CN111532073A - Method for making flat-silk cloisonne handicraft picture - Google Patents
Method for making flat-silk cloisonne handicraft picture Download PDFInfo
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- CN111532073A CN111532073A CN202010301879.9A CN202010301879A CN111532073A CN 111532073 A CN111532073 A CN 111532073A CN 202010301879 A CN202010301879 A CN 202010301879A CN 111532073 A CN111532073 A CN 111532073A
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- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44C—PRODUCING DECORATIVE EFFECTS; MOSAICS; TARSIA WORK; PAPERHANGING
- B44C5/00—Processes for producing special ornamental bodies
- B44C5/04—Ornamental plaques, e.g. decorative panels, decorative veneers
- B44C5/0446—Ornamental plaques, e.g. decorative panels, decorative veneers bearing graphical information
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- B—PERFORMING OPERATIONS; TRANSPORTING
- B44—DECORATIVE ARTS
- B44D—PAINTING OR ARTISTIC DRAWING, NOT OTHERWISE PROVIDED FOR; PRESERVING PAINTINGS; SURFACE TREATMENT TO OBTAIN SPECIAL ARTISTIC SURFACE EFFECTS OR FINISHES
- B44D2/00—Special techniques in artistic painting or drawing, e.g. oil painting, water painting, pastel painting, relief painting
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Abstract
The invention discloses a method for manufacturing a plain cloisonne craft picture. The method engraves the artistic draft pattern with cloisonne artistic style and characteristics on the plate, uses the upper plate of rice paper to make gold rubbing and colour coating to make the artistic picture with stereo perception and projecting gold wire.
Description
Technical Field
The invention relates to the technical field of artworks, in particular to a method for manufacturing a plain cloisonne craft picture.
Background
The cloisonne art picture is called as the colored sand picture, the crystal gold wire colored sand picture, cloisonne enamel, the gold wire picture, the gold wire sand picture, the cloisonne decorative picture, the cloisonne colored sand picture, the cloisonne sand picture, etc., it is a traditional art work, use the inlaying wire, the point blue technology in the traditional cloisonne art work for reference, inlay various patterns on the flat medium with the metal wire, the cloisonne art picture uses the glaze, the glaze sand, the colored sand, etc. raw materials point blue to color, carry on the polishing treatment to the picture finally, make the finished picture present the crystal transparent, beautiful feel; multi-level picture effects such as frosting, matte, sand sense, stereo and the like can also be processed; it can also be used to make various landscape and landscape pictures in the form of silk-free sand picture.
Chinese patent publication CN 106379103 a discloses a manufacturing method of cloisonne craft picture, comprising the following steps: s1, copying a picture on a plane board; s2, drawing the outline of the picture S1 by using metal wires; s3, coloring the contour of S2 by using a pigment; s4, uniformly coating a reinforcing agent on the plane plate in the S3; s5, coating the flat plate of S4 with a protective film, and after drying, tearing off the protective film. The manufacturing method of the cloisonne art picture is simple and easy to learn, and the manufactured cloisonne art picture is moisture-proof and moisture-proof, and is smooth, smooth and firm.
However, the above method has the problems that the cloisonne art picture needs metal wires to outline the picture, and the cloisonne art picture is supported on a plane plate, so that the occupied space is large, and the cloisonne art picture is inconvenient to carry or store.
Disclosure of Invention
Aiming at the technical problems in the prior art, the invention provides a method for manufacturing a plain cloisonne craft picture, and the manufactured finished product has stereoscopic impression and outstanding gold wires, and rice paper can be rolled and is convenient to carry.
