changing the bocal,
- The change of bocal depends on other factors such as the changes in the tone of the piece itself, the tones of other instruments played along the bassoon and the acoustic of the place of performance,
- Performer needs to pause the piece to change the bocal and this distracts him.
- Although there have been studies conducted to increase the sound quality and to facilitate the usage of bassoon in prior techniques, there is not even a single study on resolving the problems explained above. It is known from the
patent US3094032 published in 1963, the body of the bassoon was manufactured with plastic material by using a plastic injection method thus creating an adjustment sledge attached to the bassoon functioning easily with the friction force. The manual of this sledge also points out that there is no need for a rigging screw. - Owing to the patent
DE 202006003643 published in 2006 , the technical difficulties that children encountered while playing normal bassoons have been eliminated. It was found that children under 8 years old had difficulties in the usage of bassoon due to their anatomy. For this reason, the bocal was developed to make it possible for the children to grab the bassoon easily while playing it. - This invention presented in this written description allows fine-tuning of the bassoon during the performance of the piece thus eliminating the intonation problem. Thanks to this new bocal system, the performer will be able to have all toning levels from 0 (highest pitch), 1 (middle pitch), 2 (bass) to 3 (most bass) with a single bocal.
- To conclude, in order to eliminate the unfavorable situations mentioned above, the current system needs to be restructured. Therefore innovations have been made in the system of tuning and toning of the bassoon.
-
WO 03012773 A1 - This invention is about the new generation of bassoons that answers the needs mentioned above, eliminates all the disadvantages and brings in new advantages. Prior purpose of the invention is to shorten the time and decrease the effort needed for the tuning process and also to realize the harmony of the tonality.
- Second purpose of the invention is to prevent the artist from distraction caused by the necessity of the current technique to pause the piece in order to change the bocal. Another purpose can be explained as encouraging the solo use of bassoon by eliminating the bocal changing process carried out to reach tonality and right tuning in the current technique.
- The last objective of the invention is to decreasing the number of bocals thus decreasing the number of pieces of bassoon and resolving the problems caused by disjoining and rejoining the instrument.
- To implement all the advantages mentioned above and which will be explained in much detail below, the single bocal bassoon contains:
- Bocal
- Adjustment member (apparatus),
- Clamping ring.
- The structural and characteristic features of the invention will be clarified below with the help of the figures and the detailed explanations thereof. This is why the evaluation needs to be performed having regard to these figures and detailed explanations.
- In order to effectively comprehend the structure, the additional elements and the advantages of this invention, it has to be evaluated having regard to the given explanations and figures.
- Figure 1 :
- A disjoint depiction of the bassoon that has the invented bocal and adjustment member.
- Figure 2 :
- A figure showing the position of the adjustment member at its maximum depth in the bocal of the bassoon that has the invented bocal and adjustment member. Any musical note played at this position of the bassoon will be high-pitched.
- Figure 3 :
- A figure depicting the position of the adjustment member at the first possible hole that it can be fixed in along the bocal of the bassoon that has the invented bocal and adjustment member. Any musical note played at this position of the bassoon will be bass.
- Figure 4 :
- An illustration of the mounting process of the bassoon that has the invented bocal and adjustment member.
- Figure 5 :
- An illustration showing the internal structure of the bocal and the cone on the outside of the adjustment member of the previous technique. The adjustment member is attached and fixed onto the bocal with this conical structure. The angle α shows the draft angle.
- Figure 6 :
- An illustration of the conical surfaces of newly designed bocal and adjustment member. The angle β refers to the draft angle and has a different value from the angle α.
-
- 1.
- Single Bocal Bassoon
- 2.
- Bocal
- 3.
- Adjustment Member
- 4.
- Reed
- 5.
- Butterfly screw
- 6.
- Tenor
- 7.
- Connecting lever between Tenor and Bocal
- This section explains the single bocal bassoon (1) and its preferred structures in order to clarify the topic. The small future changes on these figures shall not be considered to have a restrictive effect on the idea that this invention was established upon.
