EP2327071A1 - Verfahren zum betrieb eines elektronischen klangerzeugungsgerätes und zur erzeugung kontextabhängiger musikalischer kompositionen - Google Patents
Verfahren zum betrieb eines elektronischen klangerzeugungsgerätes und zur erzeugung kontextabhängiger musikalischer kompositionenInfo
- Publication number
- EP2327071A1 EP2327071A1 EP09782235A EP09782235A EP2327071A1 EP 2327071 A1 EP2327071 A1 EP 2327071A1 EP 09782235 A EP09782235 A EP 09782235A EP 09782235 A EP09782235 A EP 09782235A EP 2327071 A1 EP2327071 A1 EP 2327071A1
- Authority
- EP
- European Patent Office
- Prior art keywords
- rules
- sound
- compositions
- sound generating
- playing
- Prior art date
- Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
- Ceased
Links
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0008—Associated control or indicating means
- G10H1/0025—Automatic or semi-automatic music composition, e.g. producing random music, applying rules from music theory or modifying a musical piece
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/02—Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
- G10H1/06—Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour
- G10H1/14—Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour during execution
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/36—Accompaniment arrangements
- G10H1/40—Rhythm
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/101—Music Composition or musical creation; Tools or processes therefor
- G10H2210/105—Composing aid, e.g. for supporting creation, edition or modification of a piece of music
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/101—Music Composition or musical creation; Tools or processes therefor
- G10H2210/111—Automatic composing, i.e. using predefined musical rules
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/101—Music Composition or musical creation; Tools or processes therefor
- G10H2210/141—Riff, i.e. improvisation, e.g. repeated motif or phrase, automatically added to a piece, e.g. in real time
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/091—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith
- G10H2220/096—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith using a touch screen
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/155—User input interfaces for electrophonic musical instruments
- G10H2220/351—Environmental parameters, e.g. temperature, ambient light, atmospheric pressure, humidity, used as input for musical purposes
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/155—User input interfaces for electrophonic musical instruments
- G10H2220/395—Acceleration sensing or accelerometer use, e.g. 3D movement computation by integration of accelerometer data, angle sensing with respect to the vertical, i.e. gravity sensing.
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
- G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
- G10H2240/295—Packet switched network, e.g. token ring
- G10H2240/301—Ethernet, e.g. according to IEEE 802.3
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
- G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
- G10H2240/295—Packet switched network, e.g. token ring
- G10H2240/305—Internet or TCP/IP protocol use for any electrophonic musical instrument data or musical parameter transmission purposes
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
- G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
- G10H2240/321—Bluetooth
Definitions
- the present invention relates to a method for operating an electronic
- Sound generator (synthesizer) and for generating corresponding context-dependent musical compositions.
- compositions were set once by the composer and thus set the sequence or the sound sequence of a piece of music. Based on this, it is an object of the present invention in view of the development of electronics, especially the development now suitable for this purpose playback devices, as described for example in the German Utility Model 20 2004 008 347.7 of the applicant, but also for example by devices such as "iphone" of Apple realized to provide the technical possibilities for new compositions in which the composition changes according to rules prescribed by the composer with respect to certain environmental parameters at the time of playback of the corresponding sound sequences, as well as the composer tools for creating and distributing such To provide rules and regulations (compositions).
- this object is achieved by a method in which in the sound generation slace different sound sequences (acoustic output data) for controlling the sound generating device and rules (control commands) for selecting and / or modification of the sound sequences in response to input signals supplied by external sensors are stored and the sound generating device then selects depending on the input data supplied at the time of playback from the external sensors and the input rules sound sequences and / or changed and then reproduced.
- sound sequences acoustic output data
- rules control commands
- external sensors microphones acceleration or motion sensors
- light sensors or touch sensors touchpads
- the object of the invention is also achieved by a method for generating contextual musical compositions in which the composition is provided with a set of rules by which at the time of playing or playing the composition depending on the time of playing or Playing the composition of existing parameters, different parts or components of the composition are selected for playing or playing.
- these parameters may be the acoustic analysis of the ambient noise, the acceleration or movement of a playback device, the environment shelltechnik or mechanical effects on a playback device.
- other external parameters can be read in via various interfaces (eg Bluetooth).
- composition was always a once fixed sound sequence with a fixed sequence.
- the composition was fixed at a time in the past and dictated by the imagination of the composer.
- the composer completely new degrees of freedom are opened.
- the composer can now incorporate external influences into a composition and, for the first time, gets the technical means required for this by the present invention.
- the actual sound sequence reproduced as a result of the composition is therefore only produced at the time of the playback or the playback of the composition by a suitably suitable device according to the rules created by the composer.