In order to realize the technical purpose, the invention provides a method for manufacturing a flat-silk cloisonne craft picture, which comprises the following steps:
plate making: designing a drawing draft according to the wire inlay profile blocks, scanning the drawing draft to manufacture an electronic plate, carving the drawing draft on a film by a carving machine, sticking the film with the carved drawing draft on a plate with the same size, carving a pattern on the plate according to the drawing draft, wherein a gold wire part forming the wire inlay profile blocks is protruded on the plate with the carved pattern, and two sides of the gold wire part are downwards sunken to form sunken parts forming a pattern; the side wall of the formed concave part is vertical to the bottom wall, so that the gold wire part is protruded on the upper surface of the plate;
a paper feeding step: after the rice paper is wetted, flatly brushing the rice paper on a board with a pattern by using a brush to dip rubbing liquid, completely pasting the rice paper and the board, drying, uniformly and shallowly rubbing the position, corresponding to a gold wire part, of the dried rice paper by using a rubbing bag to be stained with gold ink once to form a wire inlay layer with the same width, selecting water-based pigments required by each part of the pattern corresponding to a depressed part according to a designed original draft, and coating required colors on each part of the pattern to form a pattern layer;
and (3) carrying out an actual development step: after the color is dry, the wire inlay layer is developed once by using gold ink.
Further, the depth of the concave part in the plate making step is 1mm-3 mm.
Further, the rice paper in the paper feeding step is rice paper without paper.
Further, the raw materials of the gold ink comprise 33 parts by weight of gold powder, 30 parts by weight of water-soluble acrylic resin, 3.5 parts by weight of sodium carboxymethylcellulose, 5.5 parts by weight of benzophenon o-hydroxybenzoate, 20 parts by weight of bletilla striata water and 8 parts by weight of stone powder. The formula is more favorable for the adhesion of gold ink and has strong durability.
Further, the step of feeding paper further comprises the steps of after the rice paper is flatly brushed on the plate with the carved patterns, padding a thin felt on the plate, and moving and hammering the thin felt by using a hammering tool, wherein the thickness of the thin felt is 0.5cm-1 cm.
Further, the hammering tool is a rubber hammer.
Further, the product after the rubbing step is carried out mounting treatment, wherein the mounting treatment comprises the steps of supporting the core by a dry mounting method, adding edges and top and bottom, and finally covering and forming.
One or more technical solutions provided in the embodiments of the present invention have at least the following technical effects or advantages:
the finished product, namely the flat-silk cloisonne handicraft picture, manufactured by the manufacturing method of the flat-silk cloisonne handicraft picture provided by the embodiment of the invention is obtained by engraving a handicraft picture draft pattern with cloisonne handicraft style and characteristics on a panel, and using a rice paper upper panel for bronzing and coloring to manufacture the handicraft picture with stereoscopic impression and outstanding gold wires.
Drawings
FIG. 1 is a process flow diagram of the manufacturing method of the flat-filament cloisonne craft picture provided by the invention;
FIG. 2 is a schematic view of an exemplary engraved plate pattern of the present invention;
FIG. 3 is a cross-sectional view A-A of FIG. 2;
fig. 4 is a schematic view of another exemplary engraved plate pattern of the present invention.
Description of the reference numerals
100-engraving a flat plate pattern, 101-a gold wire part, 102-a concave part;
200-engraving a flat plate pattern, 201-gold wire part, 202-concave part.
Detailed Description
Other objects and advantages of the present invention will become apparent by the explanation of the preferred embodiments of the present invention which follow.
[ EXAMPLES one ]
As shown in fig. 1-3, a method for making a flat-silk cloisonne craft picture comprises the following steps:
plate making: the sketches are designed according to the filigree outlines in blocks, and can be paintings such as leaves of figures, flowers and birds. Scanning the leaf drawing draft to make an electronic plate, carving the drawing draft on a film by a carving machine, sticking the film with the carved patterns on a green stone plate with the same size, and carving the patterns on the green stone plate by an angle grinder and an electric grinder through manual work; a gold wire part 101 forming the wire inlay contour blocks is protruded on the plate with the carved pattern, namely the outer contour part of each block of the leaf of the carved flat plate pattern 100 is formed and corresponds to a copper wire part used for wire inlay in the cloisonne art picture; two sides of the gold wire part 101 are recessed downwards to form a recessed part 102 forming a pattern, and the recessed part corresponds to a dot blue pattern part in the cloisonne craft picture; the side wall of the formed concave part 102 is vertical to the bottom wall, so that the gold wire part 101 is protruded on the upper surface of the plate, and is convenient to be attached to the rice paper to form a cloisonne wire inlay effect. The green stone plate has dense texture, medium strength and easy processing.