- This invention aims to solve the problems of intonation of the musical instrument named "bassoon". In many musical instruments tone harmony is established by the tuning process. However, tuning may occur as a major problem in wind instruments. Technically, this invention eliminates all the problems encountered during the process of tuning and tone harmonization in bassoons.
- In the current technique, four bocals (2) are used for each bassoon and each of these members creates another sound tone. Therefore different bocals have to be attached to the bassoon for tuning and tone adjustments. In the current technique bocal is attached to the tenor joint (6) with a tenor connecting lever (7). Tenor joint is connected to the u-shaped boot joint with the bass (long) joint. In a bocal bassoon, the reed (4) is attached to an adjustment member. In the current method, the bocal and the reed are connected to each other by installing the conical surfaces (surfaces shown with the angle α) as depicted in the
Figure 5 . With the adjustment member of this invention, four bocals that exist in the current technique are excluded. The tuning and the tone adjustments will be done by changing the position of the adjustment member (3) within the bocal. - Instead of the conical locking system, a butterfly screw (5) or another type of screw will be used to fix the position of the adjustment member within the bocal. This is why another bocal with a draft angle β has been manufactured. It is obvious that angle β will be different from angle α. As illustrated in the
Figure 2 , when the adjustment member reaches its maximum depth in the bocal, the notes played with a single bocal bassoon will be at a high pitch. TheFigure 3 on the other hand, depicts the position in which the adjustment member is at its minimum depth in the bocal. Therefore in this position the notes played with a single bocal bassoon will be bass. Tuning and tone adjustments between these two positions (Figure 2 and3 ) will be carried out easily. Single bocal bassoon will be ready to use as soon as the appropriate position is found and the adjustment member is easily fixed on the bocal with the help of a butterfly screw.
Claims (3)
- A bassoon comprisinga bocal (2),a reed (4),an adjustment member (3) placed between the bocal (2) and the reed (4) and which can be moved back and forth for tuning, wherein a first end of the adjustment member (3) is connected to the bocal (2) and a second end of the adjustment member (3) is connected to the reed (4), anda screw (5), more particularly at least one butterfly screw, or a clamping ring, for fixing the position of the adjustment member (3) within the bocal (2) when the right and appropriate position is foundcharacterized in that the outer surface of the first end of the adjustment member and the corresponding inner surface of end of the bocal are tapered (β) in such a way that the adjustment member (3) can be placed into the bocal (2).
- A bassoon (1) according to Claim 1 wherein the second end of the adjustment member (3) is a cone-shaped surface.
- A bassoon (1) according to Claim 1 wherein the outer surface of the first end of the adjustment member (3) and the corresponding inner surface end of bocal (2) are tapered with same angle (β).
Applications Claiming Priority (1)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
PCT/TR2015/050294 WO2017116327A1 (en) | 2015-12-30 | 2015-12-30 | Innovation on the usage of bassoon bocal |
Publications (2)
Publication Number | Publication Date |
---|---|
EP3398190A1 EP3398190A1 (en) | 2018-11-07 |
EP3398190B1 true EP3398190B1 (en) | 2023-03-22 |
Family
ID=55349919
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
EP15832970.6A Active EP3398190B1 (en) | 2015-12-30 | 2015-12-30 | Bocal of a bassoon |
Country Status (2)
Country | Link |
---|---|
EP (1) | EP3398190B1 (en) |
WO (1) | WO2017116327A1 (en) |
Family Cites Families (6)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
US1603780A (en) * | 1922-11-29 | 1926-10-19 | Leppe Frederick | Tuning device for saxophones |
US1870211A (en) * | 1931-09-08 | 1932-08-02 | Conn Ltd C G | Tuning device for wind musical instruments |
US2943526A (en) * | 1958-03-03 | 1960-07-05 | Bernard L Van Caster | Detachable union and tuning joint for musical instruments |