- the composer may, for example, specify that in the event that the volume of the environment increases in the playback of the composition, a certain other sound sequence is reproduced instead of a specific first sound sequence.
- the composer could include audible rejoicing of the audience, for example, when someone coughs in the audience, so in his rules that, for example, in the case of coughing a person in the audience a drum roll is played.
- joggers to give the opportunity to relate the music they hear while running on their running speed, or the clock of their steps or on the corresponding pulse. So if the jogger is running faster or choosing a faster step sequence, it will play other music sequences than slow it down. The same could even be obtained according to the invention with a kind of "biofeedback" on the pulse of the jogger In this way, the jogger could also be controlled by suitably creating a method according to the invention in that he chooses a health-optimal running speed, step frequency or pulse rate, since only then his accompanying music is rendered in a subjectively pleasing manner.
- musical compositions can be created and reproduced for the first time, which are dependent on external influences (ambient noise, movement, lighting conditions, touch).
- external influences ambient noise, movement, lighting conditions, touch.
- a method for acoustic reproduction of a tone sequence is given according to the invention, but in addition a set of rules is provided which, depending on the external influences, influences the reproduced tone sequences at the time of playback or also generates these tone sequences first.
- a set of rules is provided which, depending on the external influences, influences the reproduced tone sequences at the time of playback or also generates these tone sequences first.
- sound processing devices are controlled in such a way that the generation, playback, modification, recording or playback of sounds or sound sequences by these devices depends on external influences and the sound processing device predetermined rules to the playback time in real time.
- external influences can be movements, types of movements, ambient volume, type of acoustic environment, ambient brightness, touch of the device (touchpad), etc.
- the invention continues to provide the task of the composer tools for the creation and distribution of such rules available, achieved by the compilation of the rules (compositions) a program (compiler) is used, which can be adapted to different computers and the creators of the rules (composers) provides a user interface with which the rules are easily created and stored in suitable for the respective sound generating devices form (machine code) in a database, from which it retrieved by users of the sound generating devices as needed and to the respective Sound generator of the user are loaded.
- this distribution of the rules on the sound generating devices via the Internet or the mobile phone network.
- FIG. 1 shows a program flowchart for a method according to the invention
- Fig. 3 is a further schematic representation of the method according to the invention for distributing the rules.
- the program flowchart 8 consists of individual phases 10, 12, 14 and transitions
- phase 10 the phase 10
- a set of rules 18 is specified, which is either subject to certain conditions may dictate the transition to another phase or the reproduction of certain acoustic elements 22 which are described or stored in detail in the area 20. These elements 22 may be melodies or recordings of any sounds (samples) or sound effects currently being picked up by a sound input. Several channels (bus 1, bus 2 ... bus X) can also be provided. Thus, the composer can specify several options, which the system then automatically selects based on the rules 18 and the input data received from the sensors at the time of playback.
- the rule 18 can thus describe the respective dependencies and
- the rule 18 may also include the instruction to put certain sound sequences from the environment in time or frequency to introduce into the display elements ( routing). It is also possible, for example, to jump immediately to another phase 12, 14 when certain acceleration data is present.
- each of these phases 10, 12, 14 can have a completely new composition of the components 18, 20 and in each phase, the composer can specify the method according to the invention, whether the phase is performed (played), or whether to another phase is jumped. This takes place in each case depending on the input data of the respective sensor selected by the composer selected by the composer.
- compositions or appropriate program schedules for the sound production setti created and the sound generating devices as needed by the user to be stored.
- Figure 2 shows the relevant procedure in general.
- the composers 20 use a program system of editors and compilers 22 (scene composition suit) to create appropriate program schedules 8 or rules 18 and in a device for the respective tone generator executable code (machine code) implement.
- the corresponding program flow charts 8 or rules 18 are then distributed to the users 26 of the sound generating devices (consumer) so that the users can load the corresponding program schedules or rules on their respective sound generating devices.
- the individual program schedules 8 are determined by means of a suitable program. created from editors and compilers (Composition Software) 28 and converted into an executable for the respective sound generating device code. It should be noted that for different sound generating devices such as the Apple I-Phone, etc., of course, each have to use different compilers and thereby ultimately different translated sets of rules must be made available to the users of the sound generating devices.
- a database 30 is provided (RJDJ distribution platform) in which various composers can store their respective rules or program schedules, and from which the individual users download the appropriate to their respective sound generating device and their wishes sets of rules or program schedules to their respective sound generating device 32 can. This downloading process can take place, for example, via the Internet or via the mobile communications networks that have since been upgraded to digital data transmission.