The carving machine can be a laser carving machine, and is mainly used for cutting according to the requirements of instructions on flexible media (such as paper, PVC films, plastic films and the like) according to characters or patterns designed by a computer application program by utilizing a cutter which is self-contained. The depth of the pattern at the carving position is determined according to the expansion coefficient of the rice paper after being wetted with water, and is about 1mm-3mm, which is determined by the fact that the rice paper can extend into the concave part 102 of the pattern after being expanded. The patterns are firstly engraved on the film to form hollowed-out patterns, then the film is pasted on the green stone plate, the medium of the film avoids that engraving of a rough drawing on the green stone plate directly cannot be controlled, the engraving width cannot be controlled, and the smoothness of the gold wire part 101 is difficult to guarantee, the formed craft drawing is more consistent with the cloisonne process through the film engraving, and the finished product is more exquisite compared with the original drawing.
A paper feeding step: after rice paper is wetted by spraying (a sprinkling can be used for wetting), a brush is used for dipping rubbing liquid and is brushed on a plate with a carved pattern, specifically, the brush is used for dipping rubbing liquid and is evenly brushed on a black stone plate with a carved pattern, the rice paper is aligned with four corners from top to bottom and then is tiled on the black stone plate, a soft brush is used for brushing the rice paper from top to bottom from the middle to the left and the right from the inside to the outside until no wrinkles exist, and air is removed to enable the rice paper and the black stone plate to be tightly attached; and (3) padding a thin felt, and moving and hammering by using a hammering tool to ensure that the rice paper and the board are completely pasted and dried. Uniformly and shallowly rubbing the position corresponding to the gold wire part 101 on the dried rice paper once by using a rubbing bag to be stained with gold ink to form a wire inlay layer with the same width so as to enable the formed cloisonne craft picture to be flat and exquisite in wire inlay; selecting the water-based pigment required by each part of the pattern corresponding to the depressed part 102 according to the design original draft, and coating each part of the pattern with the required color to form a pattern layer;
the brush can be a wool brush or a paint roller and the like, so that the rubbing liquid is uniformly coated on the plate. The liquid is prepared from bletilla striata water, which is sticky to glue, and can be used after being boiled as glue before use, and the bletilla striata water can be used for bonding the rice paper and the plate, so that the pattern is better and prominent.
The soft brush can be a palm brush or a wool brush, and the rice paper is repeatedly brushed and swept by the palm brush or the wool brush, so that the rice paper is easier to ink, and the wire inlay effect is prominent.
The rice paper can be pure rice paper, wherein the pure rice paper is refined by adding a small amount of rice straw, has a sandalwood bark content of more than 60%, and is tough and soft, and is suitable for writing and drawing.
The beating tool is a rubber hammer and the like, and can not be beaten with too large force during beating so as to avoid the breakage of the rice paper; when in beating, the patterns and the wire inlay layer are evenly applied with force to beat, so that the carved patterns are all highlighted on the rice paper.
The thickness of the thin felt is 0.5cm-1cm, so that the phenomenon that the edges of the rubber hammers leave marks on the rice paper to influence the attractiveness of the finished craft picture is avoided.
The water-based pigment is made of mineral pigments, is pure natural, does not change color, is bright in color and attractive in vision, and compared with the traditional glaze, the process of glue filling and glaze sealing is omitted, the manufacturing time of the cloisonne craft picture is shortened, and the exquisite degree of color of the manufactured cloisonne craft picture is guaranteed.