US3094032A (en) | 1960-04-04 | 1963-06-18 | Linton Mfg Company Inc | Musical instrument of the bassoon type |
SE519625C2 (en) * | 2001-07-24 | 2003-03-18 | Magnus Irving | Device for intonation of woodwind instruments and use of the device |
DE202006003643U1 (en) | 2006-03-08 | 2006-05-04 | Rodewald, Gerwin | S-bow for children bassoon for children of about eight years has crook which is present ten centimeters inside the end from front side |
-
2015
- 2015-12-30 EP EP15832970.6A patent/EP3398190B1/en active Active
- 2015-12-30 WO PCT/TR2015/050294 patent/WO2017116327A1/en unknown
Also Published As
Publication number | Publication date |
---|---|
EP3398190A1 (en) | 2018-11-07 |
WO2017116327A1 (en) | 2017-07-06 |
Similar Documents
Publication | Publication Date | Title |
---|---|---|
JP5547178B2 (en) | Adjustable clarinet barrel | |
EP0085001B1 (en) | Wind instrument with adjustable timbre | |
US20120085218A1 (en) | Ligature for the mouthpieces of single-reed wind instruments | |
EP3398190B1 (en) | Bocal of a bassoon | |
US4178829A (en) | Power tube for flared bell musical instruments | |
US20160343358A1 (en) | Woodwind Mouthpiece with V-Notch Table and Tone Chamber Insert | |
US11749235B2 (en) | Instrument mouthpiece with curvilinear air flow disruption apparatus | |
WO1999026231A1 (en) | Interchangeable bore clarinet barrel system | |
Moore | The acoustics of brass musical instruments | |
Rindel | Acoustical aspects of the transverse flute from 1700 to present | |
US20230317036A1 (en) | Instrument with interior body walls having airflow disruption apparatus | |
US11538447B2 (en) | Instrument mouthpiece with air flow disruption apparatus | |
US3202031A (en) | Bassoon | |
EP0874350B1 (en) | Acoustical ring and bell sound system | |
Day | Changes in the Construction of the Jinashi Shakuhachi in the Late 20th and Early 21st Centuries | |
Grenfell | Flinders and Trim | |
KR101118544B1 (en) | Tone changeable saxophone | |
JP6709929B2 (en) | Stringed instrument | |
SU1681333A1 (en) | Wooden wind instrument, particularly flute | |
US9865237B1 (en) | Mouthpiece for wind musical instrument | |
Diener-Bennett | Six Embers | |
Dalmont et al. | The irish Uillean pipe: a story of lore, hell and hard D | |
EP4291396A1 (en) | Instrument mouthpiece with curvilinear air flow disruption apparatus | |
US9424821B2 (en) | Piccolo | |
Watts | Adhocracies, for Chamber Orchestra with Dual Soprano Soloists |
Legal Events
Date | Code | Title | Description |
---|---|---|---|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: THE INTERNATIONAL PUBLICATION HAS BEEN MADE |
|
PUAI | Public reference made under article 153(3) epc to a published international application that has entered the european phase |
Free format text: ORIGINAL CODE: 0009012 |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: REQUEST FOR EXAMINATION WAS MADE |
|
17P | Request for examination filed |
Effective date: 20180606 |
|
AK | Designated contracting states |
Kind code of ref document: A1 Designated state(s): AL AT BE BG CH CY CZ DE DK EE ES FI FR GB GR HR HU IE IS IT LI LT LU LV MC MK MT NL NO PL PT RO RS SE SI SK SM TR |
|
AX | Request for extension of the european patent |
Extension state: BA ME |
|
RIN1 | Information on inventor provided before grant (corrected) |
Inventor name: USTA, OEZGE Inventor name: TROFIMOV, ANTON |
|
RIN1 | Information on inventor provided before grant (corrected) |
Inventor name: USTA, OEZGE Inventor name: TROFIMOV, ANTON |
|
DAV | Request for validation of the european patent (deleted) | ||
DAX | Request for extension of the european patent (deleted) | ||
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: REQUEST FOR EXAMINATION WAS MADE |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: EXAMINATION IS IN PROGRESS |
|
17Q | First examination report despatched |
Effective date: 20210929 |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: EXAMINATION IS IN PROGRESS |
|
REG | Reference to a national code |
Ref country code: DE Ref legal event code: R079 Ref document number: 602015082898 Country of ref document: DE Free format text: PREVIOUS MAIN CLASS: G10D0007060000 Ipc: G10D0007063000 |
|
GRAP | Despatch of communication of intention to grant a patent |
Free format text: ORIGINAL CODE: EPIDOSNIGR1 |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: GRANT OF PATENT IS INTENDED |