Landscapes
- Engineering & Computer Science (AREA)
- Physics & Mathematics (AREA)
- Acoustics & Sound (AREA)
- Multimedia (AREA)
- Theoretical Computer Science (AREA)
- Electrophonic Musical Instruments (AREA)
Abstract
Description
Claims
Applications Claiming Priority (2)
Application Number | Priority Date | Filing Date | Title |
---|---|---|---|
DE102008039967A DE102008039967A1 (de) | 2008-08-27 | 2008-08-27 | Verfahren zum Betrieb eines elektronischen Klangerzeugungsgerätes und zur Erzeugung kontextabhängiger musikalischer Kompositionen |
PCT/EP2009/061021 WO2010023231A1 (de) | 2008-08-27 | 2009-08-26 | Verfahren zum betrieb eines elektronischen klangerzeugungsgerätes und zur erzeugung kontextabhängiger musikalischer kompositionen |
Publications (1)
Publication Number | Publication Date |
---|---|
EP2327071A1 true EP2327071A1 (de) | 2011-06-01 |
Family
ID=41203912
Family Applications (1)
Application Number | Title | Priority Date | Filing Date |
---|---|---|---|
EP09782235A Ceased EP2327071A1 (de) | 2008-08-27 | 2009-08-26 | Verfahren zum betrieb eines elektronischen klangerzeugungsgerätes und zur erzeugung kontextabhängiger musikalischer kompositionen |
Country Status (4)
Country | Link |
---|---|
US (1) | US20110208332A1 (de) |
EP (1) | EP2327071A1 (de) |
DE (1) | DE102008039967A1 (de) |
WO (1) | WO2010023231A1 (de) |
Families Citing this family (2)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
CN104380371B (zh) * | 2012-06-04 | 2020-03-20 | 索尼公司 | 用于生成输入音乐数据的伴奏的装置、***和方法 |
US8927846B2 (en) * | 2013-03-15 | 2015-01-06 | Exomens | System and method for analysis and creation of music |
Family Cites Families (11)
Publication number | Priority date | Publication date | Assignee | Title |
---|---|---|---|---|
JP3533975B2 (ja) * | 1999-01-29 | 2004-06-07 | ヤマハ株式会社 | 自動作曲装置および記憶媒体 |
US20010035087A1 (en) * | 2000-04-18 | 2001-11-01 | Morton Subotnick | Interactive music playback system utilizing gestures |
JP4694705B2 (ja) * | 2001-02-23 | 2011-06-08 | ヤマハ株式会社 | 楽音制御システム |
WO2003017248A2 (en) * | 2001-08-16 | 2003-02-27 | Humanbeams, Inc. | Music instrument system and method |
US6703550B2 (en) * | 2001-10-10 | 2004-03-09 | Immersion Corporation | Sound data output and manipulation using haptic feedback |
JP3867630B2 (ja) * | 2002-07-19 | 2007-01-10 | ヤマハ株式会社 | 楽曲再生システム、楽曲編集システム、楽曲編集装置、楽曲編集端末、楽曲再生端末及び楽曲編集装置の制御方法 |
DE202004008347U1 (de) | 2004-05-25 | 2004-09-16 | Breidenbrücker, Michael | Vorrichtung zur Erzeugung neuartiger Klangfolgen |
JP2006084749A (ja) * | 2004-09-16 | 2006-03-30 | Sony Corp | コンテンツ生成装置およびコンテンツ生成方法 |
KR20070009298A (ko) * | 2005-07-15 | 2007-01-18 | 삼성전자주식회사 | 모션 감지에 의하여 효과 음향을 재생하고 제어하는 방법및 장치 |
US7491878B2 (en) * | 2006-03-10 | 2009-02-17 | Sony Corporation | Method and apparatus for automatically creating musical compositions |
US20080172137A1 (en) * | 2007-01-12 | 2008-07-17 | Joseph Safina | Online music production, submission, and competition |
-
2008
- 2008-08-27 DE DE102008039967A patent/DE102008039967A1/de not_active Ceased
-
2009
- 2009-08-26 US US13/060,555 patent/US20110208332A1/en not_active Abandoned
- 2009-08-26 WO PCT/EP2009/061021 patent/WO2010023231A1/de active Application Filing
- 2009-08-26 EP EP09782235A patent/EP2327071A1/de not_active Ceased
Non-Patent Citations (1)
Title |
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See references of WO2010023231A1 * |
Also Published As
Publication number | Publication date |
---|---|
US20110208332A1 (en) | 2011-08-25 |
WO2010023231A1 (de) | 2010-03-04 |
DE102008039967A1 (de) | 2010-03-04 |
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