And (3) carrying out an actual development step: after the color is dry, the part of the wire inlay layer is filled with gold ink.
The gold ink is prepared from the following raw materials in percentage by weight: 33% of gold powder, 30% of water-soluble acrylic resin, 3.5% of sodium carboxymethylcellulose, 5.5% of benzol ortho-hydroxybenzoate, 20% of bletilla striata water and 8% of stone powder, and the color of the gold wire is similar to that of the traditional cloisonne filigree gold wire, so that a cloisonne effect is easily generated. The water-soluble acrylic resin has viscosity increasing property, and the viscosity of water can be greatly increased by a small amount of high molecules; the gold ink has the advantages of adsorbability, easy adsorption of solid particles in water, easy adsorption by other solid surfaces, favorable adhesion of gold ink and strong durability. The bletilla striata liquid has the effects of colorlessness, transparency and viscosity, and has the function of improving the adsorption force of the gold ink so that the gold ink can not fall off when being attached to the rice paper.
The rubbing bag is a cloth bag which is made by wrapping broken cotton with vest cloth and is small to the button and big to the bowl mouth. When the rubbing bag is used, two rubbing bags are required to be beaten mutually, so that the color of the rubbing bag to be rubbed is uniform, and the wire inlay layer is uniformly colored.
Mounting: and (5) carrying out mounting treatment on the product after the actual rubbing step is finished. The mounting treatment comprises supporting the core by a dry mounting method, adding edges and top and bottom, and finally covering and forming, namely adhering two layers of supported single rice paper (namely covering paper) on the back of the aired works to reinforce, flatten, shape and then struggle to be flat against the wall. When the dry mounting method is used for mounting, the spraying is strictly forbidden, and the spraying is easy to flatten, so that the stereoscopic impression can be reduced.
The invention provides a method for making a cloisonne handicraft picture with flat thread, which comprises engraving a handicraft draft pattern with cloisonne handicraft style and characteristics on a stone slab, rubbing gold on a rice paper, and painting to obtain a handicraft picture with three-dimensional effect and protruding gold thread. The method for manufacturing the plain cloisonne craft picture has the advantages of convenient material acquisition, simple manufacture, excellent artistic effect, reelability of rice paper, portability and batch production. The finished product made by the method for making the cloisonne handicraft picture, namely the cloisonne handicraft picture, is formed on the Chinese art paper, and can be rolled up like the Chinese painting by adopting a mounting method similar to the Chinese painting, thereby solving the problems that the cloisonne handicraft picture in the prior art needs wires to be inlaid and is inconvenient to carry depending on wood boards or glass boards and the like.
[ example two ]
As shown in fig. 1-3, a method for making a flat-silk cloisonne craft picture comprises the following steps:
plate making: the sketches are designed according to the filigree outlines in blocks, and can be paintings such as leaves of figures, flowers and birds. Scanning the leaf drawing draft to make an electronic plate, carving the drawing draft on a film by a carving machine, sticking the film with the carved patterns on a green stone plate with the same size, and carving the patterns on the green stone plate by an angle grinder and an electric grinder through manual work; a gold wire part 101 forming the wire inlay contour blocks is protruded on the plate with the carved pattern, namely the outer contour part of each block of the leaf of the carved flat plate pattern 100 is formed and corresponds to a copper wire part used for wire inlay in the cloisonne art picture; two sides of the gold wire part 101 are recessed downwards to form a recessed part 102 forming a pattern, and the recessed part corresponds to a dot blue pattern part in the cloisonne craft picture; the side wall of the formed concave part 102 is vertical to the bottom wall, so that the gold wire part 101 is protruded on the upper surface of the plate, and is convenient to be attached to the rice paper to form a cloisonne wire inlay effect. The green stone plate has dense texture, medium strength and easy processing.