|
RIC1 | Information provided on ipc code assigned before grant |
Ipc: G10D 9/01 20200101ALI20221128BHEP Ipc: G10D 7/063 20200101AFI20221128BHEP |
|
INTG | Intention to grant announced |
Effective date: 20230103 |
|
GRAS | Grant fee paid |
Free format text: ORIGINAL CODE: EPIDOSNIGR3 |
|
GRAA | (expected) grant |
Free format text: ORIGINAL CODE: 0009210 |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: THE PATENT HAS BEEN GRANTED |
|
AK | Designated contracting states |
Kind code of ref document: B1 Designated state(s): AL AT BE BG CH CY CZ DE DK EE ES FI FR GB GR HR HU IE IS IT LI LT LU LV MC MK MT NL NO PL PT RO RS SE SI SK SM TR |
|
REG | Reference to a national code |
Ref country code: GB Ref legal event code: FG4D |
|
REG | Reference to a national code |
Ref country code: CH Ref legal event code: EP |
|
REG | Reference to a national code |
Ref country code: IE Ref legal event code: FG4D |
|
REG | Reference to a national code |
Ref country code: DE Ref legal event code: R096 Ref document number: 602015082898 Country of ref document: DE |
|
REG | Reference to a national code |
Ref country code: AT Ref legal event code: REF Ref document number: 1555790 Country of ref document: AT Kind code of ref document: T Effective date: 20230415 |
|
REG | Reference to a national code |
Ref country code: LT Ref legal event code: MG9D |
|
REG | Reference to a national code |
Ref country code: NL Ref legal event code: MP Effective date: 20230322 |
|
PG25 | Lapsed in a contracting state [announced via postgrant information from national office to epo] |
Ref country code: RS Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: NO Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230622 Ref country code: LV Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: LT Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: HR Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 |
|
REG | Reference to a national code |
Ref country code: AT Ref legal event code: MK05 Ref document number: 1555790 Country of ref document: AT Kind code of ref document: T Effective date: 20230322 |
|
PG25 | Lapsed in a contracting state [announced via postgrant information from national office to epo] |
Ref country code: SE Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: NL Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: GR Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230623 Ref country code: FI Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 |
|
PG25 | Lapsed in a contracting state [announced via postgrant information from national office to epo] |
Ref country code: SM Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: RO Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: PT Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230724 Ref country code: ES Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: EE Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: AT Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 |
|
PG25 | Lapsed in a contracting state [announced via postgrant information from national office to epo] |
Ref country code: SK Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: PL Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: IS Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230722 |
|
REG | Reference to a national code |
Ref country code: DE Ref legal event code: R097 Ref document number: 602015082898 Country of ref document: DE |
|
PLBE | No opposition filed within time limit |
Free format text: ORIGINAL CODE: 0009261 |
|
STAA | Information on the status of an ep patent application or granted ep patent |
Free format text: STATUS: NO OPPOSITION FILED WITHIN TIME LIMIT |
|
PG25 | Lapsed in a contracting state [announced via postgrant information from national office to epo] |
Ref country code: SI Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: DK Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 Ref country code: CZ Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 |
|
26N | No opposition filed |
Effective date: 20240102 |
|
PG25 | Lapsed in a contracting state [announced via postgrant information from national office to epo] |
Ref country code: IT Free format text: LAPSE BECAUSE OF FAILURE TO SUBMIT A TRANSLATION OF THE DESCRIPTION OR TO PAY THE FEE WITHIN THE PRESCRIBED TIME-LIMIT Effective date: 20230322 |