The carving machine can be a laser carving machine, and is mainly used for cutting according to the requirements of instructions on flexible media (such as paper, PVC films, plastic films and the like) according to characters or patterns designed by a computer application program by utilizing a cutter which is self-contained. The depth of the pattern at the carving position is determined according to the expansion coefficient of the rice paper after being wetted with water, and is about 1mm-3mm, which is determined by the fact that the rice paper can extend into the concave part 102 of the pattern after being expanded. The patterns are firstly engraved on the film to form hollowed-out patterns, then the film is pasted on the green stone plate, the medium of the film avoids that engraving of a rough drawing on the green stone plate directly cannot be controlled, the engraving width cannot be controlled, and the smoothness of the gold wire part 101 is difficult to guarantee, the formed craft drawing is more consistent with the cloisonne process through the film engraving, and the finished product is more exquisite compared with the original drawing.
A paper feeding step: after the rice paper is wetted by spraying (a watering can be used for wetting), the rice paper is aligned with four corners from top to bottom, then is tiled on a carved celadon plate, and is dipped with clear water by a soft brush to repeatedly brush the rice paper (the rice paper is brushed flat from top to bottom and from left to right from inside to outside until no wrinkles exist), so that the rice paper and the plate are completely pasted tightly and then are dried. Uniformly and shallowly rubbing the position corresponding to the gold wire part 101 on the dried Chinese art paper once by using a rubbing bag to be stained with gold ink to form a wire inlay layer with the same width so as to enable the formed cloisonne craft picture to be flat and exquisite in wire inlay; the aqueous pigment required for each part of the pattern corresponding to the recessed part 102 is selected according to the design draft, and each part of the pattern is coated with a required color to form a pattern layer.
The rice paper can be pure rice paper, wherein the pure rice paper is refined by adding a small amount of rice straw, has a sandalwood bark content of more than 60%, and is tough and soft, and is suitable for writing and drawing.
The soft brush can be a palm brush or a wool brush, and the rice paper is repeatedly brushed and swept by the palm brush or the wool brush, so that the rice paper is easier to ink, and the wire inlay effect is prominent.
The water-based pigment is a mineral pigment, is pure natural, does not change color, is bright in color and attractive in vision, saves the processes of glue filling and glaze sealing compared with the traditional glaze, reduces the manufacturing time of the cloisonne craft picture, and ensures the exquisite degree of color of the manufactured cloisonne craft picture.
And (3) carrying out an actual development step: after the color is dry, the part of the pattern wire inlay layer is used for rubbing with gold ink.
The gold ink is prepared from the following raw materials in percentage by weight: 33% of gold powder, 30% of water-soluble acrylic resin, 3.5% of sodium carboxymethylcellulose, 5.5% of benzol ortho-hydroxybenzoate, 20% of bletilla striata water and 8% of stone powder, and the color of the gold wire is similar to that of the traditional cloisonne filigree gold wire, so that a cloisonne effect is easily generated.
The rubbing bag is a cloth bag which is made by wrapping broken cotton with vest cloth and is small to the button and big to the bowl mouth. When the rubbing bag is adopted, two rubbing bags are required to be beaten mutually, so that the color of the rubbing bag to be rubbed is uniform, and the wire inlay layer is uniformly colored.
Mounting: and (5) carrying out mounting treatment on the product after the actual rubbing step is finished. The mounting treatment comprises supporting the core, adding edges and top and bottom ends by a dry mounting method, and finally covering and forming, namely adhering two layers of supported single-wall paper (namely covering paper) on the back of the aired works to reinforce, flatten, shape and then shake flat by pasting the paper on the wall. When the dry mounting method is used for mounting, the spraying is strictly forbidden, and the spraying is easy to flatten, so that the stereoscopic impression can be reduced.
[ EXAMPLE III ]
As shown in fig. 1 and 4, a method for manufacturing a flat-silk cloisonne craft picture comprises the following steps:
plate making: the picture manuscript is designed according to the filigree outline blocks, and can be a calligraphy work such as a word 'one'. Scanning the 'one' calligraphy and painting manuscript to manufacture an electronic plate, carving the calligraphy and painting manuscript on a film by a carving machine, sticking the film carved with the calligraphy and painting manuscript on a wood plate which has the same size and is polished to be smooth, carving the pattern of the calligraphy and painting manuscript by a carving knife, and polishing the carved pattern to be smooth; the plate with the carved pattern is provided with a gold wire part 201 which forms a wire inlay profile block, namely an outer contour part of a line-shaped carved flat plate pattern 200 is formed, and the outer contour part corresponds to a copper wire part used for wire inlay in the cloisonne art picture; two sides of the gold wire part 201 are recessed downwards to form a patterned recessed part 202 corresponding to a dot blue pattern part in the cloisonne art picture, namely a calligraphy part; the lateral wall of the concave part 202 is vertical to the bottom wall, so that the gold wire part 201 is protruded on the upper surface of the plate, and the cloisonne inlay effect is formed by the adhesion of the gold wire part 201 and the rice paper.
The carving machine can be a laser carving machine, and is mainly used for cutting according to the requirements of instructions on flexible media (such as paper, PVC films, plastic films and the like) according to characters or patterns designed by a computer application program by utilizing a cutter which is self-contained. The depth of the pattern at the carving position is determined according to the expansion coefficient of the rice paper after being wetted by water, about 1mm-3mm, and the depth is determined according to the fact that the rice paper can extend into the concave part 202 of the pattern after being expanded. The pattern is firstly engraved on the film to form the hollowed pattern, then the film is pasted on the wood board, the medium of the film avoids that the engraving width can not be controlled to ensure the smoothness of the golden wire part 201 when the original picture is directly engraved on the wood, the formed craft picture is more consistent with the cloisonne process through the engraving of the film, and the craft picture is more exquisite with the original picture.
A paper feeding step: after the rice paper is wetted by spraying (a watering can be used for wetting), aligning the rice paper with four corners from top to bottom, then spreading the rice paper on a board with a carved pattern, dipping clean water by a soft brush to repeatedly brush the rice paper (from top to bottom, from middle to left, from inside to outside until no wrinkles exist), and allowing the rice paper and the board to be completely pasted and dried. Uniformly and shallowly rubbing the position corresponding to the gold wire part 201 on the dried Chinese art paper once by using a rubbing bag to be stained with gold ink to form a wire inlay layer with the same width so as to enable the formed cloisonne craft picture to be flat and exquisite in wire inlay; selecting the water-based pigment required by each part of the pattern corresponding to the concave part 202 according to the original design draft, namely the original calligraphy font, and coating the required color on each part of the pattern to form a pattern layer;
the rice paper can be pure rice paper, wherein the pure rice paper is refined by adding a small amount of rice straw, has a sandalwood bark content of more than 60%, and is tough and soft, and is suitable for writing and drawing.
The soft brush can be a palm brush or a wool brush, and the rice paper is repeatedly brushed and swept by the palm brush or the wool brush, so that the rice paper is easier to ink, and the wire inlay effect is prominent.
The water-based pigment is black ink used for calligraphy, so that cloisonne effect of gold-edge calligraphy is achieved.
And (3) carrying out an actual development step: after the color is dry, the wire inlay layer is used for rubbing once by using the gold ink.
The gold ink is prepared from the following raw materials in percentage by weight: 33% of gold powder, 30% of water-soluble acrylic resin, 3.5% of sodium carboxymethylcellulose, 5.5% of benzol ortho-hydroxybenzoate, 20% of bletilla striata water and 8% of stone powder, and the color of the gold wire is similar to that of the traditional cloisonne filigree gold wire, so that a cloisonne effect is easily generated.
The rubbing bag is a cloth bag which is made by wrapping broken cotton with vest cloth and is small to the button and big to the bowl mouth. When the rubbing bag is adopted, two rubbing bags are required to be beaten mutually, so that the color of the rubbing bag to be rubbed is uniform, and the wire inlay layer is uniformly colored.
Mounting: and (5) carrying out mounting treatment on the product after the actual rubbing step is finished. The mounting treatment comprises supporting the core by a dry mounting method, adding edges and top and bottom, and finally covering and forming, namely adhering two layers of supported single rice paper (namely covering paper) on the back of the aired works to reinforce, flatten, shape and then struggle to be flat against the wall. When the dry mounting method is used for mounting, the spraying is strictly forbidden, and the spraying is easy to flatten, so that the stereoscopic impression can be reduced.
The method of making the cloisonne enamel craft painting of the invention has been described in detail with reference to the preferred embodiments of the invention, however, it should be understood that those skilled in the art may make modifications, alterations and adaptations to the invention based on the above disclosure without departing from the spirit of the invention. The invention includes the specific embodiments described above and any equivalents thereof.
Claims (7)
1. The manufacturing method of the flat-silk cloisonne craft picture is characterized by comprising the following steps:
plate making: designing a picture draft according to the filigree contour blocks, scanning the picture draft to manufacture an electronic plate, carving the picture draft on a film by a carving machine, sticking the film with the carved picture draft on a plate with the same size, carving a pattern on the plate according to the picture draft, wherein a golden wire part forming the filigree contour blocks is projected on the plate after the pattern is carved, and two sides of the golden wire part are downwards sunken to form sunken parts forming a pattern; the side wall of the formed concave part is vertical to the bottom wall, so that the gold wire part is protruded on the upper surface of the plate;
a paper feeding step: after the rice paper is wetted, flatly brushing the rice paper on a board with a pattern by using a brush to dip rubbing liquid, completely pasting the rice paper and the board, drying, uniformly and shallowly rubbing the position, corresponding to the gold wire part, of the dried rice paper by using a rubbing bag to be stained with gold ink once to form a wire inlay layer with the same width, selecting water-based pigments required by each part of the pattern corresponding to the depressed part according to a designed original drawing, and coating the required colors on each part of the pattern to form a pattern layer;
and (3) carrying out an actual development step: after the color is dry, the wire inlay layer is developed once by using gold ink.
2. The method for making the cloisonne enamel painting as claimed in claim 1, wherein the depth of the concave part in the plate making step is 1mm-3 mm.
3. The method for making the flat-silk cloisonne handicraft picture according to claim 1, wherein the rice paper in the paper-feeding step is rice paper without skin.
4. The method for making the plain cloisonne craft picture according to claim 1, wherein the raw materials of the gold ink comprise 33 parts by weight of gold powder, 30 parts by weight of water-soluble acrylic resin, 3.5 parts by weight of sodium carboxymethylcellulose, 5.5 parts by weight of phenyl anthranilate, 20 parts by weight of bletilla striata water and 8 parts by weight of stone powder.
5. The method for making the cloisonne art picture according to claim 1, wherein the paper feeding step further comprises the steps of laying a thin felt on the plate after the rice paper is flatly brushed on the plate with the pattern, and moving and hammering the thin felt by a hammering tool, wherein the thickness of the thin felt is 0.5cm-1 cm.
6. The method of making the handicraft picture of cloisonne enamel according to claim 5, wherein said hammering tool is a rubber hammer.
7. The method for making the artistic drawing of flat-silk cloisonne as claimed in claim 1, wherein the finished product after the rubbing step is subjected to mounting treatment, wherein the mounting treatment comprises carrying out core supporting, edge adding and top and bottom head adding by dry mounting, and finally, carrying out covering and forming.
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Cited By (2)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN112223949A (en) * | 2020-11-22 | 2021-01-15 | 奉淋 | DIY novel process for cloisonne enamel painting |
| CN112759261A (en) * | 2021-03-01 | 2021-05-07 | 福建省德化顺意发陶瓷有限公司 | Cloisonne enamel color porcelain and preparation process thereof |
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